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PELAKSANAAN PEMOTRETAN DIRI SESEORANG TANPA IZIN UNTUK KEPENTINGAN KOMERSIAL (STUDI PUTUSAN MA NO. 262.K.PDT.SUS/HKI/2016) Agung Julian; O.K. Saidin; Jelly Leviza
Ilmu Hukum Prima (IHP) Vol. 5 No. 1 (2022): JURNAL ILMU HUKUM PRIMA
Publisher : jurnal.unprimdn.ac.id

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34012/jihp.v5i1.2177

Abstract

Copyright is the exclusive right of a creator that arises automatically based on declarative principles after a creation is realized in a tangible form without reducing restrictions in accordance with the provisions of laws and regulations. The results of the discussion the photographer or the person using the portrait whose subject is a human for commercial purposes must first obtain permission from the person being photographed to be able to use the portrait for commercial purposes, so that the photographer and the person using the portrait do not commit an unlawful act. Legal analysis of Supreme Court Decision No. 262.K.PDT.SUS/HKI/2016 which decided that Siloam Hospital had committed an unlawful act in terms of Law no. 29 of 2014 concerning Copyright is based on paragraph 1 of Article 12 where every photo taken by the photographer with a human object must obtain prior permission from the person being photographed.
Urgensi Reformasi Hukum Pidana Hak Cipta terhadap Pembajakan Sinematografi di Media Sosial TikTok Indonesia Digital Oesman Bahari Abdullah; O.K. Saidin; Putri Rumondang Siagian
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 8, No 3 (2026): Journal of Education, Humaniora and Social Sciences (JEHSS), Februari
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v8i3.3001

Abstract

Cinematographic piracy on TikTok presents a significant challenge to the enforcement of criminal copyright law in Indonesia. The platform’s short-video format, viral nature, and monetization potential have facilitated the widespread distribution of unauthorized film excerpts. Although Law Number 28 of 2014 on Copyright provides criminal sanctions for copyright infringement, its enforcement remains ineffective, primarily due to the classification of copyright offenses as complaint-based crimes. This study aims to examine the regulation of criminal copyright law in addressing film piracy on TikTok and to analyze the urgency of reforming the offense classification and adopting more adaptive criminal sanctions. This research employs a normative legal method with a juridical-normative approach, relying on statutory analysis, legal doctrines, and relevant scholarly literature. The findings indicate that the complaint-based offense mechanism and non-proportional sanctions relative to the perpetrators’ economic gains undermine deterrence and weaken copyright protection. Therefore, legal reform is necessary through the adoption of a mixed offense model based on the perpetrator’s characteristics and the implementation of adaptive sanctions to enhance the effectiveness of copyright law enforcement in the digital era.