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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa SCHOOL EDUCATION JOURNAL PGSD FIP UNIMED Journal of Education, Humaniora and Social Sciences (JEHSS) Kultura: Jurnal Ilmu Sosial dan Humaniora Cendikia Pendidikan Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Journal of Citizen Research and Development
Sri Wiratma
Universitas Negeri Medan
Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Public Health Social Sciences

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Penciptaan Cermin Hias Kriya Ukir Kayu Berbasis Motif Melayu Jumaidah Jumaidah; Sri Wiratma
Serupa The Journal of Art Education Vol 12, No 4 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/stjae.v12i4.125478

Abstract

Penciptaan cermin hias kriya ukir kayu ini bertujuan untuk mengetahui proses dan hasil penciptaan cermin hias kriya ukir kayu berbasis motif Melayu. Penciptaan cermin hias kriya kayu ini menerapkan motif-motif Melayu dikarenakan banyaknya masyarakat yang tidak mengenal motif Melayu. Penciptaan cermin hias kriya ukir kayu berbasis motif Melayu ini menggunakan metode penciptaan karya seni menurut Gustami yang terdapat tiga tahap penciptaan yaitu tahap eksplorasi, perancangan dan perwujudan. tahap eksplorasi adalah penjelajahan menggali sumber ide, perancangan adalah memvisualisasikan hasil dari penjelajahan atau analisa data kedalam berbagai alternatif desain, dan perwujudan adalah mewujudkan rancangan terpilih. Karya cermin hias kriya ukir kayu berbasis motif Melayu ini diciptakan sebanyak 10 karya. Motif-motif Melayu yang diterapkan pada karya cermin hias ukir kayu ini adalah bunga melati, bintang-bintang, pelana kuda kencana, bunga kiambang, bunga cengkih, kaluk pakis dan bunga hutan. teknik yang digunakan dalam penciptaan cermin hias kriya ukir kayu ini adalah teknik ukir tembus/krawang, teknik ukir datar dan teknik ukir tinggi/dalam. Kata kunci : Penciptaan, Ukir Kayu, Motif Melayu
Penciptaan Kriya Kayu Hiasan Dinding Karakter Tari Topeng Malangan dengan Teknik Ukir Riyan Januar Nst; Sri Wiratma
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 1 (2026): Januari: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i1.503

Abstract

The creation of this work was motivated by the author's interest in making wall decoration wooden craft artworks inspired by the Malangan Mask dance characters. The author found unique and interesting things about the Malangan Mask dance characters such as facial expressions, eye expressions and different mask characteristics. This research aims to realize cultural, ethnic, artistic, social and philosophical visualization. The Creation Method used in the creation of wooden crafts for wall decoration of Malangan Mask dance characters by Nirwana and Andito (2017), namely starting from the internalization of ideas, the formulation of the concept of creation and the execution of the creation of works of art. The creation of this wall decoration is embodied in 12 works. The 12 wall decoration works have the same size of 25 cm x 52.8 cm. In this case, the author will create a wooden craft work hanging the wall of the Malangan Mask dance character using carving techniques. The characters of the Malangan Mask dance that will be applied include: (1) Panji Asmorobangun (Side 1), (2) Panji Asmorobagun (Side 2), (3) Dewi Sekartaji (Side 1), (4) Dewi Sekartaji (Side 2), (5) Raden Gunung Sari (side 1), (6) Raden Gunung Sari (side 2), (7) Dewi Ragil Kuning (Side 1), (8) Dewi Ragil Kuning (Side 2), (9) Klana Sewandana (Side 1), (10) Sewandana Clan (Side 2), (11) Bapang Joyo Pangangun Angun (Side 1), (12) Bapang Joyo Pangangun Angun (Side 2).
Penciptaan Kriya Kayu untuk Hiasan Dinding Berbasis Ornamen Karo dengan Teknik Ukir Yudea Agriva Tarigan; Sri Wiratma
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 1 (2026): Januari: Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.498

Abstract

Wood Craft is the art or skill in making an item that has a decorative function, Wood carving is an art that requires technical skills, also involves creativity in design and execution in its creation using wood as the main medium, in its creation the author made this work for wall decorations based on Traditional Karo Ornaments. The choice of Karo Ornaments in this work is because the author sees many types and uniqueness in their forms and in an effort to preserve Karo culture, especially in traditional ornaments. In the process the author uses carving techniques including recapan, buledan, krawinga, and krawengan. These techniques help the author in creating varied works. The stages of creation in this work the author uses the method proposed by S.P Gustami. The stages of the process of creating a work of art from this method are: 1. Exploration Stage 2. Design Stage 3. Realization Stage. The process of creating this work begins with making a design, transferring the design to wood media, carving wood according to the design pattern, sanding/smoothing the wood, and finishing with a layer of varnish. The result of this creation is 12 different sized craft works made of wood media for wall decorations based on Karo ornaments with carving techniques
Penciptaan Outer Batik Dengan Teknik Batik Tulis, Shibori dan Ecoprint Nabilla Zalfa; Sri Wiratma; Raden Burhan S, N, D
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 2 (2025): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i2.571

Abstract

The creation of batik outerwear combines three techniques: hand-drawn batik (batik tulis), shibori, and ecoprint, to produce designs that are both functional and aesthetically rich, while promoting local cultural identity. The process follows the Art Creation Methodology, consisting of four stages: exploration, experimentation, realization, and evaluation. In the exploration phase, the techniques used are studied, and how their combination can create unique motifs. This phase also includes an in-depth understanding of the history and philosophy of each technique, ensuring a strong foundation for their application in the design of the outerwear.In the experimentation phase, various patterns, colors, and compositions are tested to determine the best combination of the three techniques. This stage involves creating several design samples to test the harmony between hand-drawn batik, the visually appealing folds of shibori, and the natural impressions left by ecoprint leaves. Then, in the realization stage, the batik outerwear is completed by integrating these elements into a cohesive design. The techniques of batik tulis, shibori, and ecoprint work together to create rich textures and motifs.In the evaluation phase, the aesthetic and functional quality of the final product is assessed. The final result demonstrates that combining these techniques not only creates unique designs but also adds value in terms of beauty and sustainability, while supporting the preservation of local culture through innovation in batik art.
Penciptaan Dress Lilit Motif Bunga Easter Lily Dengan Teknik Batik Tulis Mikha Exclesia Pasaribu; Sri Wiratma; Raden Burhan Surya Nata Diningrat
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 2 (2025): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i2.582

Abstract

This creation is based on Batik as a rich Indonesian cultural heritage, which continues to undergo significant transformation by combining traditional elements and modern fashion trends. The creation of a new batik motif inspired by the Easter lily flower, was chosen because of its symbolic meaning and natural beauty. The design of this motif consists of three elements: the main motif of the Easter lily flower, supporting motifs, and isen motifs as complementary details. This creation aims to determine the process and results of applying Easter lily motif batik cloth to a wrap Dress using the batik tulis technique. This creation uses the Alma M. Hawkins method which has 5 stages of creation, namely: preparation, elaboration, synthesis, concept realization, and completion. The result of this creation is the creation of a wrap Dress with an Easter lily flower motif of 12 batik works. This batik tulis uses the colet technique with remasol dye. The wrap batik Dress with the Easter lily motif is expected to foster the interest of the younger generation in wearing batik tulis with colors and motifs that are tailored to their tastes.
Visualisasi Pengalaman Pribadi sebagai Sumber Penciptaan Lukisan Batik Tulis Sri Rani Elisabeth Simanjuntak; Sri Wiratma; Misgiya Misgiya
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 3 (2025): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i3.690

Abstract

This study discusses how personal experiences can serve as the main source of ideas in creating batik painting. Using a phenomenological approach, self-narratives are used to explore experiences which are then visualized into batik works. The creative process follows several stages: preparation, imagining forms and motifs, exploring color and technique, and the final execution on primisima mori cloth sized 77x 109 cm using hand drawn batik techniques. The resulting work not only captures life stories but also becomes a way to express oneself and preserve culture.
Penerapan Teknik Ukiran Ornamen Karo Motif Fauna dan Flora pada Labu Air Exlesia Dwiana Br Ginting; Sri Wiratma; Raden Burhan S N D
Journal of Citizen Research and Development Vol. 2 No. 2 (2025): November 2025
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/jcrd.v2i2.5641

Abstract

Penelitian ini bertujuan untuk mengetahui karya ukir ornamen Karo menggunakan labu air sebagai media penerapan teknik ukiran. Teknik ukiran diterapkan menggunakan alat garinda mini. Lokasi penelitian penciptaan dilakukan di Galeri Seni  Rupa, Universitas Negeri Medan, Kenagan Baru, Kecamatan Percut Sei Tuan, Kabupaten Deli Serdang. Metode yang digunakan pada penelitian penciptaan ini metode Husen Henriana yaitu dimulai dari tahap tahap persiapan, mengimajinasi (eksplorasi), tahapan pengembangan imajinasi (perancangan) dan pengerjaan (perwujudan).. Dari metode itu dilakukan dengan mempersiapkan alat dan bahan, membuat rancangan desain bentuk digital, memindahkan desain kepermukaan labu, mengukir labu sesuai dengan yang sudah diterapkan, mengeluarkan biji labu, mengamplas dan memvernis. Ornamen Karo yang digunakan motif fauna dan flora yaitu Pengeret-Ret, Bunga Gundur, Pucuk Tengiang, Sisik Kaperas, Kaba-Kaba, Bunga Lawang, Tarul-Taruk, Lukisen Tangan, Indung-Indung Simata, Pendamaiken, Lukisen Kurung Tendi, Keret-Keret Ketadu, Tonggal, Lipan Nangkih Tongkeh, Pucuk Merbung, Ckili Kambing. Hasil dari penciptaan ini adalah kriya ukir fungsional berupa hiasan lampu, hiasan meja dan jam dinding. Karya yang dihasilkan sebanyak 12 karya ukir. Berdasarkan hasil penelitian ditemukan bahwa labu air layak dijadikan sebagai media teknik ukiran, karena mampu sebagai penerapan teknik ukir menggunakan ornamen Karo motif fauna dan flora.
Co-Authors Adek Cerah Kurnia Aziz Aisyah Ratna Dewi Anisa Anisa Camelia Exlesia Dwiana Br Ginting Gamal Kartono Heri Soeprayogi Jumaidah Jumaidah Khoirurrahma Khoirurrahma Mesra Mesra Mikha Exclesia Pasaribu Nabilla Zalfa Nia Lolo Sabrina Nasution Nopria Martin Raden Burhan Raden Burhan S N D Raden Burhan S, N, D Riyan Januar Nst Siti Hartinah Fitri Siti Rama Dhani Sri Rani Elisabeth Simanjuntak Syaifah Mawaddah Wahyu Tri Atmojo Yudea Agriva Tarigan Yusni Suci Hadiyati