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All Journal Suar Betang Multilingual UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra Jurnal Kadera Bahasa Telaga Bahasa : Jurnal Ilmiah Kebahasaan dan Kesastraan
Titik Wijanarti
Balai Bahasa Kalimantan Selatan
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Pergeseran Sosial Budaya Masyarakat Sungai: Sebuah Pembacaan Sosiologi Sastra Terhadap Cerita Pendek “Jukung” Karya Zulfaisal Putera Titik Wijanarti
SUAR BETANG Vol 15, No 1 (2020): Juni 2020
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v15i1.138

Abstract

The river is one important part that is so attached to the life of the Banjar people of South Kalimantan from time to time. This study analyzes a literary work that also discusses the life of the Banjar community related to river life, namely a short story titled "Jukung" by Zulfaisal Putera. The short story presents a family conflict between Anang and his mother, which originated from differences in views on life related to rivers. That problem is described and analyzed sociologically in this study. In accordance with the formulation of the problem, this study aims to describe the meaning of the river sociologically for the Banjar community, especially in the social construction of the community associated with shifting values in society related to modernity and globalization. This research utilizes the theory of sociology of literature with a focus on the relationship between the social reality of society with social reality in literary works. The method used is a qualitative descriptive method with content analysis. The results of the analysis of literary sociology show that the short story "Jukung" illustrates the socio-cultural shift of the Banjar communities as a result of modernity.AbstrakSungai merupakan salah satu bagian penting yang begitu lekat dalam kehidupan masyarakat Banjar Kalimantan Selatan dari waktu ke waktu.  Penelitian ini menganalisis sebuah karya sastra yang juga membicarakan kehidupan masyarakat Banjar terkait dengan kehidupan sungai yaitu cerita pendek berjudul “Jukung” karya Zulfaisal Putera. Cerita pendek tersebut menyajikan sebuah konflik keluarga antara tokoh Anang dengan ibunya yang bersumber dari perbedaan pandangan terhadap kehidupan terkait dengan sungai.  Masalah itulah yang diuraikan dan dianalisis secara sosiologis dalam penelitian ini.  Sesuai dengan rumusan masalah tersebut, penelitian ini bertujuan mendeskripsikan makna sungai secara sosiologis bagi masyarakat Banjar khususnya dalam konstruksi sosial masyarakat terkait dengan pergeseran nilai-nilai dalam masyarakat terkait modernitas dan globalisasi.  Penelitian ini memanfaatkan teori sosiologi sastra dengan fokus pembahasan pada keterkaitan antara realitas sosial masyarakat dengan realitas sosial dalam karya sastra.  Metode yang digunakan adalah metode deskriptif kualitatif disertai analisi isi.  Hasil analisis sosiologi sastra menunjukkan bahwa cerita pendek “Jukung” menggambarkan adanya pergeseran sosial budaya masyarakat Banjar sebagai akibat modernitas.
MAKNA LAKI-LAKI PEMANGGUL GONI DALAM CERITA PENDEK “LAKI-LAKI PEMANGGUL GONI” KARYA BUDI DARMA Titik Wijanarti
Multilingual Vol 15, No 2 (2016): Multilingual
Publisher : Balai Bahasa Sulawesi Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1011.913 KB) | DOI: 10.26499/multilingual.v15i2.46

Abstract

Literary works written by Budi Darma has its own peculiarities or characteristics when compared with theother literary works. This study examines a short story by Budi Darma entitled “Laki-Laki Pemanggul Goni”.The problem in this research is the meaning behind of laki-laki pemanggul goni in the short story. The purposeof research is to describe the meaning of laki-laki pemanggul goni in the short story “Laki-Laki PemanggulGoni”. The method in this study is descriptive analysis with semiotic theory. Based on semiotic analysis, themeaning of laki-laki pemanggul goni in the short story is representation of Karmain’s guilt that he had done in the past.
MASYARAKAT DAYAK DAN ALAM: SEBUAH PEMBACAAN EKOKRITIK SASTRA TERHADAP CERITA PENDEK “MENARI DI PUNCAK BERINGIN’” KARYA BUDI DAYAK KURNIAWAN Titik Wijanarti
UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra Vol 15, No 2 (2019): UNDAS
Publisher : Balai Bahasa Kalimatan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (466.818 KB) | DOI: 10.26499/und.v15i2.1747

Abstract

The short story "Menari di Puncak Beringin" by Budi Dayak Kurniawan tells the story of the closeness of the figure of me and his family to the natural environment of Central Kalimantan. Through the banyan tree symbol, the short story illustrates that the Dayak people of Central Kalimantan are very close to nature not only physically but also related to their philosophies of life. The problem in this study is how the relationship between humans and nature is described in the short story. The theoretical framework applied in this research is literary ecocritical theory. Based on an ecocritical analysis it can be concluded that the short story "Menari di Puncak Beringin" not only illustrates the closeness of humans with nature but also shows the relationship between nature and the philosophy of life of the Dayak people of Central Kalimantan. The short story also conveys criticism of natural management which is now more oriented to production forests by eliminating natural forests that are rich in local wisdom..
BEBERAPA KENDALA DALAM PENULISAN CERITA RAKYAT SEBAGAI UPAYA REVITALISSAI SASTRA LISAN DI WILAYAH KABUPATEN BANJAR KALIMANTAN SELATAN Titik Wijanarti
TELAGA BAHASA Vol 4, No 1 (2016): TELAGA BAHASA VOL.4 NO.1 TAHUN 2016
Publisher : Kantor Bahasa Provinsi Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36843/tb.v4i1.197

Abstract

Penelitian ini  bertujuan memaparkan beberapa kendala yang dihadapi dalam proses penulisan cerita rakyat di wilayah Kabupaten Banjar, Kalimantan Selatan. Teori yang digunakan adalah teori tentang cerita rakyat sebagai bagian dari folklore.  Adapunmetode yang dimanfaatkandalampenelitianiniadalahmetodedeskriptif.  Kendala-kendala tersebut adalah terbatasnya narasumber dan sikap atau pandangan masyarakat terhadap cerita rakyat.  Sikap atau pandangan masyarakat terhadap cerita rakyat terbagi dalam dua sikap.  Pertama, memandang cerita rakyat sebagai sesuatu yang tidak memiliki fungsi dan makna.  Kedua, memandang cerita rakyat sebagai milik golongan tertentu.   Kata kunci : revitalisasi, cerita rakyat, Kalimantan SelatanSome Obstacles in Writing Folklore as Revitalization Oral Literature in Banjar Regency South of Kalimantan  South Kalimantan is one of the cultural areas in Indonesia that has many verbal pieces of literature such as folklores. Like other verbal literature, folklore also at risk of extinction. Revitalization of folklore can be done through some ways such as writing again the folklore. The research aimed to describe the obstacles in the process of writing folklore in the Banjar Regency of South Kalimantan. The obstacles were limited of resources and the attitude or view of society toward the folklore. The attitude can be divided into two attitudes. Those were viewing the folklore as a story that does not has a purpose or meaning and viewing that folklore as a certain group’s belonging. Keywords: revitalization, folklore, South Kalimantan
GAYA BAHASA PUISI “PEREMPUAN YANG TERGUSUR” KARYA W.S. RENDRA (STYLISTICS OF POETRY “PEREMPUAN YANG TERGUSUR” BY W.S. RENDRA) Titik Wijanarti
Kadera Bahasa Vol 8, No 2 (2016): Jurnal Kadera Bahasa
Publisher : Balai Bahasa Sulawesi Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1164.671 KB) | DOI: 10.47541/kaba.v8i2.37

Abstract

Words in poetry bear powers to deliver meaning to the reader. This research analyzes a work of Rendra, entitled “Perempuan yang Tergusur” (Side-washed Woman.) Rendra was known as a poet who wrote poems in the nuance of protest and social critic. The problem of this research is how Rendra made use of stylistica in the poem to stylistics in the poem to voice social critic to the reality. Methods and theoretical basis made use in the research is stylistics. Based on the conducted analysis, it resulted that Rendra made use of the means of rhetoric, such as imagery, to describe the problem shown it the poem.
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