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Nature Symbols and Symbolism in Sufic Poems of Ibn Arabi Cahya Buana
Karsa: Journal of Social and Islamic Culture Vol. 25 No. 2 (2017)
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v25i2.1304

Ibn Arabi is regarded as a pioneer of wahdat al-wujud concept seeing that all creatures unite with the essence of God. Ibn Arabi frequently depicts his concepts and thoughts on Sufism through poetries that contain nature symbols. It raises questions in this study: what symbols are in Ibn Arabi’s poetries? What do these symbols mean? Is there a correlation between nature symbols in his poetries with his concept of wahdat al-wujud? To answer those three questions, the author uses qualitative methodology by using a number of both primary and secondary resources for library research. To analyze the symbols, Arabic rhetoric science-based approach is used, especially bayan. The study finds that certain symbols have been used by Ibn Arabi as such sun, moon, star, earth and sky. Ibn Arabi uses the symbols of sun to represent God as the main source of universe, of moon to represent God’s tajalli in His creatures, of sky for the highest attribute of God, of earth for human’s contemptible nature, and of stars bridging the sky and earth representing spirit blown by God onto human. Hence, nature symbols themselves disprove the concept of wahdat al-wujud that has been proposed by scholars so far.Copyright (c) 2017 by KARSA. All right reserved DOI: 10.19105/karsa.v25i2.1304

The Struggle of Jihadist’s Ideology in Hikayah Wahabiyyah Cahya Buana; Ahmadi Usman
Karsa: Journal of Social and Islamic Culture Vol. 27 No. 1 (2019)
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v27i1.2271

Hikayah Wahabiyyah was banned (2013) in Saudi Arabia because it was considered to undermine the honor of religion, institutions and state stability. Hikāyah Wahabiyyah describes the struggle of the ideology of a Wahabi who wants to escape from a total domination (herrschaft) that has eliminated the freedom and clarity of modern human thinking. This study aims to reveal the struggle of a Wahabi jihadist as reflected through internal elements of the Hikayah Wahabiyah. To uncover this ideological struggle, I use the ideological criticism approach to the intrinsic elements of the novel. Based on the analysis results are summarized, that (1) the word “jihadis” in this novel is interpreted as a kinayah which has two meanings, haqiqi and majazi (real and figurative). The meaning of haqīqi is those who strive in jihad through the path of war, while the meaning of the majazi is those who strive to maintain their ideological beliefs. (2) the intrinsic elements of literature built by the author in general illustrate the ideological struggle of a mutadayyin (follower of the Wahhabi ideology) who turns into a muntakis (someone who escapes from Wahabi ideology).

Budaya Satire pada Masa Dinasti Umayyah dalam Syair Hijā’ Al-Farazdaq Cahya Buana
Buletin Al-Turas Vol 25, No 2 (2019): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Hijā’ atau satire adalah salah satu genre syair yang mengandung konten sinisme atau ejekan. Jenis puisi ini berkembang pesat pada masa Dinasti Umayyah. Penyair yang sangat terkenal dengan genre ini di antaranya adalah al-Farazdaq. Kajian ini bermaksud untuk mengungkap jenis budaya satire yang berkembang pada masa Bani Umayyah melalui syair al-Farazdaq serta latar belakang munculnya budaya tersebut. Untuk mencapai tujuan tersebut, saya akan menggunakan metode penelitian qualitatif melalui pendekatan budaya dan sejarah pada teks-teks syair hija al-Farazdaq. Berdasarkan hasil analisis terungkap bahwa budaya satire yang berkembang pada masa Bani Umayah dalam puisi hija al-Farazdaq adalah jenis satire personal (al-hijā al-syakhsyi) yaitu satire yang menyerang pribadi seseorang dengan cara mengejeknya melalui hal-hal yang bersifat fisik, satire moral (al-hijā al-akhlāqi) yaitu sindiran-sindiran yang ditujukan kepada lawan karena dianggap memiliki moralitas yang rendah, satire politik (al-hijā al-siyāsi) yang digunakan untuk kepentingan politik, satire sosial (al-hijā al-ijtimāi) yaitu sindiran yang terkait perilaku sosial yang kurang lazim terjadi pada masyarakat pada umumnya dan satire agama (al-hijā al-dīnī) yaitu satire-satire yang digunakan untuk menyindir perilaku keagamaan seseorang. Adapun latar belakang munculnya budaya satire di antaranya disebabkan oleh motif politik, ekonomi dan fanatisme kesukuan. Hijā' or satire is a genre of poetry that contains cynicism or mockeries. This type of poetry developed rapidly during the Umayyad Dynasty. This study was intended to reveal the type of satirical culture in the era of Umayyads through al-Farazdaq’s poetry and the background of its emergence. To achieve this purpose, I used a qualitative research method implementing cultural and historical approaches to read critically hija al-Farazdaq's poetic texts. The result of analysis revealed there were five kinds of satirical culture developing during the Umayyads in the poetry hija al-Farazdaq. There were a personal satire (al-hijā al-syakhsyi) attacked someone by mocking him through things that were physical; a moral satire (al-hijā al-akhlāqi), namely allusions that addressed the opponents because they were considered to have low morality; a political satire (al-hijā al-siyāsi) which was used for political purposes; a social satire (al-hijā al-ijtimāi) which was an allusion related to social behavior that were less common in the society in general; and a religious satire (al-hijā al-dīnī) which was used to insinuate one's religious behavior. The background for the emergence of satire culture were due to political, economic and tribal fanaticism.

Al-Akhṭal’s Praise for Yazid Bin Mu’wiyah, the Second Caliph of the Umayyad Dynasty (680-683 AD) Cahya Buana
Buletin Al-Turas Vol 26, No 2 (2020): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v26i2.14998

This study intended to uncover the meanings contained in the context of praise in the ode poems of Al-Akhtal “Fa Aqsamtu La Ansā Yadae Al-Dahr” in qāfiyah bā intended for Yazid ibn Mu’āwiyah, the second Caliph of the Umayyad dynasty along with the context behind the text of praise. To reveal the meanings behind the text and the context of al-Akhtal's praise to Yazid, this study used a qualitative analysis method with a balagah and pragmatic approach. Based on the results of the analysis, it can be concluded that al-Akhtal in delivering his praise to Yazid used a style of language that was loaded with high eloquent elements, such as the style of terms, tasybīh, metaphor, majaz and kināyah. There were many deixis that could be used to reveal the context of al-Akhtal's praise for Yazid, both persona, time, place, discourse and social, such as the first-person singular nominative case personal pronoun, Umm Malik, Yazid ibn al-Muluk, Aba Khalid, Nu’mān, Ibn Hurrah, the days of Jillaq, Damasqus, Jazair Hamiz, Ahl 'Anah, and others. Al-Akhtal's praise for Yazid bin Mu’āwiyah was influenced by both similar behaviors. Both liked the world of freedom in terms of women and drinking to gain power in cruel ways. In addition, the as a Christian Al-Akhtal got more freedom in his life; while, Yazid did not care about religious values.

Zhaahirat Tahwiil al-Syafrah fi al-Muhaadatsah Cahya Buana
Buletin Al-Turas Vol 18, No 2 (2012): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

In all areas of life, human beings will not be separated from the language in the process of communication with each other. Everthing will go well as it can be arranged with the language associated with social conditions (sociolingusitic) is a very interesting study. This paper will discuss one of the objects of languages study, it's the code switching occurs in some forms of speech of speakers who speak Arabic and Indonesian. The author specialized in the analysis of the causes of code switching in five forms of conversations, namely a desire of speaker to demonstrate his proficiency of bilingual and trying to make the audience believe hismastery, the emotional expression, accelerating the delivery of messages, making the limit between jokes and serious conversation, continuityof using the mother tongue because it is easier, limiting the audience, keep he distance of social status, the awareness that the second languageis also a mother tongue, adopt the foreign sentence, and reinforce the speech.

PENGARUH SASTRA ARAB TERHADAP SASTRA INDONESIA LAMA Cahya Buana
Al Qalam Vol 25 No 1 (2008): January - April 2008
Publisher : Center for Research and Community Service of UIN Sultan Maulana Hasanuddin Banten-Serang City-Indonesia

Hamzah fansuri adalah penyair dan penulis sufi Indonesia yang sangat terkenal Ia telah menulis sejumlah puisi yang berisi tentang konsep-konsep sufi khususnya “wahdah al-wujud” Puisi-puisi tersebut diasumsikan terpengaruh oleh literatur Arab. Untuk membuktikan asumsi ini, penulis membuat perbandingan antara literatur berbahasa Arab dan Indonesia. Hasil penelitian ini membuktikan bahwa gaya puisinya dipengaruhi oleh Arudlh dan Balaghah, seperti metre (wazan), rhyme (qefryah ), iqtibas, dan yang lainnya. Sedangkan kandungannya berisi tentang ghazal (puisi cinta dan erotis), yang biasa digunakan dalam syair-syair Arab.Kata Kunci: Hamzah Fansuri, syi'r, syair, wazan, qafiyah, saja’, ghazal, istiarah

SARKASME DAN KETIDAKSANTUNAN BERBAHASA PADA AKRONIM PPKM DI MASA PANDEMI COVID-19 Cahya Buana; Nailil Huda
Kajian Linguistik dan Sastra Vol 8, No 1 (2023)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/kls.v8i1.22300

PPKM (Enforcement of Restrictions on Community Activities) is one of the government's policies in the context of tackling the Covid-19 pandemic in 2021-2022. This policy was responded to in various ways by the community, both in positive and negative ways. The negative responses include the use of sarcastic words for the PPKM acronym, different from its original meaning. Sarcasm in pragmatic studies is considered a form of language impoliteness because it makes other people humiliated. This study aims to: (1) find out the most popular PPKM acronym in the Covid-19 era, (2) analyze the type, purpose, and context of sarcasm in the PPKM acronym in the Covid-19 era, (3) reveal the manifestations of impoliteness in the acronym PPKM in the Covid-19 era. This study is qualitative research with a pragmatic approach as a basis for analysis, especially the language impoliteness theory used to analyze netizen comments on 7 YouTube channels. Based on the results of the study, it was found: (1) The most popular PPKM acronym in the Covid-19 era, such as "Mr. President when are you resigning", and Slowly We Die; (2) the sarcasm used in the PPKM acronym is "proportional sarcasm" and "'Like'-Prefixed Sarcasm" with the aim of expressing emotions, satirizing and also opposing. The context of sarcasm in general is motivated by economics (49%), politics (48%) ideology (5%); (3) Manifestations of language impoliteness appear in the form of gratuitous, conflictive, face-aggravate, and face-threaten to lose face.Keywords: PPKM, impoliteness, sarcasm, plonga-plongo, pinocchio

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