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All Journal FIKRI : Jurnal Kajian Agama, Sosial dan Budaya Metahumaniora
Prima Agustina
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Pemertahanan Warisan Budaya Wayang Wong Gaya Yogyakarta dan Komodifikasinya untuk Atraksi Wisata di Kota Yogyakarta Prima Agustina
Metahumaniora Vol 8, No 1 (2018): METAHUMANIORA, APRIL 2018
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v8i1.18875

Abstract

AbstrakWayang wong gaya Yogyakarta merupakan seni pertunjukan yang dasargerakannya adalah tari klasik gaya Yogyakarta atau Joged Mataram. Masyarakatmemanfaatkan warisan budaya wayang wong gaya Yogyakarta untuk atraksi wisata.Dalam perspektif kajian budaya, pemanfaatan tersebut merupakan industri budayayang menuntut komodifikasi. Data penelitian dikumpulkan dari kepustakaan,wawancara dengan pakar wayang wong gaya Yogyakarta, dan pengamatan di lokasipementasan, di tempat pembelajaran tari klasik di kota Yogyakarta. Hasil penelitianmenunjukkan bahwa untuk tujuan atraksi wisata pementasan wayang wong gayaYogyakarta mengalami perkembangan dan komodifikasi, tetapi masyarakat tetapmempertahankan aturan baku dari segi teknis tari dan penjiwaan dari para penarinya.Kata kunci: wayang wong, Yogyakarta, atraksi wisata, industri budaya, komodifikasiAbstractWayang wong is an outstanding dance performance in Java. Yogyakarta’s stylemeans that the dance movement has its basic on Yogyakarta’s classical court dance namedJoged Mataram. People in Yogyakarta present the show of this intangible heritage as touristattraction. Cultural studies acknowledge the practice as part of cultural industry whichrequire its commodification. Datas are obtained out of field research and litterature study:interviews with experts of wayang wong Yogyakarta style, observations in some classicaldance training societies in the city of Yogyakarta. The result indicate that transformation andcommodification in wayang wong performance occured due to tourist attraction. Nevertheless,communities continue their effort to preserve the court classical dance standard in term ofdance technicality and the highly controlled emotion of dancers expression.Keywords: wayang wong, Yogyakarta, tourist attraction, cultural industry,commodification.
Cultural Identity Transformation in Intercultural Marriage: An Ethnographic Study of Sundanese Women in France Nyai Kartika; Prima Agustina
Fikri : Jurnal Kajian Agama, Sosial dan Budaya Vol. 11 No. 1 (2026): Fikri: Jurnal Kajian Agama, Sosial dan Budaya
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jf.v11i1.7515

Abstract

This study investigates the cultural identity transformation of Sundanese women in intercultural marriages with French men living in France. Within the discipline of sociology and cultural studies, the research explores how these women negotiate the friction between Sundanese collectivist values and French individualism. Using a qualitative method and an ethnographic approach involving 15 participants married for at least five years, data were collected through in-depth interviews and field notes. The findings reveal that traditional Sundanese values, specifically the Pancawaluya philosophy (cageur, bageur, bener, pinter, singer), remain a central ethical foundation for the Sundanese women living in France. However, these values are dynamic; through Bourdieu’s concepts of habitus and hysteresis, the research shows that cultural displacement acts as a learning space rather than a failure of adaptation. The results highlight a significant transformation from a traditional "following" habitus to a "deciding" one, where women gain increased self-confidence, independence, and agency. This study contributes to the social sciences by demonstrating that ethnic identity is negotiable within Western contexts, resulting in Bhabha’s "Third Space" or hybrid identity. In conclusion, these women act as cultural mediators who successfully integrate into French society without losing their primordial heritage. This research is important as it provides insights into resilient identity formation and multicultural integration in a globalized world.
Co-Authors Nyai Kartika