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All Journal Gorga : Jurnal Seni Rupa Craft Journal of Visual Art and Design Lekesan: Interdisciplinary Journal of Asia Pacific Arts Jurnal Rupa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
John Martono
Program Studi Kriya Fakultas Seni Rupa Dan Desain Institut Teknologi Bandung
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

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Craft Design Collaboration: Exploring a Locally Inspired Motif for The Tasikmalaya Embroidery Martono, John; Puspita, Eka Arifianty; Batik, Iradaniatri Rejeky
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.64493

Abstract

Traditional crafts are important for exposing regional identity. Lack of originality in the way crafts represent regional characteristics will expose them to imitation, trap them in a competitive market, and eventually threaten their sustainability in a creative economy. Consumer trends are certainly important for traditional craft growth, but so is the intangible dimension, which is typically shaped by economic, cultural, and technological factors. The potential economic value of culture-based enterprises is revealed by attempts to commercialize the distinctive intangible creativity, just like in creative industries, by highlighting the distinctiveness of locale. The purpose of this study was to explore the creative potentials that show the distinctiveness of the local Tasikmalayan embroidery craft. Since designers are taught to consider collective factors while making design decisions, design intervention is required for this endeavor. Thus, Tung's craft and design collaboration model will be used for the research, which encourages Tasikmalayan embroidery designers and craftsmen to work together from the beginning to the end. A team of designers will work together with Gallery Kiwari, a Tasikmalayan embroidery craft MSME, to create new embroidery craft motifs that promote local identity. Although the research yielded two prototypes that reflected the location and the character of the artisans, the collaborative method also gave the craftsmen opportunities to learn and create designs that supported local richness. Through the experience, it is anticipated that the craftsmen will be able to develop their future original ideas and elevate the variety of embroidery crafts that symbolize the local value of Tasikmalaya.
KAJIAN MATERIAL DRIVEN DESIGN DALAM DESAIN AKSESORIS FASHION BERBASIS EKSPLORASI MATERIAL SWAKRIYA Martono, John; Puspita, Eka Arifianty
Serat Rupa: Journal of Design Vol 6 No 2 (2022): SRJD - JULI
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v6i2.4770

Abstract

Fashion design has a prominent role in constructing people’s performance due to its capability of communicating user’s personality. However, prior studies reveal that fashion design is not only able to work as a medium of self-representation, but also as an agent to stimulate certain action to the user. In response to the statements, material selection of fashion design contributes significantly in building consumer appraisement towards products because the material is the dominant element in fashion product aesthetic. Consumers may have various personal experiences and perception regarding material in a fashion product. Following the statement, this research is trying to investigate the integration of material experience study in a fashion design process to reach a more successful outcome of fashion design. Thus, this research is adopting Karana (2015) method of Material Driven Design. By conducting MDD method in the design of fashion product, it was found that there were diverse material experiences amid the users. Furthermore, by utilizing do-it-yourself approach of material development in the fashion design process reveals the possibilities of transforming material experience and the emergence of a new quality for the users to experience, especially an interpretative experience. The research outcome suggests the implementation of material experience study in the fashion design process, like the MDD method. The integration of material studies may not guarantee achieving a perfect user satisfaction, but the material experience study will help designers in understanding the background of user perceptions and finding novelty in the creation fashion design.
Diversifikasi Desain Batik Ciwaringin Cirebon melalui Adobsi Trend Martono, John; Puspita, Eka Arifianty
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 40 No. 1 (2023): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v40i1.8097

Abstract

Ragam hias batik merupakan identitas warisan budaya tak benda di Indonesia yang menjadi kebanggan masing-masing sentra. Sebagian besar penerapan ragam hias dalam praktik desain pada media digital hanya meminjamnya sebagai konten atau elemen visual semata, karya tersebut tidak memenuhi kaidah sebagai karya batik tradisi. Batik Madura (maduraan) memiliki karakter khas yang dikenal dengan penggambaran hewan, tanaman akar-akaran, juga gori (isen-isen) yang menarik untuk dieksplorasi menembus batas dunia kriya tekstil tradisional beralih menjadi karya animasi digital. Penelitian ini bertujuan mengidentifikasi visual ragam hias batik maduraan sebagai aset visual karya Animateutik (animasi batik tulis); mendefinisikan dan merumuskan model “Batik Digital Indonesia”; dan menerapkan model tersebut melalui inovasi desain Animateutik. Penelitian dilakukan menggunakan metodologi kualitatif dengan kajian pustaka untuk merumuskan definisi dan model batik digital Indonesia, serta pendekatan perancangan desain (design action) untuk mewujudkan Animateutik bergaya maduraan. Penelitian menghasilkan rumusan definisi dan model “Batik Digital Indonesia” dan karya inovasi desain berupa Animateutik (animasi batik tulis) bergaya maduraan yang berperan strategis memperluas inovasi, sinergi interdisiplin, dan memberikan alternatif peluang pengembangan antara ranah kriya batik tulis tradisional dengan media digital.
Co-Authors Annette Steven Batik, Iradaniatri Rejeky Eka Arifianty Puspita Kharisma Triandani Nadine Ariandini Puspita, Eka Arifianty Riesyanita Maharani Samina Febriska Vajni Yosepin Sri Ningsih Zaini Rais