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All Journal Language Circle : Journal of Language and Literature Prosodi: Jurnal Ilmu Bahasa dan Sastra ATAVISME JURNAL ILMIAH KAJIAN SASTRA UNNES International Conference on ELTLT
Imron Wakhid Harits
University of Palacky Olomouc, Czech Republic
Languange, Linguistic, Communication & Media

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MYTHS IN EDGAR ALLAN POE’S “THE RAVEN” Harits, Imron Wakhid; Sari, Ulfah Rizkyanita
Language Circle: Journal of Language and Literature Vol 10, No 2 (2016): April 2016
Publisher : Faculty of Languages ​​and Arts, State University of Semarang

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Abstract

This study is aimed to describe myths which appear in Edgar Allan Poe‘s ―The Raven‖ and to figure out the way that is used by Edgar Allan Poe to show the myths in the poem and convey the meaning of the poem itself. Archetype theory from Canadian critic Northrop Frye is used in this study in order to analyze the myths in ―The Raven‖ poem. Furthermore, to clarify the myths in the poem itself, this study uses a qualitative research as a method to collect, select, code, and analyze the data. In the research finding ―The Raven‖ poem by Edgar Allan Poe contains three types of archetype imagery, they are apocalyptic, demonic, and analogical imagery (analogy of innocence and analogy of experience). This poem also contains the four types of cyclical symbolism of archetype, they are divine world, human world, animal world, and mineral world. It is also found that this poem has a structure of sparagmos due to the dark myth and the confusion world that cover the theme of poem. Finally, this poem is divided into six phases of winter which is related to the literary genre of irony and satire that explain more about the sorrowfulness of the author, Edgar Allan Poe because his lover, Lenore leaves him.
MYTHS IN EDGAR ALLAN POE’S “THE RAVEN” Harits, Imron Wakhid; Sari, Ulfah Rizkyanita
Language Circle: Journal of Language and Literature Vol 10, No 2 (2016): April 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v10i2.5619

Abstract

This study is aimed to describe myths which appear in Edgar Allan Poe‘s ―The Raven‖ and to figure out the way that is used by Edgar Allan Poe to show the myths in the poem and convey the meaning of the poem itself. Archetype theory from Canadian critic Northrop Frye is used in this study in order to analyze the myths in ―The Raven‖ poem. Furthermore, to clarify the myths in the poem itself, this study uses a qualitative research as a method to collect, select, code, and analyze the data. In the research finding ―The Raven‖ poem by Edgar Allan Poe contains three types of archetype imagery, they are apocalyptic, demonic, and analogical imagery (analogy of innocence and analogy of experience). This poem also contains the four types of cyclical symbolism of archetype, they are divine world, human world, animal world, and mineral world. It is also found that this poem has a structure of sparagmos due to the dark myth and the confusion world that cover the theme of poem. Finally, this poem is divided into six phases of winter which is related to the literary genre of irony and satire that explain more about the sorrowfulness of the author, Edgar Allan Poe because his lover, Lenore leaves him.
THE SOCIAL POSITION AND TYPOLOGY OF MADURESE WOMEN IN MADURA FOLKTALES Harits, Imron Wakhid
ATAVISME Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (226.821 KB) | DOI: 10.24257/atavisme.v14i2.68.194-203

Abstract

Abstract: The aim of this study is to observe the woman position in the social life in Madura and observes the typology of Madurese women on three Madura folktales, i.e. Aer Mata Ebu, The Origin of Madura, and Aryo Menak and His Wife. To analyze the social position and typology of women, this study uses the Cixous?s theory of feminism. Qualitative method with ethnography aprroach is used to do this research. These three folktales have similarities, because all of these three folktales tell about the struggle, tough, firmness, sincere of Madurese women. Thus, by analyzing these folktales, the women social position in Madura can be observed. The women are considered as the holy creature that must be appreciated. From the analysis, several typologies of Madurese woman reflected in the folktales can also be identified, i.e. sincere, firmness, tough, religious, and sufism. Abstrak: Makalah ini bertujuan mengobservasi posisi wanita dalam kehidupan sosial masyarakat Madura dan meneliti tipologi wanita?wanita Madura pada tiga cerita rakyat Madura, yaitu Aer Mata Ebu, Asal?Usul Pulau Madura, dan Aryo Menak dan Istrinya. Untuk menganalisis posisi sosial dan tipologi wanita digunakan teori feminisnya Cixous. Untuk mengungkap aspek-aspek sosial yang mempengaruhi cerita rakyat tersebut digunakan metode kualitatif dengan pendekatan etnografi. Ketiga cerita rakyat ini memiliki banyak kesamaan karena ketiganya menggambarkan perjuangan, keuletan, ketabahan, dan ketulusan wanita? wanita Madura. Dengan demikian, dengan menganalisis cerita?cerita rakyat ini, dapat diamati posisi sosial wanita?wanita Madura. Para wanita diposisikan sebagai makhluk suci dan terhormat. Berdasarkan analisis tersebut juga ditemukan tipologi wanita-wanita Madura yang tercermin dalam cerita rakyat tersebut, yaitu tulus, tabah, ulet, agamis, dan sufi. Kata-Kata Kunci: feminisme, cerita?cerita rakyat Madura, tipologi
The Archetypal Types based on Jungian’s Psychology in Madura Tales Diana, Putri Nur; Harits, Imron Wakhid; Chudy, Stefan
The Proceedings of English Language Teaching, Literature, and Translation (ELTLT) Vol. 11 (2022)
Publisher : The Proceedings of English Language Teaching, Literature, and Translation (ELTLT)

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Abstract

This paper aims to examine archetypal elements in some Madura Tales from Carl Gustav Jung in Marie Louis Von Franz’s perspectives. This research analyzes Three Madura tales there are Megaremeng and Other Stories (A Selection of Madura Tales) book: The Horse and the Cow, Princess Tajungan, and When the Monkey can Speak. Thus, archetypal elements will be depicted in characters and symbols along with the representative of Madurese cultures and traditions appearing in the stories. This study employs a qualitative method to describe and explain the characters‘ archetypes through their behavior, attitude, and emotion. The results show that In the Horse and the Cow shows (1) the myth of a horse and a cow, (2) the archetype of the Jungle King, and (3) The horse‘s archetype of shadow. Princess Tajungan shows (1) the myth of Tajungan Village, (2) the archetype of Wira as a hero, (3) and the symbol archetype of the rack, rooster, and Pesa’an costume. Whereas When the Monkey can Speak shows (1) the archetype of Kyai Barambang, (2) the archetype of the King's son, and (3) the symbol archetype of the monkey. Furthermore, the children's literature will figure out that this research expects that children will become the next virtuous generation.
The Flying Horses: From Asia to Europe Harits, Imron Wakhid; Chudy, Stefan
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 2: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i2.32046

Abstract

This paper is aimed to compare the mythical animals particularly the unicorns from the different social and historical context across the nation (or culture) as well as their transmission in the world (East and West). The objective of the study is, to examine the Mythical creature particularly the unicorn both in the oral tradition from its historical context such as the mythology of Flying Horse (such as the Unicorn, Pegasus) from India, China, Africa, Indonesia (Madura) and Europe and the Flying Horse (Unicorn, Pegasus) as the character of the fairy tales such as in Carroll’s Through the Looking Glass, Williamson’s The coming of Unicorn, Grimm’s the Brave Little Tailor, and Wiggin and Smith’s the Unicorn and Madura tales Megaremeng.  From the study, it infers that the Flying horse as the mythical animals have the different forms and names in the world. Such as in China it is called as Qilin and in Japan is Kirin. Otherwise at the beginning the Mythology of the the flying horse it can trace back in Greek mythology (Pegasus) and the origin of Unicorn from India and Persia. For examples the unicorn today was not the same as when it was firstly found by Hildegard von Bingen in River Indus. The trade, the war, the mobility of the people like the immigration have contributed to the transformation of the Unicorn in the world. As the mythical animal the Flying horse (unicorn, Pegasus) is one of the most popular mythical creature in the world, thus it is not only mentioned in the cultural history in one country but it is also raised up in some written tales such as in Indonesia and in Scotland where the Flying Horse is as legendary creature used as the symbol of the city and country.
Co-Authors Chudy, Stefan Diana, Putri Nur Ulfah Rizkyanita Sari, Ulfah Rizkyanita