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Tyas Pradhita Astari
Universitas Darussalam Gontor
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Al-Ẓawāhir Al-Ṣautiyah fi Qiṣṣah “Safīnah Al-Nūh” li Ahmad Syauqī (Dirāsah Tahlīliyah Uslūbiyah) Alif Cahya Setiyadi; Abdul Hafidz Zaid; Tyas Pradhita Astari
Jurnal Alsinatuna Vol 6 No 1 (2020): December 2020
Publisher : Arabic Education Program IAIN Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/alsinatuna.v6i1.2842

Abstract

This article aims to examine the poetry of Noah's ark by Ahmad Syauqi from aspects of sound or patterns. As one of the phenomenal works in the history of The Arabic fiction genre, this genre of poetry has the main characteristics in terms of the use and selection of special rhythms that are able to influence the imagination of readers or listeners so as to build their own perception of thinking. This article focuses on exploring the characteristics of sound patterns descriptively with modern literary analysis methods. From the analysis of sound patterns, it is concluded that there are basic rhythms and metrums in the study of modern literary sounds of this phenomenal poem. There are two variants of fundamental rhythms, namely internal and external rhythms. The external rhythm is manifested in the form of al-wazn from poetry which includes two main types namely bahr kāmil and bahr rajzi, the structure of the rhythm used, and the form of poetry. On the other hand, the poem also uses internal rhythms by giving rise to the rhetorical beauty (al-binyah al-badi'iyah) which consists largely of al-jinās and al-ṭibāq.
(ﺍﻟﺘﻌﺮﻳﺐ ﻋﻨﺪ ﺍﻟﻘﺪﻣﺎﺀ ﻭﺍﳌﺤﺪﺛﲔ (ﺩﺭﺍﺳﺔ ﻭﺻﻔﻴﺔ ﻣﻘﺎﺭﻧﺔ Tyas Pradhita Astari
LISANUDHAD: JURNAL BAHASA, PEMBELAJARAN DAN SASTRA ARAB Vol 1, No 1 (2014): Lisanudhad: Jurnal Bahasa, Pembelajaran dan Sastra Arab
Publisher : University of Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (604.725 KB) | DOI: 10.21111/lisanudhad.v1i1.440

Abstract

ﺍﻟﺘﻌﺮﻳﺐ ﻫﻮ ﻭﺟﻮﺩ ﻣﻦ ﺍﻻﻗﺘﺮﺍﺽ ﺍﻟﻠﻔﻈﻲ ﺑﲔ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻟﻠﻐﺎﺕ ﺍﻷﺧﺮﻯ، ﻭﻟﻘﺪ ﻇﻬﺮ ﺍﻟﺘﻌﺮﻳﺐ ﻣﻨﺬ ﺍﻟﻌﺼﺮ ﺍﳉﺎﻫﻠﻲ ﺇﱃ ﺍﻵﻥ. ﻓﺎﺧﺘﻠﻒ ﻋﻠﻤﺎﺀ ﺍﻟﻠﻐﺔ ﺑﻮﻗﻮﻉ ﻫﺬﺍ ﺍﻻﻗﺘﺮﺍﺽ، ﺑﻌﻀﻬﻢ  وﻫﺬﺍ ﺍﻻﻗﺘﺮﺍﺽ ﺍﻟﻠﻔﻈﻲ. ﻭﻟﻜﻞ ﻣﻨﻬﻢ ﻳﺄﰐ ﺑﺎﳌﻨﻬﺞ ّﻭﺍﻓﻘﻮﺍ ﺑﻮﺟﻮﺩﻩ ﻭﺑﻌﺾ ﺍﻵﺧﺮ ﻋﺎﺭﺿﻮﻩ. ﻓﺒﺘﻄﻮ ﺍﳋﺎﺹ ﰲ ﺍﻟﺘﻌﺮﻳﺐ ﻭﺳﻠﻚ ﻋﻠﻰ ﻫﺬﻩ ﺍﳌﻨﺎﻫﺞ ﰲ ﺗﻌﺮﻳﺐ ﺍﻟﻜﻠﻤﺎﺕ ﺍﳌﻌﺮﺑﺔ. ﺑﺬﻟﻚ، ﺍﺷﺘﺪ ﺍﳋﻼﻑ ﺑﲔ ﺍﻟﻌﻠﻤﺎﺀ ﺍﻟﻠﻐﻮﻳﲔ ﰲ ﻫﺬﺍ ﺍﻷﻣﺮ ﺣﱴ ﻇﻬﺮ ﺑﻴﻨﻨﺎ ﻓﺮﻳﻘﲔ ﰲ ﺍﻟﺘﻌﺮﻳﺐ ﻭﳘﺎ ﺍﻟﻘﺪﺍﻣﻲ ﻭﺍﳌﺤﺪﺛﲔ. ﻭﻟﻜﻦ ﺍﻟﺼﺮﺍﻉ ﺑﻴﻨﻬﻤﺎ ﻟﻴﺲ ﺻﺮﺍﻋﺎ ﻗﻮﻳﺎ ﺑﻞ ﺇﳕﺎ ﻭﺟﺪﻧﺎ ﺑﻌﺾ ﺗﺸﺎﺑﻪ ﻋﻠﻤﺎﺀ ﺍﻟﻠﻐﺔ ﺍﻟﻘﺪﻣﺎﺀ ﻭﻋﻠﻤﺎﺀ ﺍﻟﻠﻐﺔ ﺍﳌﺤﺪﺛﻮﻥ ﰲ ﺑﻌﺾ ﻣﻨﺎﻫﺞ ﺍﻟﺘﻌﺮﻳﺐ، ﻭﺍﺧﺘﻠﻔﻮﺍ ﰲ ﺑﻌﺾ ﺍﻵﺧﺮ.
The Stylistics phenomenon of Ahmad Syauqi’s Poetry “The Noah’s Ark” (Semantic analysis) Abdul Hafidz Zaid; Alif Cahya Setiyadi; Tyas Pradhita Astari
At-Ta'dib Vol 15, No 1 (2020): Pembelajaran Islam dalam Konteks Pesantren Masa Kini
Publisher : Fakultas Tarbiyah, Universitas Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/at-tadib.v15i1.4889

Abstract

The poetic tale is obviously considered as the high-level literary of the fine arts in the Arab art tradition. This is because of its inner factors that firmly influence the reader and audient apprehension and imaginativeness which, then, establish the thinking perception. One of the upmost examples of this story is the tales of the Prince of Poets ‘Ahmed Syauqy, the pioneer of the poetic tale in the modern era with consists of more than fifty five tales including the Noah’ Ark. This story is characterized by outstanding beautiful poetic style, which varying from the sounds to significance of the story. For this reason, this study aims to analyze semantically the stylistics side of the story. With regards to the methodology, this study primarily utilizes the descriptive methods with chiefly employees the contemporary semantic for analyzing the semantic phenomenon of this literary art. In the final result of this study are primarily encompasses two focuses; the semantic fields and the intertextuality of the story. The observation results variation of the semantic fields occurrence in this story that literalized in semantic fields on the animals, the silent nature, the feelings and traits, the locations, and parts of the body. Furthermore, this story contains two basic intertextuality stylistics, both are: external intertextuality derived from the Holy Qur’an and the internal intertextuality from the story of Noah's Ark its self.
Al-Ẓawāhir Al-Ṣautiyah fi Qiṣṣah “Safīnah Al-Nūh” li Ahmad Syauqī (Dirāsah Tahlīliyah Uslūbiyah) Alif Cahya Setiyadi; Abdul Hafidz Zaid; Tyas Pradhita Astari
Jurnal Alsinatuna Vol 6 No 1 (2020): December 2020
Publisher : Arabic Education Program IAIN Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/alsinatuna.v6i1.2842

Abstract

This article aims to examine the poetry of Noah's ark by Ahmad Syauqi from aspects of sound or patterns. As one of the phenomenal works in the history of The Arabic fiction genre, this genre of poetry has the main characteristics in terms of the use and selection of special rhythms that are able to influence the imagination of readers or listeners so as to build their own perception of thinking. This article focuses on exploring the characteristics of sound patterns descriptively with modern literary analysis methods. From the analysis of sound patterns, it is concluded that there are basic rhythms and metrums in the study of modern literary sounds of this phenomenal poem. There are two variants of fundamental rhythms, namely internal and external rhythms. The external rhythm is manifested in the form of al-wazn from poetry which includes two main types namely bahr kāmil and bahr rajzi, the structure of the rhythm used, and the form of poetry. On the other hand, the poem also uses internal rhythms by giving rise to the rhetorical beauty (al-binyah al-badi'iyah) which consists largely of al-jinās and al-ṭibāq.
Co-Authors Abdul Hafidz Bin Zaid Alif Cahya Setiyadi