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I Wayan Redig
Universitas Udayana
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PERTUMBUHAN SENI RUPA PADA MASA LAMPAU DI INDONESIA I Wayan Redig
Forum Arkeologi VOLUME 11, NOMOR 2, DESEMBER 1999
Publisher : Balai Arkeologi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (997.397 KB) | DOI: 10.24832/fa.v12i2.405

Abstract

PERKEMBANGAN BUDDHISME DI INDONESIA (SEBUAH KAJIAN ARKEOLOGIS) I Wayan Redig
Forum Arkeologi VOLUME 23, NOMOR 1, APRIL 2010
Publisher : Balai Arkeologi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2055.291 KB) | DOI: 10.24832/fa.v23i1.213

Abstract

Variasi Ikonografi Arca-Arca Perwujudan Perunggu Koleksi Museum Bali Dan BPCB Bali-Nusa Tenggara Putu Pradnyana Adi Putra; I Wayan Redig; A. A. Gde Aryana
Humanis Vol 22 No 1 (2018)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (390.269 KB) | DOI: 10.24843/JH.2018.v22.i01.p07

Abstract

The so called ‘’Dead Portrait’’ statues are kind of archaeological remains from the Hindu-Buddhist period that is very much encountered in Bali. So far the sculptures of the much-studied are the statues made from stones, while the bronze statues are still very little known. This study examines the iconographical variation and its causal factors on the so-called bronze dead portrait statues collection of Bali Museum and BPCB Bali-Nusa Tenggara. The author uses data collection methods such as observation, interview and literature study and data processing methods through the analysis of iconography, iconometry, iconoplastic, and iconology. The theory used to refine the interpretation of the results of the analysis is the Theory of Iconography and Iconology of Erwin Panofsky. Based on the research results found that there are variations of iconography among the bronze dead portrait collection of Bali Museum and BPCB Bali-Nusa Tenggara. The iconographic variations can be seen in the variety of jewelry, dress, body, and body postures. The iconography variation itself is caused by the ability and creativity of artists, social factors, and religious factors and beliefs.
Tinggalan Arkeologi Di Pura Puseh Lan Bale Agung Tampuagan, Kecamatan Tembuku, Kabupaten Bangli Putu Agus Weda Prayudi; I Wayan Redig; Ida Bagus Sapta Jaya
Humanis Vol 17 No 3 (2016)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (184.249 KB)

Abstract

Archeological heritage in Bali still functional and kept scares by the public by placing them in a temple, one of them is Puseh lan Bale Agung Tampuagan Temple, District of Tembuku, Bangli regency. The previous research conducted by the Institute for Preservation of Cultural Bali-NTB-NTT in 2001, discovered only to the extent of conservation or has not reached the stage of in-depth analysis. The objective of this study is to determine the form, period, and function of the archaeological heritage found Puseh lan Bale Agung Tampuagan Temple, Tembuku district, Bangli regency. The research method used in this study is the functional theory and the theory of religion. The first stage of method used to solve problems in this study is by collecting data through observation, interview, and library research. The second stage is data processing and analyzing data using qualitative, iconography, and contextual analysis. Based on the analysis, the conclusions are drawn in the form of archaeological heritage of 1 caturkaya statue that looks simple, 2 embodiment statues of bhatara, 5 embodiment statues of bhatari, 1 lingga tribhaga, 1 lingga above the lapik and stela, 1 fragment of lingga, 1 fragment of Ganesha statue, 4 fragments of statues, and fragments of buildings including 1 piece of building fragment above the lapik, 1 piece waterless building fragment, and 2 pieces of building fragments that might be a pillar. Archaeological heritage in Pura Puseh lan Bale Agung Tampuagan can be incorporated into the century of period Bali Madya because it has the characteristics of a style that was similar to the statue of Bali Madya contained in Puncak Penulisan Temple, the statue of the Bhatara in Sibi Agung Kesian Temple, statues pairs in Subak Taulan Kerobokan Temple, and the statue of the bhatari in Penataran Sasih Pejeng Temple. Archaeological heritage in Puseh lan Bale Agung Tampuagan Temple, Tembuku district, Bangli regency is still used as a means of worship by penyungsung temple. Societies or penyungsung temple consider that the archaeological heritage has religious power, magic, that on a certain day ceremony was held veneration of the archaeological heritage. The storage pelinggih penyimpen arca is trusted by the community as a means to seek refuge, safety, and fertility to plants and animals domesticated cattle community.
Tipologi Miniatur Candi dan Perbandingannya dengan Fragmen Bangunan Kuno di Desa Pejeng dan Bedulu Dewa Gede Kurniawan Anugrah; I Wayan Redig; Anak Agung Gde Aryana
Humanis Vol 18 No 1 (2017)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (306.715 KB)

Abstract

Pejeng and Bedulu are two villages which administrativelly located in Gianyar regency. Both of the villages are very popular with the abudance of archaeological remains especially from Hindu-Buddhist period. Temple miniature and many ancient temple ruins which found fragmentedly are several examples of archaeological evidence found there. This research highligt the typology of ancient temple miniature and it’s relationship with some temple fragments ruins found in Pejeng and Bedulu to give a reconstructive description of ancient Balinese temple. To support the research, I used some analysis i.e qualitative analysis, morphological analysis, stylistical analysis, and comparative analysis. Typology and Levi Strauss’s structural theory were also used to develop the interpretation of the research analysis result. Temple miniatures found in Pejeng and Bedulu can be classified in one type which close to ancient Javanese tower type temple. Although we just found one typological type of temples miniatures but stilistically there are many variations among them. Based on the field observation there are a strong relationship between the ancient temple miniature with some form of temple ruin fragments especially in kemuncak, antefix, and kala form. This fact shows that a similar temple with the miniature were probably ever exist in Pejeng and Bedulu in the past. The production of ancient temple miniature based on Hindu  religious ideological background. Ancient temple miniature functioned as ritual artifact, the media of deities or ancestor worship. Ideological background traced from the artifacts shows the existence of some binary concept i.e human><god, real world><supernatural world, and descendant><ancestor.
Co-Authors Anak Agung Gde Aryana Dewa Gede Kurniawan Anugrah Ida Bagus Sapta Jaya Putu Agus Weda Prayudi Putu Pradnyana Adi Putra