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Dewa Gede Purwita
Institut Desain dan Bisnis Bali
Arts Humanities

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Pengaruh Narasi pada Seni Lukis Tradisi Bali: Studi Bahasa Rupa Lukisan Wayang Kamasan dan I Ketut Gede Singaraja Dewa Gede Purwita
Humanis Vol 25 No 4 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (837.69 KB) | DOI: 10.24843/JH.2021.v25.i04.p10

Abstract

Traditional Balinese painting elements contain narrative, illustrative, figurative, functional, these formed the structure of Balinese art which is closely related to the existence of the text as the background of its creation. This study aims to read the influence caused by narrative as things that affect the “wimba” and the “cara wimba” in traditional Balinese painting which is focused on Sutasoma's painting in the Kamasan painting style in Bale Kambang Kerta Gosa, Klungkung and the painting of Prabu Salya by I Ketut Gede Singaraja. This research method uses a qualitative art research with analytical descriptive, the theory used as an analysis is the system namely Ruang-Waktu-Datar from the theory of Bahasa Rupa. The results of the analysis show that the narrative forms a system of procedures for depicting traditional Balinese paintings which can be seen from the way the perspective is applied from various sides, the pattern of depiction of figures that replace facial expressions with gestures, as well as the presence of a symbolic time dimension. Through reading with the Ruang-Waktu-Datar, it is found that traditional Balinese paintings are influenced by narratives that are very strongly reflected in their language of appearance.
Singaraja dan Fragmen-fragmen Relief Penanda Perkembangan Kota Tinjauan Sejarah Visual Awal Abad XX Sebagai Potensi Visual Branding Urban Heritage Dewa Gede Purwita
Humanis Vol 27 No 2 (2023)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2023.v27.i02.p05

Abstract

The relief fragments are interpreted as pieces of relief scattered in the Singaraja City area, viewed from a visual historical point of view in the late 19th to early 20th century. The problem is how to describe the historical narrative of the city through pieces of relief in Singaraja City, which aims to read the flow of the city's development and reveal the potential for visual branding of the cultural heritage of Singaraja City. The research method uses a visual history approach through a qualitative paradigm with analytic descriptive elaboration, the emphasis is more on the 20th century because the remains are based on the distribution of data in the remaining fields, the rest uses literature review and internet data in the elaboration process. Through this research, the narrative of the development of the relief from the medium side and the working technique along with the development of urban culture is obtained due to the multicultural assimilation process which is related to the existence of the city port and the center of government in Singaraja City.
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