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All Journal Litera Mozaik Humaniora Jurnal Manajemen Kesehatan Indonesia Kiryoku: Jurnal Studi Kejepangan Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Holistics Journal
Retno Wulandari
Englsih Department Faculty Of Humanities Universitas Diponegoro
Humanities Decision Sciences, Operations Research & Management Health Professions Languange, Linguistic, Communication & Media Social Sciences

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SYMBOLIC FUNCTIONS OF FOOD IN SELECTED INDONESIAN CHILDREN’S WRITINGS KKPK SERIES Retno Wulandari; Dinie Ratri Desiningrum
LITERA Vol 18, No 1: LITERA MARET 2019
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v18i1.18134

Abstract

Abstract Food is one of the elements that can reveal the society’s dynamic, beliefs, ideology, and values. The relation of food and literature is inevitable as food is part of culture, then the relations of characters in a work of literature may involve food. This paper is intended to investigate the symbolic functions of food in some Indonesian children’s writings Kecil-Kecil Punya Karya (KKPK) series, namely Izzati’s Let’s Bake Cookies, Alifia’s Egg Ice Cream, and Haura’s Resep Baru (New Recipe). The umbrella of the theory is Roland Barthes’ food as signifying system and it is applied in the context of children’s literature. In addition, to scrutinize the cultural-social and production of the work, Bourdieu’s field of cultural production  theory is applied. Close-reading is used to collect data in the three writings. The data are tabulated and then analyzed through sociological approach and using descriptive analysis method. The result shows that in that literary works food functions as: 1) arena for socialization and solidarity; 2) identity marker, both for social and self identity; 3) social class marker; and 4) arena for negotiation for global and local culture. Keywords: food, symbolic function, children’s writing  METAFORA MAKANAN DALAM SASTRA ANAK INDONESIA SERI KKPK AbstrakMakanan merupakan salah satu elemen penting yang mampu mengungkapkan dinamika masyarakat, kepercayaan, ideologi, dan nilai-nilai. Hubungan antara makanan dan sastra tidak terelakkan lagi karena makanan merupakan bagian dari budaya, sehingga hubungan karakter dalam suatu karya sastra seringkali melibatkan makanan.Tulisan ini bertujuan menelaah fungsi simbolik makanan dalam tulisan anak Indonesia seri Kecil-Kecil Punya Karya (KKPK) : Let’s Bake Cookies karya Izzati, Egg Ice Cream karya Alifia, dan  Resep Baru karya Haura. Payung teori yang digunakan adalah teori dari Roland Barthes yang menyatakan makanan sebagai sistem tanda yang diaplikasikan dalam konteks sastra anak Indonesia. Selain itu, teori Bourdieu mengenai ranah produksi kultural juga diterapkan untuk menganalisis situasi sosial, budaya, dan produksi di luar karya sastra. Membaca teliti (close- reading) digunakan untuk mengumpulkan data. Data tersebut ditabulasi dan kemudian dianalisis melalui pendekatan sosiologis dan menggunakan metode deskriptif analisis. Hasil menunjukkan bahwa dalam karya-karya sastra anak tersebut makanan berfungsi sebagai: 1) ajang untuk sosialisasi dan solidaritas; 2) penanda identitas, baik identitas sosial dan identitas diri; 3) penanda kelas sosial; dan 4) sebagai ajang negosiasi budaya global dan lokal. Kata kunci: makanan, fungsi simbolik, sastra anak
Analisis Determinan Kualitas Pelayanan Antenatal Trimester I (SATU ) Kehamilan Oleh Bidan Desa Di Kabupaten Temanggung Retno Wulandari; Martha Irene Kartasurya; Nurjazuli Nurjazuli
Jurnal Manajemen Kesehatan Indonesia Vol 5, No 1 (2017): April 2017
Publisher : Magister Kesehatan Masyarakat, Fakultas Kesehatan Masyarakat, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (143.374 KB) | DOI: 10.14710/jmki.5.1.2017.21-31

Abstract

Tingginya capaian cakupanprogram pelayanan kesehatan ibu dan anak (KIA) belum berpengaruh terhadap penurunan jumlah kasus kematian ibu di Kabupaten Temanggung. Penyebab kematian ibu terbanyak adalah karena penyakit penyerta yang seharusnya dapat terdeteksi pada pemeriksaan antenatal trimester pertama yang dilakukan oleh bidan desa. Penelitian ini bertujuan untuk menganalisis kualitas pelayanan antenatal trimester 1 kehamilan oleh bidan desa di Kabupaten Temanggung. Metode penelitian adalah survey analitik dengan design cross sectional. Subjek penelitian adalah 60 orang bidan desa yang dipilih secara systematic random sampling dari 14 Puskesmas terpilih kasus kematian ibu. Pengumpulan data dilakukan dengan angket dan observasi langsung menggunakan kuesioner terstruktur . Analisis data menggunakan uji chi square, kualitas pelayanan ANC dinilai dengan ketepatan pelayanan bidan dalam pemberian pelayanan ANC sesuai standar asuhan kebidanan dan standar operasional 10 T ANC.Hasil penelitian menunjukkan faktor yang berhubungan dengan kualitas pelayanan antenatal trimester I kehamilan oleh bidan desa adalah beban kerja(p = 0,002), pengetahuan(p = 0,006) dan supervisi(p = 0,002). Faktor yang tidak berhubungan adalah dana (p = 0,570), ketersediaan dan pelaksanaan SOP(p = 0,164), dan ketersediaan peralatan(p = 0,251). Ada hubungan bersama – sama variabel beban kerja(p = 0,002) pengetahuan responden(p = 0,006) dan supervisi(p = 0,002)dengan kualitas pelayanan Antenatal Trimester I Kehamilan.Disarankan kepada Dinas Kesehatandan Puskesmas di Kabupaten Temanggung untuk lebih memfokuskan bidan desa pada tugas pokok utamanya sebagai pemberi pelayanan KIA disamping tugas tambahan bidan desa lainnya. Mengadakan peningkatan pengetahuan dan ketrampilan tentang asuhan pelayanan antenatal secara merata untuk seluruh bidan yang kegiatannya dilaksanakan secara berkesinambungan, dan meningkatkan kualitas pelaksanaan kegiatan supervisi fasilitatif sesuai petunjuk tekhnis pelaksanaan yang telah ditentukan. Kepada Bidan Koordinator dan bidan desa diharapkan bersama – sama menguatkan kembali komitmen untuk meningkatkan dan menjaga kualitas pelayanan antenatal pada setiap ibu hamil yang dilayaninya.
Food Metaphor in Jhumpa Lahiri's The Lowland Retno Wulandari
MOZAIK HUMANIORA Vol. 17 No. 2 (2017): MOZAIK HUMANIORA VOL. 17 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (278.056 KB) | DOI: 10.20473/mozaik.v17i2.5356

Abstract

As food is now also observed through the lens of social sciences,  the relation of food and literature is inevitable. In diasporic identity, the existence of food as one of the elements that immigrants usually long for is thus unavoidable. This paper discusses the metaphor of food and foodways in the novel The Lowland by Jhumpa Lahiri. Through postcolonial analysis, the results show that food and foodways metaphorically represent nostalgia experienced by the main character. Food also becomes the field of showing identity, and negotiation process which bridges the binary cultural differences. Moreover, Lahiri also implies the metaphor of food as the oppression of women due to the existence of patriarchal values in the old world. Domesticity symbolized through food and foodways puts women in an uneasy situation. Lahiri also parallels the food as the medium of the old and new world: the poor and sufficiency, and the resistance to capitalism.Keywords : Food, nostalgia, identity, oppression, binary opposition
MASKULINITAS DAN FEMININITAS DALAM ANIME KIMI NO NA WA KAJIAN RESPON PEMIRSA Fajria Noviana; Retno Wulandari
KIRYOKU Vol 1, No 4 (2017): Jurnal Kiryoku
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (56.293 KB) | DOI: 10.14710/kiryoku.v1i4.10-19

Abstract

Masculinity and femininity are never-ending subjects. This research aims at observing young generation’s perception on masculinity and femininity in Japanese animee Kimi no Na wa. In addition this research also brings input on how young generation reacts on masculinity and femininity. By using viewer’s response method, this research is conducted among 15 (fifteen) Japanese Department students and 15 (fifteen) Engish Department students of Universitas Diponegoro.The finding shows that young generation generally view that there is no significant differences between sex and gender role. Meanwhile, in the relation with the movie, responden assert their agreement on the description of masculinity and femininity through the male and female characters, although generally respondents from English Department prefer East masculinity and West femininity. This view can be used as the basic how older people build relation with young people due to differences in age and point of view.
Negotiation in A. Fuadi’s Ranah Tiga Warna (The Land of the Three Colors) Retno Wulandari
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 2, No 3 (2018): September 2018
Publisher : Culturalistics: Journal of Cultural, Literary, and Linguistic Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (93.417 KB)

Abstract

Travel writing is one of the literary genres that has received attention today. This paper discusses the work of A. Fuadi’s Ranah Tiga Warna (The Land of the Three Colors) telling the main character’s experience in three lands: Bandung (Indonesia), Amman (Jordan), and Saint Raymont (Canada). This paper is to analyze the negotiation process between ‘the self’ and ‘the other’  experienced by the main character in the third land: Saint Raymont. This uses the concept of  negotiation of ‘the self’ and ‘the other’ by Thompson, and Deleutze’s  and Guattari’s  segmentarity. The results show that the main character can play a flexible interplay between ‘the self’ and ‘the other’, negotiation and accommodation, and even transduction. The successful negotiation process can be seen from the difference and how the main character has willingness to bring the difference to his home country. The main character’s  mention of  ‘return home’ when revisiting Saint Raymond years later becomes the evidence of the successful negotiation as well.Keywords: travel writing, negotiation, the self, the other
Imagining Home in Diaspora in Leila S. Chudori’s Pulang (Home) Retno Wulandari
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 3, No 2 (2019): Desember 2019
Publisher : Culturalistics: Journal of Cultural, Literary, and Linguistic Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (239.211 KB)

Abstract

Diaspora literature has been one of literary genres that is flourishing for the last few years in Indonesia. This paper aims at analyzing the concept of home in diaspora in Leila S. Chudori’s Pulang (Home). The novel is about the experience of Indonesian exile in 1960s in French, in which he and his friends cannot return home due to the accusation of their involvement in Indonesian banned party. Through sociological approach, the concept of home by Mallet and Golob are used to explore this literary work. A close reading method and classification based on the topic are used in researching the novel. The result shows that although the main character experiences marginalization and estrangement, he still wants to return to Indonesia. The concept of home for the main character is not about the movement or created in the new land, but home is where one originates and that is a place to return.Keywords:diaspora, home
Colonial and Cosmopolitan Visions in Ade Irma Elvira’s Merangkul Beruang Merah (Hugging The Red Bear) Retno Wulandari; Sulistya Ningtyas; Mytha Candria
Holistics (Hospitality and Linguistics) : Jurnal Ilmiah Bahasa Inggris Vol. 18 No. 1 (2026): HOLISTICS JOURNAL: HOSPITALITY AND LINGUISTICS
Publisher : Politeknik Negeri Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36257/holistics.v18i1.12218

Abstract

This study analyzes the colonial and cosmopolitan visions in the novel Merangkul Beruang Merah (Hugging the Red Bear) (2016) by Ade Irma Elvira, which tells the story of the struggle of the main character, who comes from humble, ordinary family, to obtain a scholarship to Russia and live in that country. Using postcolonial approach, this study applies Debbie Lisle's theory of colonial and cosmopolitan visions. This paper analyzes how the main character, who comes from a former colonized country, views herself and the outside world. In the colonial vision, the results show that the main character initially experiences a sense of inferiority towards foreign cultures, while in the cosmopolitan vision, she finds a modern, developed atmosphere through putting forward open-mindedness, harmony, and empathy. In addition, there are several ways the main character conducts in relation to both visions, namely resistance and negotiation. Keywords: colonial vision, cosmopolitan vision, resistance, negotiation
Art for art’s sake: Oscar Wilde’s Trajectory in Victorian Literature Sulistya Ningtyas, S.S., M.A.; Retno Wulandari; Mytha Candria
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 9, No 1 (2025): Culturalistics: Journal of Cultural, Literary, and Linguistics Study (June 2025)
Publisher : English Literature Study Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ca.v9i1.27799

Abstract

The production of a literary work is influenced by the elements present in its literary field. Oscar Wilde, one of the classic authors of English literature, was significantly shaped by the literary field of the Victorian Era throughout his career. This study aims to explain the reconversion strategies Wilde employed to attain legitimacy as an English literary figure. Using Pierre Bourdieu’s theoretical framework and sociological approach to literature, the research traces Wilde’s accumulation of capital, strategies, and trajectory. From his background, Wilde possessed economic, cultural, social, and symbolic capital—assets that empowered him to hold a significant role within the literary field. However, the scandal surrounding his homosexuality severely damaged his reputation at the time. Ironically, this downfall led Wilde to publish a phenomenal work that explored the concept of duality. With the widespread influence of the principle of “art for art’s sake” through the aestheticism movement, the public began to view art as something that should be appreciated purely for its beauty. This reconversion of capital ultimately enabled Wilde to gain legitimacy within the English literary field of the Victorian Era.
Co-Authors Dinie Ratri Desiningrum Fajria Noviana Martha Irene Kartasurya Mytha Candria Nurjazuli Nurjazuli Sulistya Ningtyas Sulistya Ningtyas, S.S., M.A.