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All Journal Jurnal Sosioteknologi Journal of Language and Literature Metahumaniora
Ari J. Adipurwawidjana
Universitas Padjadjaran
Arts Humanities Engineering Languange, Linguistic, Communication & Media Social Sciences

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Konstruksi Fatherhood Dalam Film 27 Steps Of May Rifki Zamzam Mustafa; Aquarini Priyatna; Ari J. Adipurwawidjana
Metahumaniora Vol 12, No 1 (2022): METAHUMANIORA, APRIL 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v12i1.34410

Abstract

Artikel ini bertujuan untuk menunjukkan penggambaran konstruksi kompleks peran bapak (fatherhood) dalam film 27 Steps of May. Film ini memperlihatkan peran bapak (fatherhood) yang dikonstruksi secara kompleks dalam kontinum gender (maskulinitas dan femininitas) melalui teknik kamera dan mise-en-scene. Kompleksitas fatherhood ditemukan dalam tokoh Bapak, melalui adegan-adegan yang memperlihatkan aktivitas serta perannya sebagai orang tua tunggal bagi May yang dianalisis melalui konsep fatherhood menurut Donaldson dikaitkan dengan konsep hegemoni maskulinitas yang ditawarkan oleh Connell dan kajian film menurut Turner. Penggambaran-penggambaran interaksi yang minim dialog antara Bapak dan May, pekerjaan Bapak dan interaksinya dengan tokoh Kurir dan Pesulap menjadi indikator-indikator yang berperan dalam mengonstruksi fatherhood. Melalui pembacaan ketat yang diterapkan dalam kajian ini, dapat ditemukan bahwa penggambaran peran Bapak dalam film ini tidak semata-mata menampilkan bapak sebagai pihak sentral dalam keluarga, namun juga sebagai pihak yang bergantung pada pihak lain khususnya dalam ranah emosional. Fatherhood juga diperlihatkan sebagai bentuk perlintasan antara peran gender maskulin dan feminin, yang merupakan reaksi terhadap hegemoni maskulinitas sebagai bentuk upaya pengikisan peran bapak yang dominan dalam suatu keluarga.
Teknologisasi Metafor, Demistifikasi Trauma: Alegori Dalam Film 27 Steps Of May Rifki Zamzam Mustaffa; Aquarini Priyatna; Ari J. Adipurwawidjana
Jurnal Sosioteknologi Vol. 20 No. 2 (2021): AUGUST 2021
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2021.20.2.9

Abstract

This article aims at elaborating the issues of trauma, violence against women and their agencies depicted in Indonesianfilm entitled 27 Steps of May. By situating the issues within the theoretical framework combining theories on allegoryand metaphor as elaborated by Jameson (2006), and Jakobson (1956), as well as theoretical premises pertaining to filmtechnology by Turner (2002), this study shows how film as a form of narrative texts can visualize those issues throughavailable technological features (camera techniques and mise-en-scene). Our close reading finds that the film presentsmetaphors of rape, women agency, amnesia and trauma through the presentation of the characters (May, Bapak, Pesulapand Kurir), also the mise-en-scene in its scenes. We argue that this film visualizes an allegory of national trauma inrelation to Indonesian May 1998 riots, specifically the violence towards marginalized groups (Chinese and women),which also represents the Indonesian collective expectation in acknowledging the national trauma jointly.
Inventing Narratives, Inventorying Natural Resources: Colonial Economic Exploitation in Conrads Malay Fiction Ari J. Adipurwawidjana
Journal of Language and Literature Vol 20, No 1 (2020): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (766.902 KB) | DOI: 10.24071/joll.v20i1.2380

Abstract

Literary narratives had accompanied global economic exploitation of natural resources since the rise of Britain as an imperial force in the late sixteenth century marked by Thomas Hariots A Brief and True Report of the New Found Land of Virginia (1588), in which Hariot narrates, describes, and inventories natural and human resources in Virginia to invite economic interest and to justify colonization. The tradition of writing a descriptive overview of conquered lands was then furthered in the late eighteenth and early nineteenth centuries by Marsdens History of Sumatra (1783) and Raffless History of Java (1817) as British colonial rule extended to the Malay Archipelago. However, towards the end of the nineteenth century, as economic and political rule inevitably gave way to complex socio-cultural interaction, the fiction of Joseph Conrad set in the Archipelago, being novelistic in nature, provides a more dialogic portrayal of British colonial presence, particularly in Java and Borneo, which goes beyond mere justification for the exploitation of local resources. Following the cue from the work Edward Said in identifying textualization as a mode of colonial intellectual domination and Benita Parry in revealing the ghostly presence of empire in colonial fiction, I would like to argue that Conrads Malay fiction both justifies and problematizes the relationship between British colonial enterprise and the natural as well as socio-cultural environment in the Archipelago.
Co-Authors Aquarini Priyatna Rifki Zamzam Mustafa Rifki Zamzam Mustaffa