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All Journal Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Panggung Greget Panggung

Sutarno Haryono

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Author-ID : 277603

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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SASTRA TEMBANG PADA KONTEKSTUAL ADEGAN DAMARWULAN SEBAGAI PENGUASA MAJAPAHIT DALAM TARI LANGENDRIYAN Sutarno Haryono
Greget Vol 13, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

The presence of dance is generally not a construction whose elements can be analyzed butrather a unified or cohesive whole (gestalt). Thus, presentational symbols rather than discursivesymbols appear. Presentational symbols refer to the meaning that is hidden behind the meaningthat is immediately visible, or reveal a level of meaning that is presupposed within the literalmeaning. Of course, interpreting an art which contains several different elements, such as the artof dance, is highly complex since it is constructed of elements that are bound together and cannotbe separated from each other.Keywords: Analysis, Contextual,Macapat, Dance Movements.

Analisis Kontekstual Adegan Pernikahan Ratu Ayu Kencanawungu Dalam Tari Langendriyan Sutarno Haryono
Greget Vol 12, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

The overall appearance of a dance is not a construction of which the elements can be analyzed individually but rather a complete and rounded unit (gestalt). Therefore, presentational symbols rather than discursive symbols emerge. Presentational symbols point to the hidden meaning behind the meaning that is directly visible, or reveal a level of meaning that is presupposed within the literal meaning. Of course, when interpreting the meaning of an art which contains a number of different elements, such as dance, a highly complex unit is observed which is made up of all the different elements that cannot be separated one from another. Keywords : Analysis, Contextual, Macapat, and Dance Movements.

Konsep Dasar Bagi Seorang Penari Sutarno Haryono
Greget Vol 11, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

There are two aspects which place emphasis on creativity as one of the main motivations ofÂ a dancer to increase his or her ability to project a creative interpretation, create empathy, andÂ possess a social perspective. This emphasis includes the meaning of an idea which is reinforcedÂ through creative activity by looking at something with a broader perspective. The creative discoveryÂ of a dancer is essentially as important as developing ideas, and also the final result. As such, it is hoped that a dancer will determine and react to changes and developments in the art communityÂ by producing a personal interpretation in the form of a dance performance. Keywords : Basic concepts, Basic skills, and Dancer.Â

Paradigma Penelitian Sutarno Haryono
Greget Vol 9, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Research is an attempt to understand facts in a rational empirical way, using a certain procedure in accordance with the method chosen by the researcher. There are two kinds of research, namely quantitative and qualitative. In the research of a particular work, program, or event, using a holistic critical approach, its quality should be viewed from the perspective of its background, its objective formal conditions, and its impact.Â Keywords: Research, quantitative, qualitative, holistic critical.

Implementasi Konsep Kesantunan Budaya Jawa pada Seni Pertunjukan Langendriya Mandraswara Mangkunegaran Sutarno Haryono
Greget Vol 5, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

When Mangkunegara IV was in power in the Mangkunegaran (1853-1881), he created several new art forms, one of which was Langendriya Mandraswara, which uses as its media both verbal and non-verbal components. The verbal component, traditional Javanese singing, or tembang macapat, is adapted to suit the social strata and takes into consideration the principle of politeness. The non-verbal component expresses a particular character. The integration of the two components creates a clearer, more communicative, and more aesthetic meaning.Keywords: Politeness, verbal and non-verbal components

Co-Authors Laras Ambika Resi Slamet Subiyantoro

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