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All Journal Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Tonika: Jurnal Penelitian dan Pengkajian Seni Besaung : Jurnal Seni Desain dan Budaya Jurnal Pendidikan dan Penciptaan Seni
Dedy Firmansyah
Universitas PGRI Palembang
Arts Humanities Education Social Sciences Other

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KONSEP MAT DALAM MUSIK KULINTANG TARI MILUR Dedy Firmansyah; Awang Kautzar
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 2 No 2 (2019): November 2019
Publisher : Sekolah Tinggi Theologia Abdiel

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1073.839 KB)

Abstract

The function of kulintang music for the Komering tribe is as a supporting means to carry out the entire process of customary marriage of the Komering tribe. One of the marriage process in it there is a procession using milur dance accompanied by kulintang music. The concept of mat is a distinctive character as well as a guideline in the kulintang music game, so the writer is interested in studying the concept of mat in the komering kulintang music, especially in accompanying the milur dance. This study also analyzes the shape and structure of the kulintang music mat concept in the stages of the Komering marriage, especially in accompanying the milur dance. The analysis includes musical elements contained in the form and structure of the musical presentation such as phrases, figures and motifs. This study uses qualitative methods and data collection is done by observation, interviews, study of written data and documents. The results of this study conclude that the concept of mat in kulintang music to accompany the milur dance is a guideline for coordinating musical games so that each player can play his musical instruments correctly and appropriately. Whereas the form of kulintang music in accompanying the milur dance always begins with the concept of mat in each of its performances.
BENTUK DAN STRUKTUR PENYAJIAN MUSIK KULINTANG PADA PROSES ARAK-ARAKAN DALAM ADAT PERNIKAHAN SUKU KOMERING DI OKU TIMUR Dedy Firmansyah
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 3
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (425.979 KB) | DOI: 10.36982/jsdb.v1i2.131

Abstract

This research tittle is the Form And Strucuture Of Presentation Of Music In Process Kulintang Procession Komering Interest In Traditional Wedding In Oku East. Kulintang music is means of a tribal society of komering in marriage. That staging in customery marriage are parade process, milur dance, giving the customery law, and sada sabai dance. But in its development nowadays the existence of kulintang music is declining in customery marriage.Based on the fact, this research aims to reveal the factors that affect the existence of kulintang music in East OKU. Besides, this research to do the description of analysis form and structure of kulintang music in every stage of the komering family marriage. Analysis includes the elements of musical the form and structure of the prersensation of kulintang music. The technique of collecting data to do with an observation, interviews, study says and documents. For analysis then used the method of analysis form and structure of music. In addition to the existence and the dynamics of the music kulintang not justbe descriptive, then this research will borrow the concepts of culture, music, and social community to have a perspective that is analytical. The study conclude that the cause of the decrease existence of the kulintang music in east OKU is because the disappearance of clan system in 1979. Clans system that change into district made there was no more loyality to the customery marriage process that use kulintang music. Internal and external factor are also influence thing to the existence of kulintang music. That internal and external factor consist of management, less of capability to play kulintang, motivation, finance, government role, and influence goreign culture. Keywords: kulintang; customery marriage; dynamics; form and structure music
Efektivitas Penggunaan Metode Drill pada Pembelajaran Ansambel Pianika di Kelas X SMA Negeri 2 Muara Dua Kisam Ari Anggara; Dedy Firmansyah; Feri Firmansyah
Pelataran Seni Vol 6, No 2
Publisher : Program Studi Pendidikan Seni Pertunjukan FKIP ULM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/jps.v6i2.11582

Abstract

Efektivitas Penerapan Metode Out Door terhadap Pembelajaran Tari Tanggai pada Kelas X.2 di SMA PGRI Gelumbang Rhana Zakira; Dedy Firmansyah; Rully Rochayati
Jurnal Pendidikan dan Penciptaan Seni Vol 3, No 1 (2023): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v3i1.352

Abstract

Penelitian ini bertujuan untuk mengetahui Adakah Efektivitas Penerapan Metode Out Door Terhadap Pembelajaran Tari Pada Kelas X di SMA PGRI Gelumbang. Metode yang digunakan dalam penelitian ini adalah metode eksperimen kategoripre-test and post-test one group yaitu sebuah eksperimen yang dilakukan sebelum eksperimen (pre-test) dan sesudah eksperimen (post-test) (Arikunto, 2013: 124). Teknik pengumpulan data yang digunakan dalam penelitian ini adalah Teknik Tes. Teknik Analisis Data dalam peneltian ini menggunakan a) Analisis Data Tes, b) Uji Normalitas Data, c) Uji Hipotesis. Hasil penelitian menunjukkan pengujian normalitas didapatkan data terdistribusi normal, maka analisis data tes akhir yang telah diuraikan sebelumnya. Diketahui uji t hipotesis dengan    dengan  = 9,44 dan  dan dk = diperoleh  2,04. Sehingga Ho ditolak dan Ha diterima atau   atau 9,44  2,04. Dengan demikian dapat disimpulkan bahwa adanya pengaruh yang signifikan terhadap penggunaan metode out door dalam hasil pembelajaran Tari tanggai pada siswa kelas X.2.D SMA PGRI Gelumbang.
Co-Authors Ari Anggara Awang Kautzar Feri Firmansyah Rhana Zakira Rochayati, Rully