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All Journal Linguistica Register : Journal of English Language Teaching and Learning of FBS UNIMED Transform : Journal of English Language Teaching and Learning Genre Journal: Journal of Applied Linguistics of FBS UNIMED
MORADA TETTY
UNIVERSITAS NEGERI MEDAN
Arts Humanities Education Electrical & Electronics Engineering Languange, Linguistic, Communication & Media Other

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Journal : Linguistica

 1 
SEMIOTICS ON GOTILON BATAK TOBA CEREMONY IN DOLOK SANGGUL HUMBANG HASUNDUTAN JERLIN HUTASOIT; MORADA TETTY; SISILA FITRIANY DAMANIK
LINGUISTICA Vol 10, No 2 (2021): Vol. 10, No. 2 (2021): APRIL-JUNE 2021
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v10i2.26542

Abstract

The objectives of this study were to find out meanings, what, how, and why the meanings were realized in the Gotilon Batak Toba Ceremony in Dolok Sanggul Humbang Hasundutan. This study was conducted using an observation study. The data of this study were taken from Gotilon Ceremony. The sources of the data were the Gotilon Ceremony in Dolok Sanggul and the informants or Raja Parhata in Dolok Sanggul. The data were analyzed by using Roland’s theory of semiotics object. The writer found the meanings on Gotilon Batak Toba Ceremony, namely: revise, support one, support two, support three, rid, speed, addition, exploitative two, exploitative three, survive, joyfulness, invitation, stay focus, keep fight, togetherness, convince, easier, kinship, honor, offering, and thanksgiving. From those materials were found that there were verbal utterances that consist of Atur biur, Angkat nomor sada, Angkat nomor dua, Angkat nomor tolu, Buang jauh-jauh, Eme, Rugi, Ponggol nomor dua, Ponggol nomor tolu, Naeng Sahat, Tambun Namboru, Hurre Alogo, Unang mekkel, Tahan nafas, Satukan, Beres. And there were symbols namely Luhutan, Marsirippa, Sipanganon, Mangamoti, and Pesta Gotilon. The signs used in Gotilon ceremony because they want to convey the meanings of the ceremony.
PRESUPPOSITION OF THE MAIN CHARACTER’S UTTERANCES IN BATAK TOBA MOVIE ALANI HAPOGOSON CHINDY CHINTYA PANGGABEAN; MORADA TETTY; FERIYANTI ELINA GULTOM
LINGUISTICA Vol 11, No 1 (2022): JAN-MAR 2022
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v11i1.34496

Abstract

The research was found on the topic about Presupposition of the Main Character’s Utterances in Batak Toba Movie Alani Hapogoson. This study was aimed at identifying the types of presupposition, most dominant type and to elaborate the realization of the types of presupposition by the main character in Alani Hapogoson movie.. The study was conducted by using descriptive qualitative method. The source of data was taken from the utterances of the main character’s utterances in batak toba movie alani hapogoson. The technique for analyzing the data is descriptive qualitative research based on Creswell’s theory. The result of this research was types of presupposition can be found in Alani Hapogoson movie are existensial (34%), Factive (26%), Lexical (10%), Structural (14%), Non-factive (2%), and Counterfactual (14%). The dominant type of presupposition that used by main character utterances was existensial presupposition, because used utterances formed by proper names, noun phrase and possesive to show the existence of someone.
LOGICO-SEMANTIC RELATIONS OF RAJA PARHATA UTTERANCES IN SAUR MATUA CEREMONY MARIATI NAINGGOLAN; MORADA TETTY; FERIYANTI ELINA GULTOM
LINGUISTICA Vol 10, No 4 (2021): Vol. 10, No. 4 (2021): OCT-DEC 2021
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v10i4.31283

Abstract

This study aimed to identify the types of logico-semantic relations and the use of logico-semantic relations of Raja Parhata in the Saur Matua ceremony. This study was conducted by applying the descriptive qualitative method by Flick (2009). The source of data was Raja Parhata in the Saur Matua ceremony. The result of this research was types of logico-semantic relations can be found in Raja Parhata are paratactic elaboration (44,28%), paratactic enhancement (21,42%), hypotactic elaboration (7,14%), paratactic extension (11,42%), hypotactic enhancement (12,85%), hypotactic extension (2,85%). Moreover, the realization of logico-semantic relations in Raja Parhata’s utterances mostly appears by using conjunction jadi (so), molo (if), and holani (that all), adverbial clause dungi (after that), verb baen (play), and preposition tu (to).
MAIN CHARACTER’S STRUGGLE AGAINSTS WOMAN OPPRESSION IN “MARLINA THE MURDERER IN FOUR ACTS” MOVIE DESY NATALIA SIMANJUNTAK; ANNA RIANA SURYANTI TAMBUNAN; MORADA TETTY
LINGUISTICA Vol 10, No 1 (2021): Vol. 10, No. 1 (2021): JAN-MARCH 2021
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v10i1.24253

Abstract

This study dealt with the struggle of the main character in Marlina the Murderer in Four Acts movie. The objectives were to find out the oppressions that the main character experienced, the struggles against the oppression, and how the main character struggled against the oppression. This study used descriptive qualitative as the method to analyze the data. The researcher used Young's (1990) theory to analyze the data from the movie's script. Marlina, as the movie's main character, suffered from three kinds of oppression; marginalization, powerlessness, and violence. Marlina suffered oppression because she was powerless; she lived in poverty and patriarchal culture in Sumba. Marlina also struggles against oppression by doing feminism; they are; liberal feminism and radical feminism.
METAPHORS OF WAK UTEH’S SONGS Deby Ana; I Wy Dirgeyasa; Morada Tetty
LINGUISTICA Vol 8, No 3 (2019): Vol 8, No 3 (2019): (JUL - SEPT)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v8i3.14635

Abstract

This study dealt with metaphors of Wak Uteh’s Songs in Tanjungbalai. The objectives of the study were to investigate the types of metaphors and the cultural meaning of metaphors in wak uteh’s songs in Tanjungbalai. This study was conducted by using descriptive qualitative method. This data of this study was words, phrases, and utterances that contained metaphors in Wak Uteh’s Songs in Tanjungbalai. The source of data were lyrics of 10 songs of Wak Uteh’s songs.  The data were selected by using random sampling system. For collecting data, this study used the method of documentary technique. The instrument of this study is documentary sheet. The findings showed that there were four types of Metaphors used in Wak Uteh’s Songs consecutively, Synaesthetic Metaphors (4%), Anthropomorphic (13%), Animal (20%), and Concrete to Abstract (63%). The cultural meanings of the metaphors found in the lyrics of Wak uteh’s songs were literary ones over all about the conditions of social life, economy, and culture from Tanjungbalai Malay life in coastal areas. For example in Anthropomorphic Metaphor is “ambil lah duet seringgit puntong, untuk mamboli kain pandukong (silaule, line 11) as the meaning in the cultural meaning is “Taking a piece of dollar for buying a sling”. So, in this lyric told about the parents ordered someone to take the enough money to buy a sling, Ringgit was a monetary unit that was used by Malay people in Tanjungbalai in long time. Keywords: Metaphors, Tanjungbalai, Wak Uteh’s Songs
METHODS IN TRANSLATING PROVERBS IN MANGALA PAKPAHAN’S BOOK: BATAK TOBA KARAKTER KEARIFAN INDONESIA SOLINA SIHOMBING; I WAYAN DIRGEYASA; MORADA TETTY
LINGUISTICA Vol 10, No 1 (2021): Vol. 10, No. 1 (2021): JAN-MARCH 2021
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v10i1.24254

Abstract

This study aimed to find out the method used in translating Batak Toba Proverbs into English and explain the reasons for the translation method used in Mangala Pakpahan’s book: Batak Toba character kearifan Indonesia. The research was conducted by using the descriptive qualitative method. The data were taken from Mangala Pakpahan’s book that contained 72 proverbs from the Batak Toba language. The findings of the study showed that not all methods were used in translating the proverbs. They were the adaptation translation method (69.44%), followed by the communicative translation method (12.5%), free translation method (11.12%), and the last was the exact translation method (6.94%). Moreover, the reason for using the translation method in translating the proverbs was the translation sounds natural even though in the form of proverbs and is still focused on English grammatical rules. Translation method was also the easier way to be understood by the reader, and it keeps retaining the translation of the proverbs without altering the original meaning.
LANGUAGE STYLES USED IN FABRIZIO ROMANO’S INSTAGRAM ACCOUNT MARCELINO HASIHOLAN SARUMPAET; MORADA TETTY
LINGUISTICA Vol 12, No 4 (2023): OCTOBER 2023
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v12i4.52491

Abstract

This thesis examines the types, the used and the reasons why language styles used in Fabrizio Romano on his Instagram account, using Martin Joos's theory and a qualitative descriptive method.  There are five styles proposed in Joos theory. The source of data is Instagram and there were 50 captions founds as the data. Those captions in Fabrizio’s instagram were analyzed in order to classify them into their own styles. This study reveals that Fabrizio Romano uses four of five language styles in his Instagram captions: formal style (26%), casual style (40%), consulatative style (14%), and intimate style (20%). Each style has a distinct tone and communication style, with formal style indicating a formal tone and proper nouns, casual style using conversational expressions, contractions, or shortening, and consulatative style asking for advice or predictions. Intimate style conveys personal sentiments and emotions, highlighting joy and enthusiasm, and is addressed to followers based on events. The choice of language style is deliberate, with formal language maintaining professionalism and credibility, while casual and consulatative styles foster engagement and inclusivity among a diverse audience. Incorporating intimate style allows for a personal connection with followers and a sense of authenticity. Overall, these language styles work together to enhance the overall experience and success of Fabrizio Romano's Instagram account.
Co-Authors Anastasia Pujo ANGGRAINI THESISIA SARAGIH Berlin Sibarani CHINDY CHINTYA PANGGABEAN Deby Ana DESY NATALIA SIMANJUNTAK Dinda Alfarini Elisa Betty Manullang Elovani Mulinta Sinuraya FERIYANTI ELINA GULTOM Hafsyah Husin Siagian Heni Pujiastuti I Wayan Dirgeyasa Indra Hartoyo Ira Fauziah Sitompul JERLIN HUTASOIT Khairunnisa Khairunnisa MARCELINO HASIHOLAN SARUMPAET MARIATI NAINGGOLAN Rahel Lamria Sitorus SOLINA SIHOMBING Sondang Cristiani Septiani Romaito Tambunan, Anna Riana Suryanti Vitta Wilanda Yohana Zirah Sianturi