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E-Demokrasi pada Perdebatan Publik di Twitter: Analisis Konten Polemik Pemecatan Pegawai Komisi Pemberantasan Korupsi (KPK) Muhammad Iqbal Khatami; Novi Kurnia
Jurnal Riset Komunikasi Vol 5 No 1 (2022): Februari 2022
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komuniasi (ASPIKOM) Wilayah Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38194/jurkom.v5i1.449

Abstract

Artikel ini memuat analisis konten e-demokrasi yang terbangun dalam media sosial Twitter. Peneliti melihat fenomena polemik publik dalam terhadap isu pemecatan Pegawai KPK RI yang tidak lulus Tes Wawasan Kebangsaan (TWK). Data diambil dari Twitter dengan total mencapai 7789 tweet dan komentar dikumpulkan dalam rentang tanggal 27 September hingga 2 Oktober 2021. Analisis data menggunakan Software Nvivo 12 Plus. Tweet diklasifikasikan ke dalam lima kategori yakni Logika dan Analisis, Menyebut Pemerintah, Informasi, Kekhawatiran dan Impresi. Tweet kemudian didistribusikan ke dalam sentimen positif, netral dan negatif untuk melihat peta perdebatan yang terjadi. Hasil penelitian menunjukkan perdebatan banyak terjadi dengan kategori Impresi yakni didominasi oleh perdebatan saling serang hingga labelling antar kelompok. Opinion leaders dalam perdebatan ini didominasi oleh akun influencer, media massa, dan aktivis anti korupsi.
The Practice of Body Power and Masculine Resistance of Male Actors in Indonesian Comedy Films of the Reform Era Aminudin, Amin; Ana Nadhya Abrar; Novi Kurnia
International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 4 No 1 (2024): IJHESS AUGUST 2024
Publisher : CV. AFDIFAL MAJU BERKAH

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55227/ijhess.v4i1.1175

Abstract

The practice of power over male actors' bodies in comedy films is understood not as a neutral process where factual reality is conveyed directly through text or images, but as a social praxis related to the deconstruction of gender, resulting in new understandings of masculinity depicted in films from the Reform Era. To address this question, the researcher employs Norman Fairclough's critical discourse approach to comedy films as the main theoretical framework, combined with Michel Foucault's perspective on power relations and Maurice Merleau-Ponty's theory of body language. The paradigm used in this research is the critical paradigm, with data collection techniques obtained through film text documentation studies. The research results show that the male actor's body does not merely function as a tool for visual narration but also as a powerful medium for expressing deeper themes related to power, identity, and social dynamics. For instance, in the film Arisan! 2, the narrative highlights sexual freedom and emotional vulnerability. Meanwhile, Bebas emphasizes physical changes and social symbolism through the male body.