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All Journal Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra J-Lalite: Journal of English Studies
Raden Pujo Handoyo
Jenderal Soedirman University
Arts Humanities Education Languange, Linguistic, Communication & Media

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Translation Techniques and Acceptability of Onomatopoeia in Herge’s The Adventure of Tintin Comic Inas Haninisa; Dyah Raina Purwaningsih; Raden Pujo Handoyo
J-Lalite: Journal of English Studies Vol 1 No 2 (2020): December
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2020.1.2.3502

Abstract

This research is aimed to analyze the types of onomatopoeia, techniques of translation as well as the acceptability aspect of the translated onomatopoeia in The Adventure of Tintin comic in order to compare how English and Indonesian in naming the sound of something and know how translation techniques can affect the quality of translation products. This research used descriptive qualitative method and total sampling. This research primarily applied the theory of onomatopoeia especially the types of onomatopoeia from Thomas and Clara (2004:4), Molina and Albir’s (2002: 509) theory of translation techniques and Translation Quality Assessment (TQA) proposed by Nababan (2012: 44) which focused on acceptability aspect. The result shows that there are 121 data found in 21 comic series of Tintin. There are four types of onomatopoeia which are call of animals (19%), sound made by humans (17.3%), sound of nature (8.3%) and miscellaneous sound (55.4%). Meanwhile, techniques that are used by the translator are only five techniques. The techniques consist of adaptation (5%), borrowing (34.7%), discursive creation (19%), established equivalent (37.2%), and reduction (4.1%). At last, the translated onomatopoeia in Tintin comic are predominantly acceptable which has a total 82% of onomatopoeia, 15% belong to less acceptable, and 3% belong to unacceptable
From Words to Wounds: Translating Narrative Violence and Ideology in Laut Bercerita (The Sea Speaks His Name) Ni Made Dewi Cahyadi; Asrofin Nur Kholifah; Raden Pujo Handoyo
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 9, No 1 (2025): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v9i1.71232

Abstract

Abstract. Translating literary works into various languages is a common practice to expand wider audience. In literary works, violence often serves as an instigating element that might unsettle readers, making it a critical challenge for translators to convey while maintaining the nuances of the original text. The novel Laut Bercerita by Leila S. Chudori is one such literary work that best illustrates narrative violence. It depicts the struggle of activists against the authoritarian government during the New Order era. Investigating how narrative violence is re-expressed is essential, as certain forms of violence may not be acceptable in the target language, which highlights the importance of understanding to what extent a translator faithfully transfers such content from the source language to the target one. This study accordingly examines the types of narrative violence based on Slavoj Žižek theory of violence and digs into the translation strategies used by the translator in transferring the narrative violence using Almjirab’s concept of translation strategies. The research then identifies the translator’s ideology in revoicing narrative violence through Venuti’s concepts of foreignization and domestication. Employing a qualitative descriptive approach, the researcher conducts an in-depth analysis to reveal the proposed problems. The findings unveil three types of violence: subjective violence (84%), systemic violence (14%), and symbolic violence (2%). Moreover, four translation strategies were found: substitution (63%), censorship or omission (20%), taboo for taboo (11%), and euphemism (6%). The study concludes that the translator predominantly employed a domestication ideology, adopting a target language-oriented approach to ensure readability, linguistic acceptance, and emotional resonance. These findings show that domestication enhance the text’s accessibility for the target audience while potentially diminishing the source text’s linguistic and cultural elements.  Keywords: translation studies; translation strategies; ideology of translation; taboo words; narrative violence
Co-Authors Asrofin Nur Kholifah Dyah Raina Purwaningsih Inas Haninisa Ni Made Dewi Cahyadi