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ANTROPOLOGI  SASTRA: PERKENALAN AWAL (Anthropology Literature: an Early Introduction) Kutha Ratna, I Nyoman
METASASTRA: Jurnal Penelitian Sastra Vol 4, No 2 (2011)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2011.v4i2.150-159

Abstract

“Antropologi Sastra: Perkenalan Awal”, judul artikel ini mendeskripsikan atau mengenalkan sebuah teori yang relatif baru dalam sejarah pendekatan terhadap karya sastra, yaitu antropologi sastra. Secara panjang lebar, di dalam artikel dijelaskan perbedaan antara istilah antropologi sastra dan sastra antropologi serta hubungan kedua istilah tersebut. Kemudian, dijelaskan pula tentang sejarah lainnya, yaitu antropologi sastra, identifikasi antropologis dalam karya sastra dan antropologi sastra di masa depan. Dalam penutup disampaikan bahwa antropologi sastra memiliki kemampuan maksimal untuk mengungkapkan berbagai permasalahan yang muncul dalam karya sastra, seperti masalah kearifan lokal, sistem religi, dan masalah kebudayaan yang lain.Abstract:This article describes   a relatively new theory in the history of literary work approach, the anthropological literature. At length, the article explains that the difference between the terms of literary anthropology and anthropology and the relation between those terms.  Then, it also discusses another history of literary anthropology, anthropological identification in literary work and anthropological literature in the future. In closing it is submitted that the anthropological literature has the maximum ability to describe various problems emerged in literary works, such as the problem of local wisdom, religion, and other cultural issues.
EFFECTIVENESS OF THE PROGRAM OF EMPOWERMENT OF THE WOMEN RESIDING AT THE COASTAL AREA OF AMPENAN DISTRICT, MATARAM CITY, LOMBOK IMPLEMENTED IN THE FORM OF LIFE SKILLS Listiawati, Ni Putu; Mariyah, Emiliana; Kutha Ratna, I Nyoman; Semadi Astra, I Gde
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

The program of the empowerment of the women living in Mataram City implemented inthe form of life skills including vocational skill, social skill, and personal skill has been carriedout since 2001. In reality, the attempts already made could not improve the well-being of thewomen in Mataram City in general and the women living along the coastal area of Ampenan,South Ampenan District and Banjar District in particular. Based on the background mentionedabove, the researcher was interested in exploring the effectiveness of the program of theempowerment provided in the form life skills. Three problems are formulated in this research.They are (1) how effective the implementation of the empowerment program of the womenresiding at the coastal area of Ampenan District was?; (2) what factors contributed to theeffectiveness of the empowerment program of the women residing at the coastal area?; (3) whatwere the effects and meanings of the effectiveness of the empowerment program of the womenresiding at the coastal area? The theories employed to answer the problems formulated above arethe theory of post feminism by Ann Brooks, the theory of social practice by Bourdieu and thetheory of power/knowledge by Foucault. The theories were eclectically applied. The qualitativemethod was employed in this study and the data needed were collected by the techniques ofobservation, in-depth interview, Focus Group Discussion (hereon abbreviated to FGD),documentation and library research.The results of the study show that (1) the program of the empowerment of the womenliving in the coastal area was ineffective; (2) the factors which contributed to the effectivenessof the empowerment of the women living along the coastal area are economic capital, culturalcapital, socio culture and symbolic culture; (3) the effects of the effectiveness of theempowerment program were on the skills acquired, the income earned, the independenceacquired, the environment where they live and their pattern of consumerism. The meanings feltby one third of the women empowered were the meaning of awareness, the meaning ofsolidarity, and the meaning of being independent.In relation to this research, several things are suggested; (1) it is necessary to continue theempowerment program for the women living at the coastal area with the development ofpersonal and social skills as the priority; (2) it is necessary for the government to build a qualitytechnological, informational and communicative network in the form of educative informationalcenters at the coastal area; (4) it is time to establish vocational schools, which are accessible tothe local people, starting from the basic level to middle level in which skills how to managecoastal areas and sea would be provided. If it is possible, such schools should be free of charge;(5) further research needs to be conducted to understand the characteristics of the women livingalong the coastal area of Ampenan.
CULTURAL CAPITAL AS TOURISM DEVELOPMENT BASIS IN TRADITIONAL VILLAGE OF KUTA Sumadi, Ketut; Ardika, I Wayan; Kutha Ratna, I Nyoman; Mariyah, Emiliana
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Tourism is a favourite sector in improving Bali revenue and kind of tourismdeveloped is cultural one. In cultural tourism, it takes place meaning modification ofcultural practice by krama (member) of traditional village) in order to cultural capitalcan survive in the middle of tourism dynamic condition. This research entitled“Cultural capital as tourism development basis in traditional village of Kuta”, byproposing three problems, namely how is the process of cultural capital as tourismdevelopment basis, what factors can motivate tourism capital as tourism developmentbasis, and what is the meaning of cultural capital as tourism development basis.The research is conducted using qualitative method and cultural studiesapproach, so data analysis is conducted in descriptive qualitative and interpretativeones. Selection of traditional village of Kuta as research location based onconsideration that traditional village of Kuta having integrated tourism facilities forfacilities addressed to member of traditional village. The review about culturalcapital as the tourism development basis in this traditional village of Kuta, eclecticstheories consisting of Hegemonic theory of Gramsci, co-modification theory of KarlMarx and Adorno, discourse-power/knowledge and truth theory of Foucoult anddeconstruction theory of Derrida.Based on the research output, it can be known: (1) Cultural capital process astourism development basis in traditional village of Kuta is inseparable fromforeigners arrival in traditional village of Kuta, the entrance of Military (TheCooperative Center of Arm Force) in managing Kuta beach and the occurrence ofBali bombing tragedy on October 12th, 2002; (2) The factors that motivate culturalcapital as the tourism development basis in traditional village of Kuta, such asmotivation and the necessity of tourists visiting traditional village of Kuta, tourismhegemony, changing of life philosophy of member of traditional village fromidealism into pragmatism one and the image as global village; (3) Cultural village astourism development basis in traditional village of Kuta has innovation, religious,preservation of cultural, political identity and prosperity meanings.Behind the success of cultural capital as tourism development basis, itimproves live prosperity, and also it causes negative effect such as there is krama(member) of traditional village for losing their cultural capital. They aremarginalized in economic field as they have no cultural capital in term of knowledgeand skill in tourism area and it is said to be “kidang nyirig pangkung”; they cannot utilize the opportunity of tourism market well. As consequence in traditional villageof Kuta, there are still poor families and they have no suitable housing.
TOURISM AS REFLECTED IN TRAVELLING WOMEN: A COMPARATIVE CULTURAL STUDY ON THE NOVELS OF DAISY MILLER, A PASSAGE TO INDIA, AND PADA SEBUAH KAPAL Hartiningsih, Sri; Ardika, I Wayan; Kutha Ratna, I Nyoman; Paramartha, I Gde
E-Journal of Cultural Studies Vol. 3, No. 2 Juli 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Travelling has occurred since a long time ago. Travelling is not only done by men butalso by women. In relation to travelling, travelling done by women is examined, especially thelandlady’s environment, as there is a relationship between the host and the guest. The researchproblems are (1) how is reflection of tourism in the travelling women portrayed on the novels ofDaisy Miller, A Passage to India, and Pada Sebuah Kapal?. (2) How are motivating andattracting factors related to tourism as reflected in the travelling women articulated on the novelsof Daisy Miller, A Passage to India, and Pada Sebuah Kapal?. (3) How do cultural barriersoccur in tourism as reflected in the travelling women on Daisy Miller, a Passage to India, andPada Sebuah Kapal novel? In general, this research is to find out the comparison of travellingdone by women. Specifically, it is to discover the reflection of tourism, how the motivating andattracting factors and cultural barriers occur in tourism as reflected in the travelling done bywomen.This research is conducted on three novels, Daisy Miller written by Henry James, APassage To India by E.M. Forster, and Pada Sebuah Kapal by NH. Dini called comparativeliterature showing the continents of America, Europe and Asia. Discussing the three continents,this research is called global literature. Hermeneutic method was used to interpret the content ofthose three novels by employing deconstruction, postcolonial and feminism theories. The maindata were taken from those novels and the location of the research was both at private librariesand state libraries or institutions and websites. To support the main data, secondary data werealso needed, which in this case, were obtained by interviewing the women who have travelledabroad. Then the results were formally and informally presented.The findings show that the reflection of tourism in travelling done by women is representedby family companion, and that the means of transportation to their destinations are indigenousmeans of transportation and that the tourist objects visited are art metamorphosis, travel hyperreality,sacred places and natural and human recreational places. The factors motive ting thewomen to travel are inter personal, cultural, status and prestige. The things making theminterested in travelling are: the Castle of Chillon in Switzerland and the regions’s history, theevening party in Italy as a tradition to welcome new people, the architectures of Caesars’Palaces, the Coliseum and Chandrapore club as a tradition to welcome new people, the bridge party to know the language spoken and dress worn – traditional costumes of India, Koyasan asBuddhist religion and Paris as the centre of dress model. Cultural barriers refer to differentetiquettes, ideologies and moral values resulting in different ways of travelling and theirsolutions.Knowing the culture of the destination that is going to be visited is really needed, at least inorder not to know nothing at all about such a destination; furthermore, it reduces culturalbarriers. That is why cross cultural understanding is really necessarily given not only to thedoers of tourism but also to all institutions in order to reduce misunderstanding and increaseappreciation towards each other.
COMODIFICATION OF MAENGKET DANCE IN MINAHASA, NORTH SULAWESI IN THE GLOBALIZATION ERA Ivan, Ivan; Kutha Ratna, I Nyoman; Meko Mbete, Aron; Semadi Astra, I Gde
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This research explores Comodification of Maengket Dance in Minahasa (TariMaengket hereon abbreviated to TM) in the globalization era. It reveals the empiricalfield reality related to comodification. The influence of global culture in Minahasa hasbeen responsible for the cultural practices of capitalism such as the emergence of culturalindustry which refers to the comodification of cultural forms as amusement industry,mass culture, popular culture and culture of consumerism. The TM has been comodified,commercialized, touristified in such a way that new meanings and forms are created.This research is focused on (1) form of the comodification of the TM inMinahasa, North Sulawesi in the globalization area; (2) the factors which have beenresponsible for the comodification of the TM Minahasa, North Sulawesi, and (3) theeffects and meanings of the comodification of the TM in Minahasa, North Sulawesi in theglobalization era.The related data were collected through interview, observation and documentationand they were descriptively, qualitatively and interpretatively analyzed. The data sourcesare some key informants and some other ordinary ones. The purposive method wasemployed to interview them. The theories used are the theory of comodification(Fairlough), the theory of popular culture (Williams and Agger), the theory ofdeconstruction (Derrida) and the theory of representation (Hall).The research findings show that comodifation has tended to the shift of the TMvalues following the pattern of arts organized by the ruler and entrepreneur, the pattern ofdistribution carried out through the inter group or institutional power relationship, andthat the form of comodification has taken place from the process of production to thecommunity of consumers which have been conditioned. It has also been found out thatthe factors of the supporting community, the creativity of the artists, Christianization,industry of culture, mass media and tourism have been responsible for the comodificationof the TM in Minahasa. The effects of the comodification are that the orientation of themagic-religious values has shifted to Christianity, the creativity of the artists has beenshackled, and the minahasanese political identity has become crystallized. And then, themeanings of the comodification are competitiveness, contestation, image, well-being, andrepresentation of minahasanese identity.
IDEOLOGY OF THE STORY CUPAK KE SWARGAN BY PUPPET MASTER I MADE JANGGA: IN THE PERSPECTIVE OF CULTURAL STUDIES Murtana, I Nyoman; Suastika, I Made; Dibia, I Wayan; Kutha Ratna, I Nyoman
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

This dissertation contains the result of the research in the ideology of thestory or Lakon Cupak Ke Swargan (hereon abbreviated to LCS) by the puppetmaster or Dalang Jangga, in a performance of Wayang Cupak at Dukuh PuluTengah, Mambang Village, East Selemadeg District. This story conveys anumber of life values which are expressed ideologically through various events,including a power struggle, a love story, and a search for God. All the events areexpressed aesthetically so that audience can enjoy the performance.The target of the research is a performance of LCS by Dalang Jangga in arecording by Aneka Record Tabanan, which the writer transcribed in the form of awritten text. The research focuses on the idelogy contained in LCS. The type ofdata used was qualitative data about the ideology that was assumed to be found inthis story. The qualitative data associated with the life of the late Dalang Jangga,in relation to his work in the field of shadow puppet theater, was based on the datacollected in the field through in-depth interviews with a number of informants,using a snowball technique. A post-modern approach was applied through phenomenological,deconstructive, and critical paradigms. The analysis was carried outusing an analytical descriptive technique based on an interpretation of the datacollected. The focus of the analysis was directed by applying three theories,namely theories of ideology, function, and semiotics.Three main topics were obtained from the analysis of the data, namely theform, function, and meaning of the ideology. By studying the ideological form, itwas possible to gain a picture about the conservative, progressive, and pragmatic ideology of Dalang Jangga. From the ideological function, the writer gained anidea of its social dynamic, educational, ritual, and aesthetical. A study of theideological meaning provided an illustration of the symbolic, ethical, andaesthetical meanings.