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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Kajian Seni
A. Gathut Bintarto T.
Fakultas Seni Pertunjukan ISI Yogyakarta
Arts Humanities Education Social Sciences

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Strategi Pengelolaan Materi Musikal dan Teknis Paduan Suara; Studi Kasus Pengalaman Aktivitas Pentas, Lomba, dan Penjurian A. Gathut Bintarto T.
PROMUSIKA Vol 3, No 2 (2015): Oktober 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v3i2.1698

Abstract

This research tried to figure out the complexity of challenges faced by the choir’s conductor or the vocal coacher especially tocomprehend deeply in the certain period the matters that can be observed to gain the optimum results that can be measuredsignificantly by the choir’s member. The early musical strategic found in the beginning of this research trying to capture theactivities of the vocal coacher based on the experiences found by the researcher during the preparation period to make thechoir’s performances or as in the position as a choir’s judge in the middle of the contest. The participated observationconducting in this research shown the datas of similar process and the final expectation between the short (1 week to 2months), middle (2,5‐4 months) and long period (more than 5 months) of the preparations. The supporting data collected inthis research shown that the imaginative abilities dan the experiences of the vocal coacher in coping with the differentsituations of the performances and the contests brought significant effects for conducting the song’s material, working withvarious rhythmical patterns, interpreting the music and for sharing the musical ideas as they processed in one or multipleevents at one time.
Proses Komposisi Theme Song “A True Friend ” Berdasarkan Komik H2O: Reborn An Epic Trilogy Phase 0.2 Chapter 11 Karya Sweta Kartika M. Fahzar Adha; A.Gathut Bintarto Triprasetyo
PROMUSIKA Vol 7, No 1 (2019): April 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v7i1.3167

Abstract

H2O:Reborn, adalah komik indonesia karya Sweta Kartika yang menceritakan epos Ramayana dalam versi modern dengan bentuk trilogy. H2O:Reborn terbagi menjadi tiga phase dimana pada setiap fase dilengkapi dengan theme song. Dengan adanya theme song, H2O:Reborn menjadi suatu inovasi komik yang memiliki branding dan daya tarik tersendiri dibanding komik pada umumnya. Kemudian inovasi yang di gagas oleh Sweta Kartika ini diwujudkan dengan membuat komposisi musik dan theme song berdasarkan setiap phase dalam komik H2O:Reborn. Pada penelitian ini akan dibahas theme song yang terdapat pada fase 0.2 yang berfokus di chapter 11. Fokus penelitian ini akan mengupas karakter bunyi yang dijalin dalam komposisi A True Friend yang dapat mewakili karakter tokoh Sita dan Ravana. Pembuatan komposisi musik A True Friend melewati proses diskusi dengan Sweta Kartika serta pembuatan sampel musik yang direvisi sesuai dengan storyboard yang dikehendaki komikus. Ilustrasi musik A True Friend dibuat dengan perpaduan instrumen piano, strings, choir, harp dan vocal. Penyusunannya menggunakan gaya musik popular dengan inspirasi berdasarkan teknik komposisi musik Beethoven dan teknik contrapuntal texture dalam proses pembuatan orkestrasi. Kombinasi bunyi dengan alur musik yang sendu menjadi karakter utama theme song yang bertujuan membangkitkan emosi dan sensasi pembaca saat membaca komik H2O: Reborn sembari memutar theme song A True Friend. H2O: Reborn, is an Indonesian comic by Sweta Kartika which tells the Ramayana epics in a modern version with the form of a trilogy. H2O: Reborn is divided into three phases where each phase is equipped with the theme song. With the theme song, H2O: Reborn is an innovative comic that has its own branding and appeal compared to comics in general. Then the innovation proposed by Sweta Kartika was realized by making music compositions and theme songs based on each phase in the comic H2O: Reborn. In this study, the theme song will be discussed in phase 0.2 which focuses on chapter 11. The focus of this study will be to explore the sound character woven in the composition of A True Friend which can represent the characters of Sita and Ravana. The making of musical compositions A True Friend went through the process of discussion with Sweta Kartika and the making of revised music samples in accordance with the storyboard that the comic artists wanted. Music illustration A True Friend is made with a mix of piano instruments, strings, choirs, harps and vocal. The compilers used the style of popular music with inspiration based on Beethoven's musical composition techniques and contrapuntal texture techniques in the process of making orchestration. The combination of sound with a sad flow of music is the main theme song character that aims to arouse the emotions and sensations of readers when reading comics H2O: Reborn while playing the theme song A True Friend..Keywords: Theme song; H2O: Reborn comic; Sweta Kartika; A True Friend
Rencana dan Target Birama sebagai Pemicu Optimalisasi Capaian Praktik Individual Vokal Klasik di Jurusan Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Yogyakarta A. Gathut Bintarto T.
Jurnal Kajian Seni Vol 3, No 1 (2016): Jurnal Kajian Seni Vol 3 No 1 November 2016
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (482.362 KB) | DOI: 10.22146/jksks.29880

Abstract

The effective efforts on higher education of arts including many improvement aspects such as cognitive and skill. The Western vocal study on Music Department, Performance Art Faculty of ISI Yogyakarta has several challenges such as limited duration of study, the complexity of historical background of the repertoar and the needs to study at leastfour different songs from foreign languages. The way to manage the sensation of the unseen vocal cord combined with the needs of the student to make adaptations to the higher educational systems lead to the thought of using the student’s planning form and individual progress report on their vocal study. This aids helped to observe the individual skill progress, the changing of the student’s attitude and emotions, make it easier forthe teacher to maintain the study and also anticipating the habit of postponing the final exam. Through action research method, the usage of the student’s planning form and individual progress report serves as trigger and guidance to make further comprehension on individually characteristic of each voice and the forming of the singer’s attitude through controlling his/her emotions.
Co-Authors M. Fahzar Adha