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All Journal Episteme: Jurnal Pengembangan Ilmu Keislaman Epistemé: Jurnal Pengembangan Ilmu Keislaman
Aditya Muara Padiarta
IAIN Syekh Nurjati Cirebon, Indonesia
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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SUFISM AND HYBRID SPIRITUALITY Hajam Hajam; Anwar Sanusi; Aditya Muara Padiarta
Epistemé: Jurnal Pengembangan Ilmu Keislaman Vol 14 No 1 (2019)
Publisher : IAIN Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/epis.2019.14.1.117-130

Abstract

This article aims to discuss a Sufi-inspired traditional art and performance popular in Cirebon, the so-called “Brai”. The Brai is a traditional Islamic Sufism music popular among the Cirebonese. This traditional music combines sounds, lyrics, and dance that invite the practitioners and audiences to exercise the spiritual stages through music. The Brai performance follows the hierarchy of Sufi-state of minds and spiritual stages (suluk and raka’at). Thus, as this article argues, the Brai is a par excellence model for the entanglement between Islam and local culture. The Brai is indeed a way of the Cirebonese both to introduce Sufi-form of Islam and provides a performance where the profane arts and spiritual-Islamic Sufims are mutually entangled.
SUFISM AND HYBRID SPIRITUALITY Hajam Hajam; Anwar Sanusi; Aditya Muara Padiarta
Epistemé: Jurnal Pengembangan Ilmu Keislaman Vol 14 No 1 (2019)
Publisher : Sayyid Ali Rahmatullah Tulungagung State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/epis.2019.14.1.117-130

Abstract

This article aims to discuss a Sufi-inspired traditional art and performance popular in Cirebon, the so-called “Brai”. The Brai is a traditional Islamic Sufism music popular among the Cirebonese. This traditional music combines sounds, lyrics, and dance that invite the practitioners and audiences to exercise the spiritual stages through music. The Brai performance follows the hierarchy of Sufi-state of minds and spiritual stages (suluk and raka’at). Thus, as this article argues, the Brai is a par excellence model for the entanglement between Islam and local culture. The Brai is indeed a way of the Cirebonese both to introduce Sufi-form of Islam and provides a performance where the profane arts and spiritual-Islamic Sufims are mutually entangled.
Co-Authors Hajam Hajam, Hajam Sanusi, Anwar