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All Journal Jurnal Sosioteknologi Journal of Language and Literature Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Metahumaniora
Ari J. Adipurwawidjana
Universitas Padjadjaran
Arts Humanities Engineering Languange, Linguistic, Communication & Media Social Sciences

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Konstruksi Fatherhood Dalam Film 27 Steps Of May Rifki Zamzam Mustafa; Aquarini Priyatna; Ari J. Adipurwawidjana
Metahumaniora Vol 12, No 1 (2022): METAHUMANIORA, APRIL 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v12i1.34410

Abstract

Artikel ini bertujuan untuk menunjukkan penggambaran konstruksi kompleks peran bapak (fatherhood) dalam film 27 Steps of May. Film ini memperlihatkan peran bapak (fatherhood) yang dikonstruksi secara kompleks dalam kontinum gender (maskulinitas dan femininitas) melalui teknik kamera dan mise-en-scene. Kompleksitas fatherhood ditemukan dalam tokoh Bapak, melalui adegan-adegan yang memperlihatkan aktivitas serta perannya sebagai orang tua tunggal bagi May yang dianalisis melalui konsep fatherhood menurut Donaldson dikaitkan dengan konsep hegemoni maskulinitas yang ditawarkan oleh Connell dan kajian film menurut Turner. Penggambaran-penggambaran interaksi yang minim dialog antara Bapak dan May, pekerjaan Bapak dan interaksinya dengan tokoh Kurir dan Pesulap menjadi indikator-indikator yang berperan dalam mengonstruksi fatherhood. Melalui pembacaan ketat yang diterapkan dalam kajian ini, dapat ditemukan bahwa penggambaran peran Bapak dalam film ini tidak semata-mata menampilkan bapak sebagai pihak sentral dalam keluarga, namun juga sebagai pihak yang bergantung pada pihak lain khususnya dalam ranah emosional. Fatherhood juga diperlihatkan sebagai bentuk perlintasan antara peran gender maskulin dan feminin, yang merupakan reaksi terhadap hegemoni maskulinitas sebagai bentuk upaya pengikisan peran bapak yang dominan dalam suatu keluarga.
Teknologisasi Metafor, Demistifikasi Trauma: Alegori Dalam Film 27 Steps Of May Rifki Zamzam Mustaffa; Aquarini Priyatna; Ari J. Adipurwawidjana
Jurnal Sosioteknologi Vol. 20 No. 2 (2021): AUGUST 2021
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2021.20.2.9

Abstract

This article aims at elaborating the issues of trauma, violence against women and their agencies depicted in Indonesianfilm entitled 27 Steps of May. By situating the issues within the theoretical framework combining theories on allegoryand metaphor as elaborated by Jameson (2006), and Jakobson (1956), as well as theoretical premises pertaining to filmtechnology by Turner (2002), this study shows how film as a form of narrative texts can visualize those issues throughavailable technological features (camera techniques and mise-en-scene). Our close reading finds that the film presentsmetaphors of rape, women agency, amnesia and trauma through the presentation of the characters (May, Bapak, Pesulapand Kurir), also the mise-en-scene in its scenes. We argue that this film visualizes an allegory of national trauma inrelation to Indonesian May 1998 riots, specifically the violence towards marginalized groups (Chinese and women),which also represents the Indonesian collective expectation in acknowledging the national trauma jointly.
Inventing Narratives, Inventorying Natural Resources: Colonial Economic Exploitation in Conrads Malay Fiction Ari J. Adipurwawidjana
Journal of Language and Literature Vol 20, No 1 (2020): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (766.902 KB) | DOI: 10.24071/joll.v20i1.2380

Abstract

Literary narratives had accompanied global economic exploitation of natural resources since the rise of Britain as an imperial force in the late sixteenth century marked by Thomas Hariots A Brief and True Report of the New Found Land of Virginia (1588), in which Hariot narrates, describes, and inventories natural and human resources in Virginia to invite economic interest and to justify colonization. The tradition of writing a descriptive overview of conquered lands was then furthered in the late eighteenth and early nineteenth centuries by Marsdens History of Sumatra (1783) and Raffless History of Java (1817) as British colonial rule extended to the Malay Archipelago. However, towards the end of the nineteenth century, as economic and political rule inevitably gave way to complex socio-cultural interaction, the fiction of Joseph Conrad set in the Archipelago, being novelistic in nature, provides a more dialogic portrayal of British colonial presence, particularly in Java and Borneo, which goes beyond mere justification for the exploitation of local resources. Following the cue from the work Edward Said in identifying textualization as a mode of colonial intellectual domination and Benita Parry in revealing the ghostly presence of empire in colonial fiction, I would like to argue that Conrads Malay fiction both justifies and problematizes the relationship between British colonial enterprise and the natural as well as socio-cultural environment in the Archipelago.
Maskulinitas dan Relasi yang Termediasi dalam Perfect Strangers Iqbal Abdul Rizal; Tisna Prabasmoro; Ari J. Adipurwawidjana
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 8 No. 1 (2024): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v8i1.32603

Abstract

Penelitian ini bertujuan untuk mengkaji performativitas maskulinitas dalam relasi langsung dan termediasi oleh telepon seluler yang disajikan Perfect Stranges (2022). Perfect Strangers (2022) yang bergenre drama komedi, menyajikan hubungan yang termediasi menimbulkan kekaburan dalam identitas gender yang memengaruhi performativitas maskulinitas tokoh laki-laki karena adanya mediasi telepon seluler. Fase gerhana bulan dalam Perfect Strangers (2022) menjadi media film untuk menyampaikan komedi yang memuat permasalahan terkait performativitas maskulinitas. Penelitian ini dianalisis dengan menggunakan naratologi film dengan mengelaborasi gagasan maskulinitas Connell, gagasan performativitas gender Judith Butler, dan gagasan Cerulo & Ruanie terkait relasi yang termediasi.  Penelitian akan mengkaji penyajian sinematik hubungan antara performativitas maskulinitas dalam relasi yang termediasi oleh telepon seluler dalam Perfect Strangers (2022) versi Indonesia. Penelitian ini menunjukkan bahwa dalam Perfect Strangers performativitas gender melalui telepon seluler digambarkan menimbulkan kekaburan dalam hubungan fisik atau relasi tatap muka. Performativitas gender yang mengacu pada penampilan dan tindakan berulang dalam hubungan tatap muka berbeda dengan relasi yang termediasi dapat digunakan untuk menutupi jati diri yang sebenarnya termasuk identitas seksual. Individu nonheteronormatif dapat menyembunyikan identitas seksualnya dalam hubungan relasi yang termediasi.   This study aims to examine the performativity of masculinity in direct and mediated relationships by cell phones presented in Perfect Strangers (2022). Perfect Strangers (2022), a comedy-drama genre, presents a mediated relationship that causes blurring in gender identity that affects the masculinity performativity of male characters due to the mediation of cell phones. The lunar eclipse phase in Perfect Strangers (2022) becomes a film medium to convey comedy that contains problems related to masculinity performativity. This research is analyzed using film narratology by elaborating on Connell's idea of masculinity, Judith Butler's idea of gender performativity, and Cerulo & Ruanie's idea of mediated relationships.  The research will examine the cinematic presentation of the relationship between masculinity performativity in cell phone-mediated relationships in the Indonesian version of Perfect Strangers (2022). This research shows that in Perfect Strangers, gender performativity through cellular phones is depicted as causing blurring in physical or face-to-face relationships. Gender performativity which refers to the appearance and repetitive actions in face-to-face relationships in contrast to mediated relationships can be used to mask true identities including sexual identity. Non-heteronormative individuals can hide their sexual identity in mediated relationships
The politics of hero myth in President Jokowi's biopic film (2013) Muhammad Dzaky Abdullah; Ari J. Adipurwawidjana; Muhamad Adji
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 1 (2025): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i1.34373

Abstract

Among the prominent Indonesian biographical films concerning "national heroes" that emerged in the 2010s is "Jokowi" (2013). This film narrates the life of Joko Widodo (Jokowi), who was then serving as the Governor of Jakarta and was released a month prior to the announcement of his presidential candidacy in the 2014 elections. The film predominantly focuses on Jokowi's personal life, including his romantic experiences, rather than his political career. This emphasis underscores the significance of personal character construction in creating a leader's myth in Indonesia. Employing the methodologies of film narratology and mythological semiotics, this article examines how the film, through its scenes, plot, and characterization, constructs a myth of Jokowi that bolsters his image as a political leader. The depiction of Jokowi as a masculine, family oriented, and decisive leader presents him as an "ideal" character. This article posits that such portrayal endeavors to integrate the character into the cultural mythology as a "hero." The film's narrative, which follows a heroic pattern and aligns the character with Javanese wayang heroes, positions Jokowi as a classical hero. The marketing of the biopic as a "true story" carries political implications, specifically for the 2014 election and Jokowi's image, and more broadly for the ideological discourse of the state, particularly Bapakism and the paternal function of the state.   Di antara film arus utama Indonesia bergenre biopik mengenai “pahlawan nasional” yang muncul pada dekade 2010, terdapat film Jokowi (2013). Film ini mengangkat kisah hidup Joko Widodo (Jokowi), yang pada waktu itu adalah Gubernur DKI Jakarta, dan dirilis sebulan sebelum pengumuman pencalonannya sebagai presiden pada pemilu 2014. Film ini berfokus pada kisah kehidupan pribadi Jokowi seperti pada aspek romansanya dan bukan pada perjalanan politiknya. Hal ini menunjukkan bahwa konstruksi pribadi tokoh merupakan bagian penting dalam penciptaan mitos seorang pemimpin di Indonesia. Menggunakan pendekatan naratologi film dan semiotika mitologi, artikel ini menelusuri cara film melalui adegan-adegan, plot, dan karakterisasi melakukan pembangunan mitos pada tokoh Jokowi yang mendukung Jokowi sebagai tokoh politik. Penggambaran tokoh Jokowi dalam film sebagai laki-laki maskulin, family man, dan pemimpin tegas mempresentasikan tokoh sebagai “ideal”. Artikel ini berargumen bahwa hal tersebut merupakan usaha untuk menyuntikkan tokoh pada kumpulan mitologi kultural sebagai seorang “hero”. Naratif film yang memiliki pola heroik dan penyandingan tokoh dengan pahlawan wayang Jawa mengonstruksi Jokowi sebagai seorang hero klasik. Pemasaran biopik sebagai “kisah nyata” memiliki implikasi politis: untuk kepentingan pemilihan umum 2014 dan citra Jokowi secara spesifik,  dan untuk wacana ideologis negara, yakni Bapakisme dan fungsi paternal negara, secara umum.
Co-Authors Aquarini Priyatna Iqbal Abdul Rizal Muhamad Adji Muhammad Dzaky Abdullah Rifki Zamzam Mustafa Rifki Zamzam Mustaffa Tisna Prabasmoro