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All Journal Jurnal Abdimas Mandiri V-art: Journal of Fine Art
Armen Nazaruddin
Institut Seni Indonesia Padangpanjang
Arts Humanities Education Social Sciences Other

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PELATIHAN DESAIN GERABAH DENGAN TEKNIK BATIK BERSAMA GURU DAN MURID DALAM RANGKA REVITALISASI GERABAH TRADISIONAL GALOGANDANG SUMATERA BARAT Hendra Hendra; Desi Trisnawati; Armen Nazaruddin
Jurnal Abdimas Mandiri Vol 2, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1091.972 KB) | DOI: 10.36982/jam.v2i2.529

Abstract

Pelatihan di SD dan SMP sekitar Galogandang dilakukan untuk menumbuhkan kebanggaan generasi muda terhadap produk budaya lokal. Apalagi pembuatan gerabah di Galogandang sekarang ini hanya didominasi oleh ibu-ibu yang lanjut usia. Sedangkan belum tampak adanya generasi muda yang berminat melanjutkan dan mengembangkannya. Jika hal ini dibiarkan berlanjut, maka lama kelamaan gerabah di Galogandang bisa tinggal sejarah. Dibutuhkan suatu usaha untuk menggugah minat generasi muda terhadap gerabah di Galogandang. Salah satunya dengan pelatihan desain gerabah dengan motif batik khas Minangkabau. Kegiatan pelatihan yang tergolong baru untuk wilayah Sumatera Barat ini ditujukan untuk mempopulerkan gerabah tradisional yang dipadukan dengan motif kontemporer yaitu batik khas Minangkabau. Kegiatan ini dinilai efektif untuk mendongkrak popularitas gerabah tradisi dan mempromosikan motif batik khas Minangkabau yang belum banyak dikenal masyarakat. Pelatihan ini mengajarkan bagaimana membuat motif batik khas Minangkabau dengan menggunakan canting batik sehingga produk yang dihasilkan lebih menarik. Mendekorasi gerabah dengan teknik ini bisa menjadi solusi bagi pengrajin gerabah dalam memasarkan produk gerabahnya yang selama ini dibuat tanpa ada motif hias. Dengan kegiatan ini diharapkan akan bisa mempopulerkan kembali gerabah Galogandang dengan wajah baru yang lebih kreatif. Kedepannya pengrajin juga bisa membuat beragam bentuk desain  baru dari gerabah untuk disesuaikan dengan konsep motif kreasi yang dibuat.Kata kunci : Gerabah, Desain, Batik Khas Minangkabau
Karya Patung Abstrak Lisa Widiarti Ditinjau Dari Bentuk Dan Medium Khairun Nisa; Elvis Elvis; Armen Nazaruddin
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (470.48 KB) | DOI: 10.26887/vartjofa.v1i1.2219

Abstract

This study discusses the form and medium used by Lisa Widiarti in making abstract sculptures. This study also briefly discusses Lisa Widiarti's short artistic journey. The discussion uses qualitative research methods, which include: observation, interviews, and literature study as well as research conducted in the city of Padang, West Sumatra. Based on the results of research on Lisa Widiarti's abstract sculpture, Lisa has produced dozens of abstract sculptures and almost every year always participates in exhibition events. Lisa tends to bring objects with the themes of love, social, everyday life, and beauty into her sculptures which are made with abstract shapes, and the mediums used in her work are various such as resin, stone, wood, cement, gypsum, metal plate and slurry. paper. Lisa is a female sculptor who is also a lecturer at Padang State University. Lisa is still able to survive with her abstract sculptures and become a resilient, creative, and active female sculptor in West Sumatra. Much can be learned andresearched from Lisa Widiarti's sculptures, especially abstract sculptures in terms of form and medium. It is hoped that research on Lisa Widiarti's abstract sculpture can be a reference so that there are opportunities for other researchers to research from a different scientific point of view. 
The Evolution of the Coloring System in the Ornamental Carvings of Istano Basa Pagaruyung shintia shintia; Mutia Budhi Utami; Armen Nazaruddin; Yunis Muler
V-art: Journal of Fine Art Vol 5, No 2 (2026): June 2026
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v5i2.5558

Abstract

The carvings of Istano Basa Pagaruyung are an important part of Minangkabau cultural heritage, embodying philosophical values and cultural identity. Traditionally, their coloring system relied on natural pigments obtained from the surrounding environment. However, these materials have gradually been replaced by synthetic dyes. This study aims to examine the transformation of the coloring system in Istano Basa Pagaruyung carvings, identify the factors driving this change, and analyze its implications for the preservation of Minangkabau cultural values. A qualitative descriptive approach was employed, with data collected through observation, interviews, documentation, and literature review. The findings indicate that the shift from natural to synthetic dyes has been influenced by the limited availability of natural materials, easier access to synthetic alternatives, greater efficiency, and the practical needs of building maintenance. Despite changes in the coloring materials, the traditional color scheme and its symbolic meanings have been preserved. This demonstrates that the transformation represents an adaptive response to contemporary conditions without compromising the cultural values embodied in the carvings. The findings reflect the Minangkabau philosophy “Bolehlah beranjak duduk, tetapi tikarnya itu juga,” which emphasizes that adaptation may occur while fundamental cultural values remain intact. This study contributes to the preservation of traditional carving art as a significant component of Minangkabau cultural heritage.
Co-Authors Elvis Elvis Hendra Hendra Khairun Nisa Mutia Budhi Utami shintia shintia Trisnawati, Desi Yunis Muler