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Memahami Problema Kebijakan Telemanika Ana Nadhya Abrar
JKAP (Jurnal Kebijakan dan Administrasi Publik) 2002: JKAP VOLUME 6 NOMOR 2, TAHUN 2002
Publisher : Magister Administrasi Publik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (518.383 KB) | DOI: 10.22146/jkap.8431

Abstract

The art changing and development of the information technologies, mainly Internet, have to be responded quickly by Indonesian government bypreparing a set of new policies to reduce its negative impacts. This idea is driven by the fact that many problems experienced by the Internet users, so far, cannot be solved by the laws and regulations which already existed before i.e. LawNo 36/1999 andNo. 9/ 1999. Therefore, the author suggests in this article that more pressures and intensive political lobby are needed to convince the DPR that it is very urgent to take immediate action i.e. to discuss the Tekmatika bill and then legalize it to become the law.
Kebijakan Media Interaktif: Belum Melancarkan Sistem Komunikasi Indonesia Ana Nadhya Abrar
Jurnal ILMU KOMUNIKASI Vol. 5 No. 1 (2008)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (261.881 KB) | DOI: 10.24002/jik.v5i1.219

Abstract

Abstract: Some people believe that the communication policy determines the communication system. However, communication policy should be made to create good communication system. It means that to make the communication policy, people should considering the prior communication system. Relating to the interactive media policy, as a kind of communication policy, made by the Indonesian government, this article is intended to explore the relation between that policy and the Indonesian communication system. This article offers the thesis that the interactive media policy has been made by the government without fully considering to the communication system. It is indicated by: (1) not seriously considering the nature of interactive media, (2)not seriously enforcing people to make the social changes, and (3) not responsive.
Memahami Problema Kebijakan Telemanika Ana Nadhya Abrar
JKAP (Jurnal Kebijakan dan Administrasi Publik) Vol 6, No 2 (2002): November
Publisher : Magister Ilmu Administrasi Publik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jkap.8431

Abstract

The art changing and development of the information technologies, mainly Internet, have to be responded quickly by Indonesian government bypreparing a set of new policies to reduce its negative impacts. This idea is driven by the fact that many problems experienced by the Internet users, so far, cannot be solved by the laws and regulations which already existed before i.e. LawNo 36/1999 andNo. 9/ 1999. Therefore, the author suggests in this article that more pressures and intensive political lobby are needed to convince the DPR that it is very urgent to take immediate action i.e. to discuss the Tekmatika bill and then legalize it to become the law.
The Practice of Body Power and Masculine Resistance of Male Actors in Indonesian Comedy Films of the Reform Era Aminudin, Amin; Ana Nadhya Abrar; Novi Kurnia
International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 4 No 1 (2024): IJHESS AUGUST 2024
Publisher : CV. AFDIFAL MAJU BERKAH

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55227/ijhess.v4i1.1175

Abstract

The practice of power over male actors' bodies in comedy films is understood not as a neutral process where factual reality is conveyed directly through text or images, but as a social praxis related to the deconstruction of gender, resulting in new understandings of masculinity depicted in films from the Reform Era. To address this question, the researcher employs Norman Fairclough's critical discourse approach to comedy films as the main theoretical framework, combined with Michel Foucault's perspective on power relations and Maurice Merleau-Ponty's theory of body language. The paradigm used in this research is the critical paradigm, with data collection techniques obtained through film text documentation studies. The research results show that the male actor's body does not merely function as a tool for visual narration but also as a powerful medium for expressing deeper themes related to power, identity, and social dynamics. For instance, in the film Arisan! 2, the narrative highlights sexual freedom and emotional vulnerability. Meanwhile, Bebas emphasizes physical changes and social symbolism through the male body.