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Career-mother in Indonesian Soap Opera: A Counter-stereotype Representation Aditya Fahmi Nurwahid
ETTISAL : Journal of Communication Vol 6, No 1 (2021): ETTISAL: Journal of Communication
Publisher : Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/ejoc.v6i1.6239

Abstract

Abstract Motherhood becomes one of the major representations in television by the fiction program stories and narratives. Based on this phenomenon, it is important for television built and portrayed the figure of mother via their program. There are several researches about the portrayal of women on television. But, still few study that exposes the portrayal of the mother and her career, especially in Indonesia. This research will expose the mother and work culture representation in the television soap opera, using the Gamson and Modigliani framing scheme. This research takes three of the popular soap opera in Indonesia from 2015-2019. For the result, there are several depictions of mothers and her career in soap operas. Plot, text, and framing scenes affects or negotiates the ideal value of career mother with counter-stereotypes representation and new value representation. But, these soap opera seems only use the counter-value representation to differentiate their serial with others. Abstrak Sosok ibu menjadi salah satu representasi yang banyak ditemui di sinetron yang ditayangkan televisi. Berdasarkan fenomena ini, penting bagi televisi untuk membangun dan menangkap sosok ibu melalui program mereka. Telah banyak riset mengenai representasi ibu di televisi, namun hanya sedikit yang mengekspos bagaimana ibu karier ditampilkan, terutama di Indonesia. Penelitian ini akan melihat bagaimana representasi ibu dan pekerjaan dalam sinetron di Indonesia. Menggunakan skema framing yang diperkenalkan Gamson dan Modigliani, penelitian ini akan melihat representasi melalui tiga sinetron paling populer sepanjang 2015-2019. Hasilnya, terdapat beberapa gambaran dari ibu dan kariernya di dalam sinetron. Plot, teks, dan pembingkaian dalam tampilan akting turut mempengaruhi nilai ideal dari sosok ibu karier. Sinetron juga turut menampilkan representasi yang melawan stereotip serta nilai baru terkait peran ibu karier. Hanya saja, sinetron tampak menampilkan representasi tersebut untuk membedakan ceritanya dengan sinetron lain.  
The Convergence Continum of Radio Songgolangit Sulthan Helmizain Herdiaz pramana; Nur Aini Shofiya Asy'ari; Aditya Fahmi Nurwahid
ETTISAL : Journal of Communication Vol 6, No 2 (2021): ETTISAL : Journal of Communication
Publisher : Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/ejoc.v6i2.7077

Abstract

AbstrakTren menggunakan internet di Indonesia meningkat karena berbagai keunggulan yang dimilikinya. Oleh karena itu, Radio Songgolangit menggunakan media internet untuk menyebarkan informasinya. Dengan menggunakan berbagai platform seperti Facebook, Instagram, radio streaming dan website. Kegiatan menggabungkan antara media lama dan media baru ini dinamakan konvergensi media. Penelitian ini bertujuan untuk mengetahui bagaimana implementasi konvergensi media Radio Songgolangit. Dalam penelitian ini peneliti menggunakan teori dari Dailey, Demo dan Spillman yaitu  teori tahapan konvergensi media model kontinum, yaitu pada teori ini tahapan konvergensi mempunyai lima tahapan, yang pertama Cross Promotion, kedua Cloning, ketiga Coopetition keempat Conten Sharing dan yang kelima Full Convergence. Dengan menggunakan metode kualitatif peneliti mengumpulkan data dengan cara observasi, wawancara dan dokumentasi. Hasil penelitian menunjukkan bahwa dari lima tahapan konvergensi media model kontinum, Radio Songgolangit masih menjalankan tahapan Cross Promotion, dan Cloning. Pada tahapan cross promotion dilaksanakan dengan antar media saling memperkenalkan satu sama lain, seperti penyebutan, penyantuman nama, logo dan link. Pada tahapan cloning dilakukan dengan media siaran memperbanyak konten dari media sosial, dan media sosial memperbanyak konten dari portal berita lain. Sementara pada tahapan Coopetition, Content Sharing dan Full Convergence, belum sepenuhnya terlihat dilaksanakan oleh Radio Songgolangit, dikarenakan Radio Songgolangit masih mempunyai kekurangan dalam pelaksanaan konvergensi medianya, seperti kurangnya SDM dan pemberdayaannya sebagai roda penggerak konvergensi media Radio Songgolangit, dengan begitu Radio Songgolangit masih belum menjalankan lima tahapan konvergensi media model kontinum. AbstractThe trend of using the internet in Indonesia is increasing because of the various advantages it has. Therefore, Radio Songgolangit uses internet media to disseminate its information by using various platforms such as Facebook, Instagram, radio streaming and websites. This activity of combining old and new media is called media convergence. This study aims to determine how the implementation of the convergence of Radio Songgolangit media. In this study, the researcher uses the theory from Dailey, Demo and Spillman namely the the continuum model of media convergence theory. In this theory, the convergence has five stages, Cross Promotion, Cloning, Coopetition, Content Sharing, and the last is Full Convergence. By using qualitative methods researchers has collected data by observation, interviews and documentation. The results showed that the media convergence of the continuum model of Radio Songgolangit was still running the first and the second stages. At the Cross Promotion stage, it is carried out by introducing each other, such as mentioning, including names, logos and links. At the Cloning stage, broadcast media reproduces content from social media, and social media reproduces content from other news portals. Meanwhile, at the Coopetition, Content Sharing and Full Convergence stages, Radio Songgolangit has not been fully implemented, because Radio Songgolangit still has shortcomings in the implementation of its media convergence, such as the lack of human resources and empowerment as the driving wheel of Radio Songgolangit media convergence, thus Radio Songgolangit still has not implemented five stages of media convergence continuum model.                                                       
E-Da’wah Strategy on Modern Pesantren using Religious Song Kembalilah Ahmad Fauzi; Nur Aini Shofiya Asy'ari; Aditya Fahmi Nurwahid
Sahafa Journal of Islamic Communication Vol 5, No 1 (2022): Sahafa : Journal of Islamic Communication
Publisher : Universitas Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/sjic.v5i1.8480

Abstract

AbstractThis study aims to find out how the e-da’wah strategy of Pondok Modern Darussalam Gontor is through the song “Kembalilah” that uploaded on Youtube. Using descriptive qualitative methode, the data were obtained from interviews, observations and documentation. It reduced, presented, and concluded, also verified through source triangulation and method triangulation. The results finds that e-da’wah is carried out with a communication strategy of determining communicators, target audiences, messages and media. “Kembalilah” portrayed Kyai, Ustad and Santri Pondok Modern Darussalam Gontor and even some national artists who have credibility, attractiveness and power. Credibility can be seen from their identity as people with high religious knowledge. Power is seen in the selection of Kyai as the leader of the Pondok who has charisma, authority, and the competency on religious aspect. The attractiveness of communicators is seen from the similarity of social status and Islamic ideology so that they are able to convey da’wah messages to educate according to the character of their audiences; Muslims, 18-24 years,students and alumni of Pesantren. However, thetarget audiencein general iseveryone who can receivethe message of kindness. Da’wah messages highlight persuasive messages in the form of warnings that Allah’s punishment is very painful in the form of floods, landslides, volcanic eruptions, and epidemics (fear appeal) but pleasure (forgiveness) for those who repent (reward appeal) which at the same time motivates them to return to the way of Allah (motivational appeal). The whole message is conveyed using a two-side issue technique, which is to give a good and bad picturefor people who are grateful and the unbelievers. To expand theinfluence of da’wah messages, GontorTV uses YouTube and social media (Instagram, Facebook and WhatsApp as a cross media strategy). AbstrakPenelitian ini bertujuan mengetahui bagaimana strategi e-dakwah Pondok Modern Darussalam Gontor melalui lagu “Kembalilah” yang diupload di Youtube. Metode penelitian menggunakan kualitatif deskriptif. Data penelitian diperoleh dari wawancara, observasi dan dokumentasi yang kemudian direduksi, disajikan dan ditarik kesimpulan yang sebelumnya telah diverifikasi melalui triangulasi sumber dan triangulasi metode. Hasil penelitian menunjukkan bahwa e-dakwah dilakukan dengan strategi komunikasi penetapan komunikator, sasaran khalayak, pesan dan media. Lagu Kembalillah memilih Kyai, Ustad dan Santri Pondok Modern Darussalam Gontor bahkan beberapa artis nasional yang memiliki kredibilitas, daya tarik dan power. Kredibilitas terlihat dari identitas mereka sebagai orang dengan ketinggian ilmu agama. Power terlihat pada pemilihan Kyai sebagai pimpinan Pondok memiliki kharisma, wibawa otoritas dan kemampuan pemenuhan kebutuhan Agama. Daya tarik komunikator dilihat dari kesamaan status sosial dan ideologi Islam sehingga mampu menyampaikan pesan dakwah untuk mengedukasi sesuai karakter khalayaknya yaitu muslim, berusia 18-24 tahun yang merupakan santri dan alumni Pesantren. Meskipun demikian, sasaran khalayak secara umum adalah semua orang yang bisa menerima pesan kebaikan. Pesan dakwah menonjolkan pesan persuasif berupa peringatan bahwa azab Allah sangat pedih berupa banjir, longsor, gunung meletus, dan wabah penyakit (fear appeal) namun nikmat (ampunan) bagi yang bertaubat (reward appeal) yang sekaligus memotivasi untuk kembali ke jalan Allah (motivational appeal). Keseluruhan pesan tersebut disampaikan dengan teknik two side issue yaitu memberikan gambaran baik dan buruk bagi orang yang bersyukur dan kufur. Untuk memperluas pengaruh pesan dakwah, Gontortv menggunakan youtube dan media sosial (Instagram, facebook dan whatsapp sebagai strategi cross media (peyilangan media)
E-Da’wah Strategy on Modern Pesantren using Religious Song Kembalilah Ahmad Fauzi; Nur Aini Shofiya Asy'ari; Aditya Fahmi Nurwahid
Sahafa Journal of Islamic Communication Vol 5, No 1 (2022): Sahafa : Journal of Islamic Communication
Publisher : Universitas Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/sjic.v5i1.8480

Abstract

AbstractThis study aims to find out how the e-da’wah strategy of Pondok Modern Darussalam Gontor is through the song “Kembalilah” that uploaded on Youtube. Using descriptive qualitative methode, the data were obtained from interviews, observations and documentation. It reduced, presented, and concluded, also verified through source triangulation and method triangulation. The results finds that e-da’wah is carried out with a communication strategy of determining communicators, target audiences, messages and media. “Kembalilah” portrayed Kyai, Ustad and Santri Pondok Modern Darussalam Gontor and even some national artists who have credibility, attractiveness and power. Credibility can be seen from their identity as people with high religious knowledge. Power is seen in the selection of Kyai as the leader of the Pondok who has charisma, authority, and the competency on religious aspect. The attractiveness of communicators is seen from the similarity of social status and Islamic ideology so that they are able to convey da’wah messages to educate according to the character of their audiences; Muslims, 18-24 years,students and alumni of Pesantren. However, thetarget audiencein general iseveryone who can receivethe message of kindness. Da’wah messages highlight persuasive messages in the form of warnings that Allah’s punishment is very painful in the form of floods, landslides, volcanic eruptions, and epidemics (fear appeal) but pleasure (forgiveness) for those who repent (reward appeal) which at the same time motivates them to return to the way of Allah (motivational appeal). The whole message is conveyed using a two-side issue technique, which is to give a good and bad picturefor people who are grateful and the unbelievers. To expand theinfluence of da’wah messages, GontorTV uses YouTube and social media (Instagram, Facebook and WhatsApp as a cross media strategy). AbstrakPenelitian ini bertujuan mengetahui bagaimana strategi e-dakwah Pondok Modern Darussalam Gontor melalui lagu “Kembalilah” yang diupload di Youtube. Metode penelitian menggunakan kualitatif deskriptif. Data penelitian diperoleh dari wawancara, observasi dan dokumentasi yang kemudian direduksi, disajikan dan ditarik kesimpulan yang sebelumnya telah diverifikasi melalui triangulasi sumber dan triangulasi metode. Hasil penelitian menunjukkan bahwa e-dakwah dilakukan dengan strategi komunikasi penetapan komunikator, sasaran khalayak, pesan dan media. Lagu Kembalillah memilih Kyai, Ustad dan Santri Pondok Modern Darussalam Gontor bahkan beberapa artis nasional yang memiliki kredibilitas, daya tarik dan power. Kredibilitas terlihat dari identitas mereka sebagai orang dengan ketinggian ilmu agama. Power terlihat pada pemilihan Kyai sebagai pimpinan Pondok memiliki kharisma, wibawa otoritas dan kemampuan pemenuhan kebutuhan Agama. Daya tarik komunikator dilihat dari kesamaan status sosial dan ideologi Islam sehingga mampu menyampaikan pesan dakwah untuk mengedukasi sesuai karakter khalayaknya yaitu muslim, berusia 18-24 tahun yang merupakan santri dan alumni Pesantren. Meskipun demikian, sasaran khalayak secara umum adalah semua orang yang bisa menerima pesan kebaikan. Pesan dakwah menonjolkan pesan persuasif berupa peringatan bahwa azab Allah sangat pedih berupa banjir, longsor, gunung meletus, dan wabah penyakit (fear appeal) namun nikmat (ampunan) bagi yang bertaubat (reward appeal) yang sekaligus memotivasi untuk kembali ke jalan Allah (motivational appeal). Keseluruhan pesan tersebut disampaikan dengan teknik two side issue yaitu memberikan gambaran baik dan buruk bagi orang yang bersyukur dan kufur. Untuk memperluas pengaruh pesan dakwah, Gontortv menggunakan youtube dan media sosial (Instagram, facebook dan whatsapp sebagai strategi cross media (peyilangan media)
THE REPRESENTATION OF MADURESE ISLAM ON YOUTUBE: SEMIOTICS ANALYSIS ON THE COMEDY SHOW 'DHE'REMMAH CONG' Aditya Fahmi Nurwahid; Citra Safira
Jurnal Sosiologi Reflektif Vol. 17 No. 2 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/jsr.v17i2.2688

Abstract

Madurese Islam is one of the cultural treasures of Islam in Indonesia. Madurese culture is intimately intertwined with Islam and reflects diverse perspectives on matters of politics, society, culture, and economics. The emergence of new media has resulted in the digitalization of Madurese Islam, exemplified by its presence on the Tretan Universe YouTube channel. The objective of this study is to provide a semiotic analysis of the Madurese Islamic da'wah content portrayed in the satirical comedy show "Dhe'remmah Cong" featured on the Tretan Universe YouTube channel. This research was carried out using a qualitative approach using the ethnography methodology. Data for this study was gathered through a combination of dialogue narratives and netizen comments obtained from two episodes of the "Dhe'remmah Cong" comedy series. The data was strengthened through literature studies and further analyzed using Charles Sanders Pierce's semiotics. The findings indicated that the "Dhe'remmah Cong" comedy series served as a platform for cultural acculturation between Islam and Madurese culture. Thus, in the subsequent phase, the Madurese Islamic identity can be disseminated into a novel cultural sphere familiar to the Indonesian populace via this YouTube channel.Salah satu khasanah budaya lokal yang dimiliki Islam di Indonesia adalah Islam Madura. Nilai budaya Madura sangat dekat dengan Islam dan mengekspresikan berbagai sudut pandang isu politik, sosial, budaya, atau ekonomi. Perkembangan new media saat ini telah membawa Islam Madura ke dalam platform digital, salah satuya melalui channel Youtube Tretan Universe. Penelitian ini bermaksud untuk menjelaskan analisis semiotika dalam konten dakwah Islam Madura yang ditampilkan dalam komedi satir bertajuk 'Dhe’remmah Cong' di channel Youtube Tretan Universe.  Penelitian ini dilakukan dengan menggunakan pendekatan kualitatif melalui metode netnografi. Teknik pengumpulan data dilakukan dengan penelusuran 2 (dua) seri komedi 'Dhe’remmah Cong' berupa narasi dialog dan komentar netizen. Data diperkuat melalui kajian pustaka dan selanjutnya dianalisis menggunakan semiotika Charles Sanders Pierce. Hasil penelitian mengungkapkan bahwa serial komedi ini menjadi ruang akulturasi budaya dalam Islam dan budaya Madura. Sehingga pada tahap selanjutnya, melalui channel youtube ini, identitas Islam Madura ini dapat menyebar menjadi budaya baru yang dikenal publik Indonesia.
Nuclear Weapon Discussion on G20 Forum: A Media Framing Analysis From Kompas.com, BBC.co.uk, and Assyarqu Al-Awsathu Online Media Maulana Ashari; Rohmah Akhirul Mukharom; Aditya Fahmi Nurwahid
Communicare : Journal of Communication Studies Vol. 10 No. 1 (2023): Communicare: Journal of Communication Studies
Publisher : Lembaga Penelitian, Publikasi dan Pengabdian kepada Masyarakat (LP3M) Institut Bisnis dan Komunikasi LSPR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37535/101010120235

Abstract

Indonesia holds a key role as host of the G20 Presidency in 2022. Many international media highlighted this summit and the issues that has been discussed inside.As a world economic forum, G20 Presidency in Indonesia also reviewed about the international security issue, one of it is nuclear weapon threat. This study identifies, analyze, and compares the content produced by Indonesia (Kompas.com), United Kingdom (BBC.co.uk), and Saudi Arabia’s online news media (aawsat.com), surrounding the frame of nuclear weapons issue on G20 Forum. The study utilizes the framing analysis model of Zhondang Pan and Gerald M. Kosicki, to explain the message that communicated by the three countries related on nuclear weapon issue on G20 summit. The major findings clearly captured that every media adopted different rhetorical frames through the media coverage of the G20 Presidency in Indonesia. Related on nuclear weapon issue, Indonesian media imply a neutral approach, different with UK’s media that used straightforward approach or Saudi’s media with interior approach.