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All Journal Interling : International Journal of English Language Teaching, Literature and Linguistics Jurnal Komprehenshif QAZI : Journal of Islamic Studies Sujud: Jurnal Agama, Sosial dan Budaya ISTAJADDA: Jurnal Magister Pendidikan Agama Islam
R. Myrna Nur Sakinah
Universitas Islam Negeri Sunan Gunung Djati Bandung
Religion Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Bahasa Inggris Tiara Istighfari; R. Myrna Nur Sakinah
ISTAJADDA : Jurnal Magister Pendidikan Agama Islam Vol 1 No 2 (2025): Istajadda: Jurnal Magister Pendidikan Agama Islam
Publisher : Institut Attaqwa KH. Noer Alie, Bekasi

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Abstract

This study looks at the ideas of love and loss in the poems of Wallada bint al-Mustakfi (1001-1091). She was a well-known female poet from al-Andalus during the Taifa period in the Middle Ages. By closely reading her eight remaining poems, this study asks how her feelings relate to the big changes happening in 11th-century Islamic Iberia. The study especially looks at her rocky relationship with the famous poet Ibn Zaydun (1003-1071). Their relationship led to some of the most famous Arabic love poems and funny poems in medieval literature. The study shows that Wallada's poetry works in several connected ways. It shares her personal feelings of love and being betrayed. It also pushes back against the usual roles for women in literature. Plus, it comments on the unstable politics of her time. She boldly claimed power as a woman, like in her well-known verses sewn into fabric. They said she was worthy of "high positions" and could give her love as she pleased. This was a groundbreaking change from what people expected of women in medieval Islamic society. The research explains how she changed from a loving person to a critic using satire. This shows off her advanced writing skills, like how she twisted negative images of women and used metaphors skillfully.
A Cultural Analysis of Religious, Heroic, and Social Values in Ten Poems of Abdullah ibn Rawahah during the Early Islamic Period Muhammad Regi Iswara Putra; R. Myrna Nur Sakinah
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/p45a1p04

Abstract

This study examines the religious, heroic, and social values reflected in ten selected poems of Abdullah ibn Rawahah, one of the most prominent poets and companions of Prophet Muhammad SAW during the early Islamic period. The poems analyzed include verses concerning faith in Allah, praise of the Prophet Muhammad, the Battle of Mu'tah, courage, jihad, truth, steadfastness, and martyrdom. Employing a cultural approach and a qualitative descriptive method, this research investigates how these poems represent the cultural identity and worldview of the early Muslim community. The findings reveal that Abdullah ibn Rawahah’s poetry emphasizes four dominant cultural values: religious devotion, heroism, social solidarity, and Islamic identity. His poems portray unwavering faith in Allah, loyalty to the Prophet, courage in facing death, and commitment to defending Islamic teachings. Furthermore, the poems demonstrate the transformation of Arabic literary traditions from tribal-centered expressions into literary instruments that promoted religious and moral values. The influence of Qur’anic teachings is also evident in the themes and language of the poems. This study concludes that Abdullah ibn Rawahah’s poetry played a significant role in shaping the cultural consciousness of early Islamic society and served as an effective medium for transmitting religious, ethical, and social values.
Denotation and Connotation of Male Emotional Devotion in Sam Smith’s in The Lonely Hour Album Arsyi Azwar Ibadurokhman; Yuyun Nurulaen; R. Myrna Nur Sakinah
Interling : International Journal of English Language Teaching, Literature and Linguistics Vol. 4 No. 1 (2026): July 2026
Publisher : LP3M Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/interling.v4i1.2629

Abstract

The representation of male emotional devotion in popular song lyrics has received limited scholarly attention, particularly from a semiotic perspective that examines how emotional meanings are constructed through interconnected songs within a single album. Therefore, this study aims to analyze the denotative and connotative meanings that construct the representation of male emotional devotion in Sam Smith’s In the Lonely Hour album. This study employed a qualitative descriptive method using Roland Barthes’ semiotic theory. The data consisted of six lyric excerpts selected from three songs in Sam Smith’s In the Lonely Hour album, namely Stay With Me, Lay Me Down, and I’m Not the Only One. The data were collected from the official lyrics available on Spotify and analyzed through Barthes’ concepts of denotation and connotation. The findings reveal that the denotative meanings portray emotional experiences commonly found in romantic relationships, while the connotative meanings construct male emotional devotion through emotional vulnerability, longing, loyalty, and perseverance despite emotional hardship. Collectively, the selected lyrics represent male emotional devotion as a progressive emotional journey rather than a single emotional condition. This study contributes to semiotic studies by demonstrating how interconnected songs within one album collectively construct a coherent representation of male emotional devotion.
Dinamika Sosiokultural Dinasti Abbasiyah: Kontestasi Ruang Urban Abu Nawas dan Politik Patronase Al-Mutanabbi Riyan Danil Malik Al Ghifari; R. Myrna Nur Sakinah
QAZI: Journal of Islamic Studies Vol 3 No 1 (2026): 2026
Publisher : PT.Hassan Group Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61104/qz.v3i1.1113

Abstract

Penelitian ini mengkaji kondisi sosial dan budaya Dinasti Abbasiyah lewat analisis terhadap sepuluh puisi pilihan karya Abu Nawas dan Al-Mutanabbi. Menggunakan pendekatan kultural dan sosiologi sastra, artikel ini membedah bagaimana karya sastra berfungsi sebagai rekaman perubahan cara berpikir masyarakat Arab pada abad pertengahan. Puisi Abu Nawas (Love in Bloom, In the Bath-House, Don't Cry for Layla, dan The Last Poem) memperlihatkan sisi kehidupan bebas di perkotaan Baghdad, budaya minum anggur (khamriyyat), serta penolakan terhadap aturan puisi gurun pasir klasik. Sementara itu, puisi Al-Mutanabbi (Cowards, I Cried Until I Almost Make You Cry, One By Sixth Or Sixth By One, Until Our Love Was Honored I Concealed It, Beautiful Women, dan To Sayf Al-Dawla) menggambarkan nilai kepahlawanan (muru’ah), hubungan penyair dengan penguasa (politik patronase), serta pengaruh situasi politik istana. Hasil analisis menunjukkan bahwa kebudayaan Abbasiyah diwarnai oleh persaingan antara gaya hidup bebas di perkotaan Baghdad dan aturan formal di dalam istana. Dengan demikian, keindahan sastra Arab pada masa ini berkaitan erat dengan perebutan kekuasaan, pembentukan identitas budaya, dan perubahan sosial masyarakatnya
The Representation of Unconditional Love In Feby Putri's Tanpa Pamrih Music Video: A Roland Barthes Semiotic Analysis Rahma Aulia; R. Myrna Nur Sakinah
Komprehensif Vol 4 No 2 (2026)
Publisher : CV Edu Tech Jaya

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Abstract

Music videos have evolved beyond promotional media into visual communication platforms that represent meanings through signs and symbols. One of the values frequently portrayed in visual narratives is unconditional love, expressed through sincerity, sacrifice, empathy, and compassion without expecting anything in return. This study aims to analyze the representation of unconditional love in Feby Putri's Tanpa Pamrih music video using Roland Barthes' semiotic approach. Employing a qualitative descriptive method, data were collected through observation, documentation, and literature review. The research data consisted of six scenes analyzed using Barthes' three levels of meaning: denotation, connotation, and myth. The findings indicate that Tanpa Pamrih represents unconditional love through visual symbols portraying sincerity, sacrifice, care, and acceptance. These meanings are constructed not only through the interactions between characters but also through the use of color, facial expressions, body gestures, visual composition, and cinematography, which collectively reinforce the cultural myth of love as a universal human value. The study concludes that unconditional love is represented through both interpersonal relationships and the relationship between humans and nature, reflecting care, gratitude, and responsibility.
Co-Authors Arsyi Azwar Ibadurokhman Dadan Rusmana Muhammad Regi Iswara Putra Nisa Meisa Zarawaki Rahma Aulia Riyan Danil Malik Al Ghifari Tiara Istighfari Yuyun Nurulaen, Yuyun