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All Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra UNNES International Conference on ELTLT
Chudy, Stefan
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Languange, Linguistic, Communication & Media

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The Archetypal Types based on Jungian’s Psychology in Madura Tales Diana, Putri Nur; Harits, Imron Wakhid; Chudy, Stefan
The Proceedings of English Language Teaching, Literature, and Translation (ELTLT) Vol. 11 (2022)
Publisher : The Proceedings of English Language Teaching, Literature, and Translation (ELTLT)

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Abstract

This paper aims to examine archetypal elements in some Madura Tales from Carl Gustav Jung in Marie Louis Von Franz’s perspectives. This research analyzes Three Madura tales there are Megaremeng and Other Stories (A Selection of Madura Tales) book: The Horse and the Cow, Princess Tajungan, and When the Monkey can Speak. Thus, archetypal elements will be depicted in characters and symbols along with the representative of Madurese cultures and traditions appearing in the stories. This study employs a qualitative method to describe and explain the characters‘ archetypes through their behavior, attitude, and emotion. The results show that In the Horse and the Cow shows (1) the myth of a horse and a cow, (2) the archetype of the Jungle King, and (3) The horse‘s archetype of shadow. Princess Tajungan shows (1) the myth of Tajungan Village, (2) the archetype of Wira as a hero, (3) and the symbol archetype of the rack, rooster, and Pesa’an costume. Whereas When the Monkey can Speak shows (1) the archetype of Kyai Barambang, (2) the archetype of the King's son, and (3) the symbol archetype of the monkey. Furthermore, the children's literature will figure out that this research expects that children will become the next virtuous generation.
The Flying Horses: From Asia to Europe Harits, Imron Wakhid; Chudy, Stefan
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 2: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i2.32046

Abstract

This paper is aimed to compare the mythical animals particularly the unicorns from the different social and historical context across the nation (or culture) as well as their transmission in the world (East and West). The objective of the study is, to examine the Mythical creature particularly the unicorn both in the oral tradition from its historical context such as the mythology of Flying Horse (such as the Unicorn, Pegasus) from India, China, Africa, Indonesia (Madura) and Europe and the Flying Horse (Unicorn, Pegasus) as the character of the fairy tales such as in Carroll’s Through the Looking Glass, Williamson’s The coming of Unicorn, Grimm’s the Brave Little Tailor, and Wiggin and Smith’s the Unicorn and Madura tales Megaremeng.  From the study, it infers that the Flying horse as the mythical animals have the different forms and names in the world. Such as in China it is called as Qilin and in Japan is Kirin. Otherwise at the beginning the Mythology of the the flying horse it can trace back in Greek mythology (Pegasus) and the origin of Unicorn from India and Persia. For examples the unicorn today was not the same as when it was firstly found by Hildegard von Bingen in River Indus. The trade, the war, the mobility of the people like the immigration have contributed to the transformation of the Unicorn in the world. As the mythical animal the Flying horse (unicorn, Pegasus) is one of the most popular mythical creature in the world, thus it is not only mentioned in the cultural history in one country but it is also raised up in some written tales such as in Indonesia and in Scotland where the Flying Horse is as legendary creature used as the symbol of the city and country.
Co-Authors Diana, Putri Nur Imron Wakhid Harits