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All Journal Harmonia: Journal of Research and Education Panggung Jurnal Pendidikan dan Kebudayaan Jurnal Penelitian Musik Panggung Jurnal Penelitian Musik
Sri Hermawati Dwi Arini
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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KACAPI SULING INSTRUMENTALIA SEBAGAI SALAH SATU KESENIAN KHAS SUNDA Dwi Arini, Sri Hermawati; Supriadi, Didin
Harmonia: Journal of Arts Research and Education Vol 11, No 1 (2011)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i1.1498

Abstract

Penelitian ini untuk mendeskripsikan jenis-jenis kacapi sebagai kesenian khas Sunda. Penelitian ini menggunakan pendekatan kualitatif deskripsif. Hasil penelitian menunjukkan bahwa ada macam-macam kacapi Sunda, yakni Kacapi Perahu, Kacapi Siter dan Kacapi Ritmik. Masing-masing kacapi memiliki fungsi seni, tergantung tempat dan waktu dimainkannya. Ada juga kacapi yang berfungsi sebagai hiburan. Kebanyakan kecapi dimainkan bersamaan yakni yang berfungsi sebagai melodi dan iringan. Yang termasuk kecapi ini adalah Kacapi Calempungan dan Wanda Anyar. Jenis kacapi lainnya adalah Kacapi Suling. Wanda Anyar merupakan perkembangan kecapi. Ini dapat dilihat dari pengemangan teknik dan komposisi.   Instrumental Bamboo Kacapi as One of Unique Art of Sundanese   Abstract This study was to describe the various kacapi as unique Sundanese arts. This study used a descriptive qualitative approach. The results showed that there are various kacapi Sunda, ie Boat Kacapi, Zither Kacapi and Rhythmic Kacapi. Each kacapi has the function of art, depending on the place and time played. There is also kacapi that performs as entertainment. Most kacapi that are played simultaneously ferform as melody and accompaniment. Which include these kacapi are kacapi Calempungan and Wanda Anyar. Other type is fl ute Kacapi . It is development of the kacapi.This can be seen from the development of techniques and composition. Keywords: kacapi suling, wanda anyar, fungsi pertunjukan kacapi, kesenian khas
Karakter Musik Etnik Dan Representasi Identitas Musik Etnik Dwi Arini, Sri Hermawati; Supriadi, Didin; -, Saryanto
PANGGUNG Vol 25, No 2 (2015): Pendidikan, Metode, dan Aplikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i2.7

Abstract

Representasi dapat didefinisikan sebagai penggunaan tanda untuk menggambarkan sesuatu, yakni karakter musik yang memiliki elemen, di antaranya teknik permainan dan garapan/pengolahan. Sedangkan tanda adalah segala sesuatu yang merepresentasikan sesuatu, yakni penampilan tanda-tanda seperti cengkok, imbal. Cengkok, imbal diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Jawa, begitu pula penampilan tanda-tanda yakni ugal, cecandetan, kotekan diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Bali.Kata kunci :    Identitas, Representasi, Karakter, Gamelan Jawa dan Gamelan Bali
KACAPI SULING INSTRUMENTALIA SEBAGAI SALAH SATU KESENIAN KHAS SUNDA Dwi Arini, Sri Hermawati; Supriadi, Didin
Harmonia: Journal of Arts Research and Education Vol 11, No 1 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i1.1498

Abstract

Penelitian ini untuk mendeskripsikan jenis-jenis kacapi sebagai kesenian khas Sunda. Penelitian ini menggunakan pendekatan kualitatif deskripsif. Hasil penelitian menunjukkan bahwa ada macam-macam kacapi Sunda, yakni Kacapi Perahu, Kacapi Siter dan Kacapi Ritmik. Masing-masing kacapi memiliki fungsi seni, tergantung tempat dan waktu dimainkannya. Ada juga kacapi yang berfungsi sebagai hiburan. Kebanyakan kecapi dimainkan bersamaan yakni yang berfungsi sebagai melodi dan iringan. Yang termasuk kecapi ini adalah Kacapi Calempungan dan Wanda Anyar. Jenis kacapi lainnya adalah Kacapi Suling. Wanda Anyar merupakan perkembangan kecapi. Ini dapat dilihat dari pengemangan teknik dan komposisi.   Instrumental Bamboo Kacapi as One of Unique Art of Sundanese   Abstract This study was to describe the various kacapi as unique Sundanese arts. This study used a descriptive qualitative approach. The results showed that there are various kacapi Sunda, ie Boat Kacapi, Zither Kacapi and Rhythmic Kacapi. Each kacapi has the function of art, depending on the place and time played. There is also kacapi that performs as entertainment. Most kacapi that are played simultaneously ferform as melody and accompaniment. Which include these kacapi are kacapi Calempungan and Wanda Anyar. Other type is fl ute Kacapi . It is development of the kacapi.This can be seen from the development of techniques and composition. Keywords: kacapi suling, wanda anyar, fungsi pertunjukan kacapi, kesenian khas
TIPE PENILAIAN DAN PROSES PEMBAKUAN PEDOMAN PENILAIAN KOMPETENSI KETERAMPILAN MUSIK Sri Hermawati Dwi Arini
Jurnal Pendidikan dan Kebudayaan Vol. 13 No. 66 (2007)
Publisher : Badan Standar, Kurikulum, dan Asesmen Pendidikan, Kemendikbudristek

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/jpnk.v13i66.361

Abstract

Tulisan ini ditujukan kepada para pendidik seni mulai menggunakan pedoman penilaian yang mengacu pada kaidah ilmu pengetahuan untuk mengeliminir faktor subyektivitas dan karakter seni, khususnya musik membutuhkan tipe-tipe penilaian yang sesuai. Oleh karena itu, penskoran, penilaian dan pelaporan hasil tes harus dilakukan dengan prosedur yang benar. Berdasarkan need assess­ment perlu dibenahi implementasi oleh para pendidik.
Karakter Musik Etnik Dan Representasi Identitas Musik Etnik Sri Hermawati Dwi Arini; Didin Supriadi; Saryanto -
PANGGUNG Vol 25, No 2 (2015): Pendidikan, Metode, dan Aplikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (650.073 KB) | DOI: 10.26742/panggung.v25i2.7

Abstract

Representasi dapat didefinisikan sebagai penggunaan tanda untuk menggambarkan sesuatu, yakni karakter musik yang memiliki elemen, di antaranya teknik permainan dan garapan/pengolahan. Sedangkan tanda adalah segala sesuatu yang merepresentasikan sesuatu, yakni penampilan tanda-tanda seperti cengkok, imbal. Cengkok, imbal diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Jawa, begitu pula penampilan tanda-tanda yakni ugal, cecandetan, kotekan diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Bali.Kata kunci :    Identitas, Representasi, Karakter, Gamelan Jawa dan Gamelan Bali
Karakter Musik Etnik Dan Representasi Identitas Musik Etnik Sri Hermawati Dwi Arini; Didin Supriadi; Saryanto -
PANGGUNG Vol 25 No 2 (2015): Pendidikan, Metode, dan Aplikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i2.7

Abstract

Representasi dapat didefinisikan sebagai penggunaan tanda untuk menggambarkan sesuatu, yakni karakter musik yang memiliki elemen, di antaranya teknik permainan dan garapan/pengolahan. Sedangkan tanda adalah segala sesuatu yang merepresentasikan sesuatu, yakni penampilan tanda-tanda seperti cengkok, imbal. Cengkok, imbal diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Jawa, begitu pula penampilan tanda-tanda yakni ugal, cecandetan, kotekan diperlakukan sebagai identitas yang merepresentasikan identitas musik etnik Bali.Kata kunci :    Identitas, Representasi, Karakter, Gamelan Jawa dan Gamelan Bali
The THE ROLE OF THE @INDOMUSIKGRAM’S ACCOUNT ON THE INSTAGRAM PLATFORM AS AN EXPRESSION MEDIA IN MUSIC Luthfi, Zulfa Nabilah; Safrina, Rien; Dwi Arini, Sri Hermawati
Jurnal Penelitian Musik Vol 2 No 1 (2021): Maret 2021
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.452 KB)

Abstract

Abstract : The Purpose Of this Research is to obtain detailed data about the roles and functions as well as the variation of content on the @indomusikgram account, one of the accounts on the Instagram platform. The Object Of this Research is the @indomusikgram’s account focused on its role and function as a medium of expression. The Research Methodolody used in this research is descriptive qualitative with a literature study approach. The instrument used was the researcher herself. The research was conducted for 5 months from August 2020 to the end of December 2020. The Data are collected through literature review from various document sources such as journals, books, articles, internet, and online magazines. To complement the data, direct observation is also used on the @indomusikgram account and conducting interviews with the CEO (Chief Executive Officer) of @indomusikgram’s. Data analysis was carried out by making critical notes from the interview results and making notes that were colored according to the variation of the content being researched to find out their roles and functions. Variations of content on @indomusikgram’s are collaborative content such as #collabjauh, challenge content #Tantangan12BarIMG, educational content in the form of discussions on music theory such as "Family Chords", music content based on music genres such as IMG Ethnic, IMG Pop, IMG Dangdut, IMG Rock, IMG Jpop, IMG Kpop. In general, it can be concluded that the indomusikgram account is one that is widely used by the public in the world of social media.
The THE ROLE OF THE @INDOMUSIKGRAM’S ACCOUNT ON THE INSTAGRAM PLATFORM AS AN EXPRESSION MEDIA IN MUSIC Luthfi, Zulfa Nabilah; Safrina, Rien; Dwi Arini, Sri Hermawati
Jurnal Penelitian Musik Vol 2 No 1 (2021): Maret 2021
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract : The Purpose Of this Research is to obtain detailed data about the roles and functions as well as the variation of content on the @indomusikgram account, one of the accounts on the Instagram platform. The Object Of this Research is the @indomusikgram’s account focused on its role and function as a medium of expression. The Research Methodolody used in this research is descriptive qualitative with a literature study approach. The instrument used was the researcher herself. The research was conducted for 5 months from August 2020 to the end of December 2020. The Data are collected through literature review from various document sources such as journals, books, articles, internet, and online magazines. To complement the data, direct observation is also used on the @indomusikgram account and conducting interviews with the CEO (Chief Executive Officer) of @indomusikgram’s. Data analysis was carried out by making critical notes from the interview results and making notes that were colored according to the variation of the content being researched to find out their roles and functions. Variations of content on @indomusikgram’s are collaborative content such as #collabjauh, challenge content #Tantangan12BarIMG, educational content in the form of discussions on music theory such as "Family Chords", music content based on music genres such as IMG Ethnic, IMG Pop, IMG Dangdut, IMG Rock, IMG Jpop, IMG Kpop. In general, it can be concluded that the indomusikgram account is one that is widely used by the public in the world of social media.
Co-Authors Didin Supriadi Luthfi, Zulfa Nabilah Safrina, Rien Saryanto - Saryanto -, Saryanto