Article Per Year (5 Year)
p-Index From 2020 - 2025
0.23
P-Index
This Author published in this journals
All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya
Ida Bagus Gede Aric Surya Lesmana
Fakultas Ilmu Budaya, Universitas Gadjah Mada
Humanities Education Languange, Linguistic, Communication & Media

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Konstruksi dan Kontestasi Kuasa Perempuan pada Naskah Drama Les Bonnes Karya Jean Genet Ida Bagus Gede Aric Surya Lesmana; Wening Udasmoro; Arifah Arum Candra Hayuningsih
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 1 (2021)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (784.699 KB) | DOI: 10.30872/diglosia.v4i1.124

Abstract

This research aims to portray the social categories such as social class and gender that construct the oppression experienced by women in the drama script Les Bonnes written by Jean Genet. This contestation appears as a result of an interaction between three main characters in the drama: Claire and Solange, as maids and Madame as their employer. Madame is a rich woman who treats them badly because of their social background as poor women. As a result of her treatment, Claire and Solange aim to kill their employer as the way out to be free from Madame’s oppression. They create an assassination simulation to obtain their objective. To analyze this problem, this research uses the concept of habitus, capital, and arena from the theory of cultural production of Pierre Bourdieu. The method used in this article is a textual analysis method. The material objects are the drama script, Les Bonnes. The corpus data is taken from the words, sentences, and paragraphs containing the expression correlated with the contestations of power. The data is then analyzed using the lenses from the concept of habitus and cultural arena by Pierre Bourdieu. The finding shows that the habitus forms a constant and repetitive interaction among the subjects. It is influenced by the subjects’ position based on the social capital they possess. The position is characterized by two classes: the dominant and the worker that contribute to the form of contestations in Les Bonnes.
Co-Authors Arifah Arum Candra Hayuningsih Wening Udasmoro