Claim Missing Document
Check
Articles

Found 5 Documents
Search

Demigods Class Struggle in Rick Riordans The Sea of Monsters Hafidhotul Husna; MUCH. KOIRI
LITERA KULTURA : Journal of Literary and Cultural Studies Vol 6 No 2 (2018): Vol 6 Nomor 2 (2018)
Publisher : The English Department, Faculty of Languages and Arts, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v6i2.25283

Abstract

Class struggle commonly happens in a society as a form of defense by particular group of people. Usually, they are minority people who have different view or ownership compared to the rests and put an effort to erase inequality they get from society by creating a movement to flip majority’s dominance. This study describes class struggle which is done by some of demigods in the half-blood camp and the effort which is taken by Luke’s party (Kronos’ alliances) and Percy’s party (Olympian defenders) in the novel The Sea of Monsters. Applying Social Class concept of Max Weber in general, this research is also supported by other concepts such as Greek Gods, inequality, and Weberian Stratification in particular. Yet, this study is still covered by sociological criticism as the research methodology. The result shows that class struggle which occurs in the novel is affected by inequality due to humanization and absolute authority of the Gods and Goddesses and Kronos’ whisper to influence the betraying demigods so that they shatter Olympian and help his resurgence to rule the world. However, class struggle movement does not only involve Luke’s party only, but Percy’s party also joins this movement to defense Olympians and mankind.
KRISIS KEAKRABAN YANG DIALAMI ESTHER GREENWOOD DALAM NOVEL THE BELL JAR KARYA SYLVIA PLATH SELLA LUFITANINGSIH AFRIANI; MUCH. KOIRI
LITERA KULTURA : Journal of Literary and Cultural Studies Vol 6 No 3 (2018)
Publisher : The English Department, Faculty of Languages and Arts, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v6i3.25602

Abstract

Studi ini menganalisa krisis keakraban yang dialami Esther Greenwood dalam novel The Bell Jar karya Sylvia Plath. Keakraban adalah aspek penting dari cerita yang ditampilkan oleh Esther yang mana itu menjadikan warna tersendiri untuk keseluruhan hidupnya dalam novel. Tujuan dari penelitian ini, yang pertama untuk menggambarkan krisis hubungan akrab yang dialami Esther berhubungan dengan teori tahap perkembangan psikososial oleh Erikson focus pada tahap keenam, isolasi versus keakraban. Yang kedua bertujuan untuk menafsirkan usaha Esther dalam mengontrol krisisnya dan untuk mendapatkan keakraban dengan masyarakat yang didukung oleh teori Interpersonal Model Process of Intimacy dari Reis dan Shaver. Teori ini menunjukkan dua komponen penting, yaitu Pengungkapan diri dan Tanggapan yang diterima. Pengungkapan diri menunjukkan ekspresi seseorang secara pribadi dan mengungkapkan perasaan atau informasi kepada orang lain. Pembicara harus bias menginterpretasikan tanggapan mitranya dalam bentuk pemahaman, validasi, dan kepedulian untuk menciptakan keakraban. Studi ini merupakan penelitian kualitatif. Untuk mengumpulkan data, penulis membaca novel secara komprehensif dan mengumpulkan beberapa buku terkait untuk mendapatkan teori, data dan informasi tambahan yang diperlukan. Analisis ini menemukan dua kesimpulan, pertama krisis Esther digambarkan dalam cara dia gagal berperilaku diantara masyarakat dan membuat dia merasa kesulitan dalam membangun hubungan yang akrab dengan yang lain. Kedua, berdasarkan pada usahanya Esther dalam mengontrol krisisnya menggunakan Interaksi perorangan, hasil analisa menunjukkan bahwa Esther mampu mengontrol krisisnya dengan berinteraksi dengan seorang psikiater yang memberikan respon yang mendukung dan empati kepadanya. Singkat cerita, The Bell Jar karya Plath adalah satu-satunya prosa epik yang dianggap sebagai novel otobiografi terbaik yang pernah ditulis. Kata kunci:keakraban, perkembangan psikologisosial, interaksi perorangan, pengungkapan diri, tanggapan yang diterima This study analyzes Esther Greenwood’s intimacy crisis in Sylvia Plath’s The Bell Jar. Intimacy isan important aspect performed by Esther which in fact colors her whole life in the novel. The objectives of the study are, firstly to depict Ether’s crisis of intimate relationship dealing with sixth stage of Erikson’s Psychosocial Development, isolation vs. intimacy, and secondly to assess Esther’s struggle to control her crisis and to gain intimacy among society supported by Reis and Shaver’s Interpersonal Model Process of Intimacy. Interpersonal interaction has two key components, self disclosure and perceived partner responsiveness. Self disclosure manifests person’s expression personally and reveals feeling or information to another. The disclosure must interpret perceived partner’s responsiveness as understanding, validating and caring to develop intimacy. This study is a qualitative study. To collect the data, the writer reads the novel comprehensively and collects some related books to find out theory, data and additional information required. The analysis finds out two conclusions, first Esther’s crisis is depicted in the way she fails to behave among society and makes her feeling difficult in building an intimate affiliation with others.Second, based on Esther’s effort in controlling crisis using interpersonal interaction, the result shows that Esther can control her crisis by interacting with a psychiatrist who gives supportive and emphatic respond to her. All in all, the story is Plath’s the one and only prose epic which was considered as the best autobiographical novel ever written. Keywords: Intimacy, Psychosocial Development, Interpersonal Interaction, Self Disclosure, Perceived responsiveness
Cultural and Moral Values in East Javanese Folklore Tri Wedawati, Mamik; Nur Abida, Fithriyah Inda; Koiri, Much.; Damanhuri, Adam
ELS Journal on Interdisciplinary Studies in Humanities Vol. 5 No. 3 (2022): September
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (293.009 KB) | DOI: 10.34050/elsjish.v5i3.22230

Abstract

The study aims to present the cultural and moral values of East Javanese Folklore. This research used a qualitative research with documentation technique. The object of the study were two selected stories from East Java, namely Sura and Baya and Banyuwangi stories. The study of cultural and moral values is based on the Koentjaraningrat classification which defines the diversity of values that exist in human life. The result shows that the stories contain many traditional and cultural values that are full of moral messages. Through the theme and characterization, the philosophical values and attitudes of the community are well portrayed. The stories also reveal that the cultural values influence the character and personality of the Javanese people.
Flipped Classroom: Shifting from Conventional Approach to Innovative Model Zainul Aminin; Much. Koiri
Acuity: Journal of English Language Pedagogy, Literature and Culture Vol. 11 No. 1 (2026): Acuity: Journal of English Language Pedagogy, Literature and Culture
Publisher : LPPM Universitas Advent Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35974/acuity.v11i1.3861

Abstract

This study aims to deliver a detailed account of the prevailing literature while offering significant observations by accentuating the primary aspects of the flipped classroom and its benefits, factoring in the hurdles related to this teaching technique. The modern world is transforming into an environment where a wide range of technologies emerges, undergoes testing, and subsequently spreads swiftly. This significant transformation is evident in various fields, especially in education. This shift calls attention to the essential task of rethinking and rigorously scrutinizing the prevailing educational paradigm, the positions of instructors and students, and the teaching resources in practice. Additionally, the transition from traditional methods to innovative strategies is inevitable. The flipped classroom blends engaging learning experiences through collaborative and individual tasks in class, while lower-level tasks and self-study occur outside using digital resources. The researchers perform a theoretical review to thoroughly explore the incorporation of the flipped classroom model into our educational practices. The flipped classroom framework presents a promising strategy for boosting student learning and engagement. By thoughtfully addressing the related challenges and capitalizing on the potential advantages, educators can cultivate a more vibrant and effective learning atmosphere. Additional studies are required to evaluate the enduring consequences of the flipped classroom approach and to ascertain effective methods for its application.
ANALYSING HUGH GLASS’S REVERSE MIMICRY OF NATIVE AMERICAN CULTURE IN FILM THE REVENANT (2015) Yansa, Muhammad Akbar Malvin Kymy; Koiri, Much.; Sunardi, Dono; Mahamu, Suhaila
CALL Vol. 7 No. 2 (2025): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v7i2.44130

Abstract

Mimicry generally entails the colonized emulating the culture of the colonizer. In The Revenant (2015), the notion of mimicry is inverted, with the colonizer emulating the colonized. While prior research indicated that reverse imitation serves as a subtle method for colonizers to exert their dominance, the analyzed film demonstrated the contrary. This study employs a textual film analysis to scrutinize the film's visual composition, character representation, and symbolic imagery through Homi K. Bhabha's concepts of mimicry and ambivalence. It concludes that Glass's imitation of Native American survival practices, including the consumption of raw flesh and the use of natural remedies, symbolizes his negotiation between colonial identity and reliance on the culture of the colonized. This study underscores how reverse mimicry complicates colonial hierarchies and identity formation within postcolonial film studies.