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Penelitian Feminis dalam Kajian Budaya:Titik-Temu dan Kontribusi Christian Budiman; Christian Budiman
Jurnal Kawistara Vol 11, No 1 (2021)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.62913

Gender studies have generated a perspective called feminist research that is not merely research on women, but also research for women. Driven by a will to prioritize women’s experiences and, therefore, the aim to emphasize the importance of their subjective experiences, feminist researchers tend to apply qualitative research methods by placing great emphasis on women as subjects of knowledge. The differences in disciplinary backgrounds and the methodological and epistemological positions of feminist are also increasingly blurred by the mutual borrowing of concepts and thoughts across disciplines, especially from literary theory, history, and cultural studies. In cultural studies, with its recent development recently, feminist research tends to be more oriented towards the basic assumptions of poststructuralism and/or postmodernism. They reject the perspective of a monolithic woman so that, therefore, there is no single and unitary truth about the story of woman’s reality. In this regard, culture is an important issue on the academic and political agenda of feminists. Not only is culture inseparable from gender and power factors, but it can also produce a better understanding of subjectivity. By understanding gender specifically as discourse, they do not deny the possibility of female subjectivity that is multiple, fragmented, and open up opportunities for differences and variations. Compared to the other feminist research positions, feminist cultural studies seem more hybrid, radical, and subversive.

Digitalisasi Ideologi: Mediatisasi Hegemoni Ritual Rambu Solo di Media Sosial Rivi Handayani; Heddy Shri Ahimsa-Putra; Christian Budiman
Communicatus: Jurnal Ilmu komunikasi Vol 4, No 1 (2020): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v4i1.8493

This article argues that the emergence of contents related to the Rambu Solo ritual on social media is a manifestation of the hegemonic ideology that was digitalized by the new generation of Toraja. Using the theoretical framework of mediatization, this article aims to explore how the hegemony of Rambu solo ritual operates in social media context. By using virtual ethnography method, it can be explained that the mediatization of the hegemony of Rambu Solo rituals on social media are basically implying three things; firstly, the narrative about the Rambu Solo ritual on social media has given birth to a new form of interaction and communication in a broader scope; secondly, the narrative of Rambu Solo ritual on social media has made the media as a new domain to find meanings about the Rambu Solo ritual; and third, the narrative of Rambu Solo ritual indicates the accommodation efforts of the Torajanese new generation towards the rules that apply in the context of social media with the general characteristics of user-generated content. The Torajanes new generation has voluntarily "continued" this ritual hegemony.Artikel ini berargumen bahwa kehadiran konten-konten ritual Rambu Solo di media sosial merupakan manifestasi dari ideologi hegemonik yang mengalami digitalisasi oleh generasi baru Toraja. Menggunakan kerangka teori mediatisasi, artikel ini bertujuan untuk mengeksplorasi tentang bagaimana hegemoni ritual Rambu Solo ini beroperasi dalam konteks media sosial. Dengan menggunakan metode etnografi virtual, dapat diuraikan bahwa mediatisasi hegemoni ritual Rambu Solo di media sosial ini telah mengimplikasikan tiga hal; Pertama, narasi tentang ritual Rambu Solo di media sosial telah melahirkan bentuk baru dari interaksi dan komunikasi dengan cakupan yang lebih luas; kedua, narasi ritual Rambu Solo di media sosial telah menjadikan media sebagai ranah baru untuk menemukan makna-makna tentang ritual Rambu Solo; dan ketiga, narasi ritual Rambu Solo mengindikasikan adanya upaya akomodasi yang dilakukan oleh para generasi muda Toraja terhadap aturan-aturan yang berlaku dalam konteks media sosial dengan ciri umum user-generated content. Generasi baru Toraja secara sukarela telah “melanjutkan” hegemoni ritual ini.

Strukturasi Media Daerah dalam Regulasi di Era Konvergensi dan Disrupsi Nunik Hariyani; Hermin Indah Wahyuni; Christian Budiman
YUSTISIA MERDEKA : Jurnal Ilmiah Hukum Vol. 4 No. 2 (2018): JURNAL YUSTISIA MERDEKA
Publisher : Universitas Merdeka Madiun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33319/yume.v4i2.14

This research moves from the reality of media life of area in Madiun of East Java which experiencing changes in line with social politics situation of Indonesia. Media is a commodity that can be exchanged, it is exploit all the potential and various social forces that exist. This study aims to know and analyze the stuctutation of regional mass media, the weekly magazine of Kridha Rakyat in Madiun, East Java. The theory used is the political economy approach that is the structuration according to Vincent Mosco. The method used is descriptive qualitative with data collection technique through interview, observation, ethnography and content analysis. The results show that the media perform the process of production and reproduction of power structures by media rulers (owner) by utilizing media agents and social relationship with other structure outside media. The media produces a series of power-reinforcing powers that ultimately reinforce the media's position.

Penelitian Feminis dalam Kajian Budaya:Titik-Temu dan Kontribusi Christian Budiman; Christian Budiman
Jurnal Kawistara Vol 11, No 1 (2021)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.62913

Gender studies have generated a perspective called feminist research that is not merely research on women, but also research for women. Driven by a will to prioritize women’s experiences and, therefore, the aim to emphasize the importance of their subjective experiences, feminist researchers tend to apply qualitative research methods by placing great emphasis on women as subjects of knowledge. The differences in disciplinary backgrounds and the methodological and epistemological positions of feminist are also increasingly blurred by the mutual borrowing of concepts and thoughts across disciplines, especially from literary theory, history, and cultural studies. In cultural studies, with its recent development recently, feminist research tends to be more oriented towards the basic assumptions of poststructuralism and/or postmodernism. They reject the perspective of a monolithic woman so that, therefore, there is no single and unitary truth about the story of woman’s reality. In this regard, culture is an important issue on the academic and political agenda of feminists. Not only is culture inseparable from gender and power factors, but it can also produce a better understanding of subjectivity. By understanding gender specifically as discourse, they do not deny the possibility of female subjectivity that is multiple, fragmented, and open up opportunities for differences and variations. Compared to the other feminist research positions, feminist cultural studies seem more hybrid, radical, and subversive.

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