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PERANCANGAN CORPORATE IDENTITY RUMAH MAKAN SRI MELAYU PALEMBANG Yosi Maryodi; Aji Windu Viatra; Muhammad Idris
Besaung : Jurnal Seni Desain dan Budaya Vol 1, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (500.159 KB) | DOI: 10.36982/jsdb.v1i1.43

Abstract

Corporate Identity is a general overview of a medium to convey identity and inform about the positive values of a company, institution or government and private institution., The main objective of this scheme is to produce an identity design company that has its own characteristics. Sri Malay restaurant Palembang require designing new Corporate Identity to build corporate image. Through the creation of the logo on the Corporate Identity with unique simple impression and show the personality of the house eating, and then apply it in various media-related promotion.
PERANCANGAN IKLAN LAYANAN MASYARAKAT MENCEGAH KEBAKARAN HUTAN DI PALEMBANG SUMATERA SELATAN Muhammad Ajie Danu Wijaya; Husni Mubarat; Aji Windu Viatra
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (767.279 KB) | DOI: 10.36982/jsdb.v2i1.241

Abstract

Public Service Ads (PSAs) are ads that present social messages that are ready to raise public awareness of the goods they should have, whose conditions can be aligned and public life. This Community Service advertisement is very sociable that emphasizes the interest of the community who likes to instil awareness of the community about important social issues. The choice of design themes of Public Service Ads serves to inform the government and the public. Expected by the design of this ad more than what we want and prepare for fire hazard. Key words: Public Service Ads, Forest Fires 
T-SHIRT INDIEGUERILLAS SEBAGAI MEDIA KOMUNIKASI VISUAL Aji Windu Viatra
Besaung : Jurnal Seni Desain dan Budaya Vol 2, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (554.627 KB) | DOI: 10.36982/jsdb.v2i1.238

Abstract

Clothing style is often associated with the perception of the identity of the person who describes the class, profession, origin, gender and social. Appearance in the way we dress is interpreted to make a mark against the communicant interaction act indirectly and what should make us behave toward others. Apparel is seen to have a communicative function, in the Science Communication process can communicate through visual and verbal media such material in this study that T-shirts or T-shirts. This study will analyze the T-shirts (T-shirt) Indieguerillas as a medium of visual communication can be a major influence and interpret a t-shirt design that can speak, act and understand the meaning of a sign as desired by the manufacturer of the shirt. Research "T-shirt Indieguerillas As A Media Visual Communication", aims to identify and analyze the meaning of the t-shirt works Indieguerillas that are part of the needs of people using T-shirts as the clothes and trends that explain the identity of one's personal, as well as a visual communication media quite powerful, and as a flexible media information.The main study of this research emphasis on identifying, analyzing the meaning of the work in the form of media Indieguerillas t-shirt. This study using a multidisciplinary approach, the historical approach, aesthetics and semiotics. The method used is qualitative method with descriptive analysis analytic. Data were collected through library research, observation and interviews. The data is then identified, classified, selected, analyzed and interpreted according text and context.Planning studies will be grouped according to the concept works Indieguerillas "Happy + Victim" which will be assessed by looking at the concept of the artwork and design motifs, shapes, characters, colors, and construction techniques. Development and change t-shirt as a medium of visual communication is a part in the discussion of this study, will be reviewed again by analyzing the works t-shirt Indieguerillas containing elements of art and principles of design.Keywords : T-shirt, Art and Design, Visual Communication, Indieguerillas
Kerajinan Ukiran Kayu Di Palembang Aji Windu Viatra; Retika Wista Anggraini
Mudra Jurnal Seni Budaya Vol 33 No 1 (2018): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i1.131

Abstract

Seni ukiran Palembang telah dikenal luas, seni kerajinan ukir kayu yang lazim disebut Ukiran Palembang. Adapun sentra industri seni kerajinan ukiran kayu Palembang berada di Kampung 19 Ilir, Kecamatan Bukit Kecil, sebelah Barat Masjid Agung Palembang. Kampung 19 Ilir, memproduksi berbagai bentuk perabotan, alat-alat rumah tangga, dan hiasan rumah dengan ukiran kayu khas Palembang. Kegiatan mengukir di Palembang sebelumnya memiliki hubungan erat dengan rumah tradisional adat Palembang, yakni rumah Bari atau rumah Limas. Rumah tradisional yang saat ini masih digunakan oleh masyarakat Sumatera Selatan, khususnya di Palembang dengan segala perlengkapan rumah tangganya. Pertumbuhan ukiran kayu Palembang mengalami pasang surut dengan kondisi sosial dan ekonomi di wilayah tersebut. Seni kerajinan ukiran kayu ini hanya diproduksi oleh keluarga-keluarga tertentu  saja,  masih  banyak masyarakat Palembang dan para perajin beralih mengandalkan penghasilan ekonomi dengan mencari profesi lain. Perubahan yang terjadi pada proses pengolahan bahan kayu yang semakin sulit digunakan, kreasi motif ukiran, dan teknik pengukiran telah bercampur dengan daerah lain seperti Jepara, dan negara luar India, Eropa dan China. Akulturasi ragam hias ini telah menghasilkan suatu bentuk, gaya dan cita rasa baru menambah khasanah ukiran kayu Palembang. Kajian utama penelitian ini dititik beratkan pada kontinuitas, perubahan dan analisis ragam hias pada motif ukiran kayu. Kajian ini menggunakan pendekatan multidisplin, yakni pendekatan sosiologi, dan estetika. Metode penelitian yang digunakan adalah metode kualitatif, dengan analisis deskriptif analitik. Penelitian ini bertujuan menganalisis dan mengidentifikasi perkembangan seni kerajinan ukiran kayu Palembang terhadap kehidupan masyarakat, terutama bagi pelaku budaya tersebut, mengkaji terjadinya perubahan dan perkembangan bentuk, motif ragam hias seni kerajinan ukiran kayu Palembang dan menggali pengetahuan secara mendalam mengenai kebudayaan Palembang.Woodcarving arts from Palembang are widely known and commonly referred ro Ukiran Palembang. The center of woodcarving art industry of Palembang is in Kampung 19 Ilir, District of Bukit Kecil, West of Palembang Grand Mosque. Kampung 19 Ilir, produces various forms of furniture, and home decoration with wooden carving typical of the Palembang style. Woodcarving arts from Palembang previously fostered a very close ralationship with the traditional homes of Palembang, known as the Bari or Limas houses. Bari or Limas houses are Traditional houses that are still used by the people of South Sumatra, especially in Palembang equipped with household accessories made in Palembang. The growth of Palembang woodcarving has experienced fluctuation relative to regional economic conditions Art craft woodcarving is continued only by certain families, as the economic situation of the region causes many craftsmen to search for employment in other industries and professions. Changes in wood processing procedures have caused materials to become increasingly difficult to use. Also, carving motive creations, and engraving techniques have been hybridized with other regions such as Jepara, and countries outside India, Europe and China. The acculturation of this decorative variety has resulted in new forms, styles and flavors adding to the treasures of Palembang woodcarvings.