Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal Humaniora Poetika: Jurnal Ilmu Sastra Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya
Arifah Arum Candra Hayuningsih
Department Of Languages And Literatures, Universitas Gadjah Mada
Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
THE LIFE OF GERVAISE MACQUART AS A LOWER WORKING CLASS WOMEN UNDER FRENCH SECOND EMPIRE IN THE NOVEL L’ASSOMMOIR BY ÉMILE ZOLA Teguh Basuki; Arifah Arum Candra H.
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (323.433 KB) | DOI: 10.22146/jh.6415

Abstract

The industrialization which developed in the 19th century France had brought both positive and negative impacts. Some of the negative impacts are the rising number of labors, the emergence of inter class conflicts, social problems such as prostitution, and the oppression of lower class women. This research will discuss about the life of lower class women depicted in the novel L’Assommoir by Émile Zola, as the portrayal of the reality in the French Second Empire. The analysis uses qualitative descriptive technique and applies Foucaults’s theory on social exclusion, Beauvoir’s theory of second sex, and also gender theory. The analysis shown that Zola criticize the inequalities in the life of lower class women under Second Empire. It also shows that lower class women excluded from the ‘grand’ discourse in French society. The exclusion process which is done by society and supported by the State at that time regarded as a normal thing and ‘taken for granted’.
The Javanese Diaspora in New Caledonia reflected in Ama Bastien’s Le Rêve Accompli de Bandung à Noumea and Marc Bouan’s L’Echarpe et le Kriss Arifah Arum Candra Hayuningsih
Humaniora Vol 34, No 1 (2022)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.72743

Abstract

New Caledonia is a French Overseas Territorywhose lit erary works do not take the “center stage” in Francophone literature. In particular, the Javanese diasporic community in this archipelago has received relatively little attention from researchers, with past studies largely focusing on Javanese indentured laborers in Suriname, instead. This research examined the autobiographical novels of two New Caledonian writers, Le rêve accompli de Bandung à Nouméa by Ama Bastien and L’écharpe et le kriss by Marc Bouan. These writers belong to the second generation of Javanese immigrants, whose parents came to New Caledonia at the beginning of the 20th century under the indentured laborer scheme. The analysis employed diasporic and cultural identity as its theoretical framework, along with Steven Tötösy de Zepetnek’s comparative cultural studies method. The results explicate the way in which these novels embody the establishment of identity in the Javanese diaspora in New Caledonia. They also demonstrate how the contestation of identity and memory is inextricably linked to the problems of the Javanese diasporic communities. These findings should contribute to and encourage the further study of diasporic communities related to Southeast Asian indentured labor.
SOCIAL EXCLUSION OF DEMI-MONDAINE AND NYAI IN FRENCH AND INDONESIAN NOVELS Arifah Arum Candra Hayuningsih
POETIKA Vol 9, No 2 (2021): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v9i2.61094

Abstract

One of the interesting themes but not widely featured in Indonesian and French literatures in the 19th and 20th centuries is nyai and demi-mondaine. Both have a similar meaning, namely the mistress of a man from the upper-middle class. This study looks at the exclusions that occur in the lives of nyai and demi-mondaine in an Indonesian novel titled Bumi Manusia by Pramoedya Ananta Toer and a French novel titled La Dame aux Camélias by Alexandre Dumas (philosophers). The analysis was carried out using Fairclough’s critical discourse analysis approach to examine the exclusion process in the two novels, which describes the realities that occur in society. This study found that the mistresses are excluded primarily through labeling and stereotyping. Despite the exclusion from the discourse of ‘honor’ in society, the mistresses find their own way of surviving in a society that does not like them.Salah satu tema menarik namun tidak banyak ditampilkan dalam karya sastra Indonesia dan Prancis di abad 19 dan 20 adalah kehidupan nyai dan demi-monde. Keduanya memiliki pengertian yang hampir serupa, yakni perempuan simpanan dari seorang laki-laki kelas menengah ke atas. Sikap masyarakat yang cenderung merendahkan mereka dapat dipandang sebagai proses eksklusi. Penelitian ini menelusuri bagaimana ekslusi yang terjadi dalam kehidupan nyai dan courtesan di Indonesia dan Prancis seperti yang ada pada novel Bumi Manusia karya Pramoedya Ananta Toer dan novel La Dame aux Camélias karya Alexandre Dumas (fils). Analisis dilakukan dengan metode analisis wacana kritis dari Fairclough untuk melihat proses eksklusi di kedua novel tersebut, yang merupakan gambaran dari realita yang terjadi di masyarakat. Penelitian ini memperlihatkan bahwa proses eksklusi paling banyak terjadi melalui labelling dan stereotyping. Meski demikian, para perempuan simpanan yang mengalami eksklusi dari wacana ‘kehormatan’ di masyarakat memiliki cara sendiri untuk bertahan di tengah masyarakat yang tidak menyukai mereka.
Konstruksi dan Kontestasi Kuasa Perempuan pada Naskah Drama Les Bonnes Karya Jean Genet Ida Bagus Gede Aric Surya Lesmana; Wening Udasmoro; Arifah Arum Candra Hayuningsih
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 1 (2021)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (784.699 KB) | DOI: 10.30872/diglosia.v4i1.124

Abstract

This research aims to portray the social categories such as social class and gender that construct the oppression experienced by women in the drama script Les Bonnes written by Jean Genet. This contestation appears as a result of an interaction between three main characters in the drama: Claire and Solange, as maids and Madame as their employer. Madame is a rich woman who treats them badly because of their social background as poor women. As a result of her treatment, Claire and Solange aim to kill their employer as the way out to be free from Madame’s oppression. They create an assassination simulation to obtain their objective. To analyze this problem, this research uses the concept of habitus, capital, and arena from the theory of cultural production of Pierre Bourdieu. The method used in this article is a textual analysis method. The material objects are the drama script, Les Bonnes. The corpus data is taken from the words, sentences, and paragraphs containing the expression correlated with the contestations of power. The data is then analyzed using the lenses from the concept of habitus and cultural arena by Pierre Bourdieu. The finding shows that the habitus forms a constant and repetitive interaction among the subjects. It is influenced by the subjects’ position based on the social capital they possess. The position is characterized by two classes: the dominant and the worker that contribute to the form of contestations in Les Bonnes.
Co-Authors Ida Bagus Gede Aric Surya Lesmana Teguh Basuki Wening Udasmoro