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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra Kajian Linguistik dan Sastra Musawa : Jurnal Studi Gender dan Islam English Language and Literature International Conference (ELLiC) Proceedings Journal of Social Science
Mugijatna Mugijatna
FSSR, UNS
Religion Arts Humanities Chemistry Education Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Physics Social Sciences Other

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NILAI-NILAI RUMAH TANGGA DALAM NOVEL-NOVEL AHMAD TOHARI: TRILOGI RONGGENG DUKUH PARUK, BEKISAR MERAH DAN BELANTIK Mugijatna, Mugijatna
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 6, No 1 (2011): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v6i1.1299

Abstract

This study is cunducted to discuss the problem of household  values in Ahmad Tohari’s novels: Ronggeng Dukuh Paruk trilogy, Bekisar Merah and Belantik (Bekisar Merah II). As for the purpose is to describe household values in the novels,  to describe Ahmad Tohari’s intention to reveal household values in  the novels, and to describe the significance of household values in the novels. This study uses cultural approach with hermeneutics as its methodology and semiotics as its analysis. The findings are, first, household values in Ronggeng Dukuh Paruk trilogy is expressed in a form of Rasus’ refusal toward pornographic ronggeng tradition and Srintil’s struggle to become domestic woman. In Bekisar Merah and Belantik, it is expressed in a form of Kanjat’s attitude to marry Lasi honorably and Lasi’s refusal to have sexual intercourse outside marriage. Second, Ahmad Tohari’s intention to express household values in  the novels is  to develop civilization which is clean from immorality.  Third, the significance of household values in the novels is as ’model of” inherited values, at the same time as ’model for’ struggle to continue the inherited values. Besides that, the values also have a significance of  ”a candle in darkness” to face tradition which nurture sexual intercourse outside marriage and  the promulgation of sexual intercourse outside  marriage by hedonistic life.
The Hegemony of Hedonism Lifestyle of Sales Promotion Girl (SPG) in Indah Hanaco’s `The Curse Of Beauty` Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
English Language and Literature International Conference (ELLiC) Proceedings Vol 2 (2018): 2nd ELLiC Proceedings: Education 4.0: Trends and Future Perspectives in English Educa
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The mainstream of pop literature has developed fast now. It tells the lifestyle of urban society which is too glamour, consumptive and hedonistic. In this era of industrialization and capitalism phase influence them to trap in luxurious habit. It does not only affect the upper class but also thepoor society. The activities such shopping branded stuff, hanging out in the mall, changing the up to date mobile phone only for chatting and playing social media become the addiction. Unsurprisingly, there are many people do everything to make it come true. They never realize, they are the victim of this fake light life. One of them is Sales Promotion Girl (SPG) workers. The hedonism lifestyle has hegemonized their life until they take the risk to come in this Job. They do not know, their body has been exchanged by hedonism lifestyle. This phenomenon does not only happen in the reality but also in the pop literature as like Indah Hanaco‟s work. Her novel theCurse of Beauty tells about the true lifestyle of SPG that is trapped to hedonism lifestyle, therefore, they are willing to do sell their precious life to the prostitution world. This paper aims to show the form of SPG‟s hedonism lifestyle in this novel. Then, it tries to find the causes of thosehabits until they are willing to sell their body. Finally, it comes to the purpose of the author to take this situation become the pop literature.
PSEUDO-BEAUTY: SEXUALITY IN INDAH HANACO’S THE CURSE OF BEAUTY (A STUDY OF CRITICAL DISCOURSE ANALYSIS) Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 1 (2018): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (912.854 KB) | DOI: 10.18860/ling.v13i1.4877

Abstract

This article uses critical discourse analysis to uncover the discourse of pseudo beauty included the shape of the discourse and the reaction of sales promotion girl (SPG) which is represented in Indah Hanaco’s novel The Curse of Beauty. The design of the research is descriptive qualitative. Women wear thick makeup and attractive dress to cover their weakness, and they can be considered as beautiful women. Makeup makes the face more real than the reality thus it is mentioned as pseudo beauty. It makes SPG tries hard to become beautiful and sexy as a way of attracting the consumers. Most of them are trapped in the world of prostitution as the facilitator of sex tourism. SPG and prostitution seemingly become a stereotype that cannot be separated. They are tormented by a falseness and loneliness life in the halfway of hedonism. Capitalism makes them do not have a choice except being SPG which is a side job in sex tourism. These situations are caused by the pseudo beauty which gives them the curse as like represented by Indah Hanaco in her novel The Curse of Beauty.
INCLUSIVE ISLAM IN AHMAD TOHARI’S NOVELS Mugijatna, Mugijatna
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 9, No 2 (2014): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (855.126 KB) | DOI: 10.18860/ling.v9i2.2733

Abstract

Most of Ahmad Tohari’s novels have something to do with Islam. Yet, study on the aspects of Islam in the novels is rare. As an NU santri, Ahmad Tohari’s view on life is shaped by Islam according to NU's understanding. He wants to develop an understanding of Islam which is inclusive. There are two kinds of inclusivism. Inclusivism that considers that “truth” and “salvation” are available in other religions, that is, inclusivism in conviction and inclusivism that rejects this idea and limits inclusivism to social affairs only, the existence of other religions is simply respected. Ahmad Tohari’s idea of inclusivism goes as far as to include inclusivism which accepts “truth” and “salvation” in other conviction. In the trilogy of Ronggeng Dukuh Paruk, Ahmad Tohari expresses his idea of a person who does not choose to embrace Islam as being embraced by Islam. In Lingkar tanah dan lingkar air, Ahmad Tohari expresses the idea of Islam which respects differences. In Kubah, Ahmad Tohari expresses an idea that Muslims should forgive sinners. The first belongs to inclusivism in conviction, while the second and the third belong to inclusivism in social affairs.
Marginalisasi Seksualitas Perempuan Pada Novel Curahan Hati Sang Spg Karya Wenda Koiman dan The Curse of Beauty Karya Indah Hanaco (Perspektif Islam) Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
Musawa Jurnal Studi Gender dan Islam Vol. 17 No. 2 (2018)
Publisher : Sunan Kalijaga State Islamic University & The Asia Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/musawa.2018.172.183-199

Abstract

Dalam dunia sastra Indonesia, khususnya novel-novel pop saat ini tengah menjadikan perempuan dan seks sebagai isu-isu yang sangat penting. Para penulis pria maupun wanita sering menggunakan tema seks dalam karya-karya mereka yang diyakini sedang menjadi tren. Seperti halnya Indah Hanaco dalam novelnya, the Curse of Beauty, Wenda Koiman dalam novelnya Curahan Hati Sang SPG juga bercerita tentang penindasan seksual perempuan melalui profesi mereka sebagai Sales Promotion Girl (SPG). Hal ini tentu saja berlainan dengan pandangan Islam yang telah memberikan perhatian lebih kepada perempuan karena telah dijelaskan dalam beberapa ayat dan hadits. Melalui fenomena SPG dalam perpektif yang sama baik oleh pengarang perempuan ataupun laki-laki, yang menjadi subjek yang terpinggirkan baik dalam dunia nyata maupun yang digambarkan dalam novel pop makamakalah ini mencoba untuk mengungkapkan (1) bagaimana bentuk penindasan seksual tubuh SPG dalam kedua novel pop ini? (2) Bagaimana pandangan penulis tentang seksualitas perempuan yang diangkat melalui cerita SPG yang tercermin dalam kedua novel pop ini (3) bagaimanacara Islam melihat wacana seksualitas yang dihadapi oleh SPG dalam kedua novel pop ini?.Makalah ini menggunakan deskriptif kualitatif. Data diambil dari semua deskriptif mengenai penampilan tubuh SPG untuk memahami makna naratif dari tubuh. Tulisan ini menunjukkan bagaimana fenomena penindasan seksual perempuan melalui profesinya sebagai SPG telah menenggelamkan mereka dalam keterpurukan yang dalam yang berakibat pada seksploitasi yang tidak sesuai dengan norma agama terutama dalam Islam. Di sini, perempuan sama halnya dengan perangka elektronik yang dengan cepat mengalami pasang surut model mereka dan perlahan menghilang dalam sirkulasi.[In Indonesian pop novels, women and sex are two particular important issues. Many male and female writers use sexual issues as a trendy theme of their works. This issue can be seen in Indah Hanaco’s novel the Curse of Beauty and Wenda Koiman’s Curhan Hati Sang SPG. Both works also talk about women sexual oppression from their profession as Sales Promotion Girl (SPG), which in some cases, are contradictory with Islamic teaching. The phenomenon of SPG’s marginalization is depicted in the pop novel from the same perspective between men and women authors. Therefore, this article tries to explore (1) how are the forms of sexual oppression of SPG’s body in this pop novels; (2) how are the authors’ perspective on female sexuality through the SPG’s story reflected in this pop novels; (3) how does Islam see the sexuality discourse faced by SPG in this pop novels. This research uses descriptive qualitative. The data is taken from all descriptives concerning SPG body appearance to understand the narrative meaning of the body. This article shows how the phenomenon of women sexual oppression through their profession as SPG has drowned them to the deep immersed that affect to sexploitation and it is not suitable with the norm of religion especially in Islam. Here, women are assumed like electronic devices that appear and disappear quickly as new models come to new circulation]
SUBJECTIVITY IN STEPHEN DEDALUS, THE MAIN CHARACTER IN JAMES JOYCE’S A PORTRAIT OF THE ARTIST AS A YOUNG MAN Sari, Anisa Rahmatika; Mugijatna, Mugijatna
Kajian Linguistik dan Sastra Vol 5, No 1 (2020)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.897 KB) | DOI: 10.23917/kls.v5i1.7852

Abstract

Subjectivity is a philosophical concept of how one, as a subject, gains the sense of identity through the interaction with the external world. The theorization on the conception of subjectivity itself has ranged from the early modern thinkers to post-modern thinkers. This research’s objectives are to describe the struggle of Stephen Dedalus, the main character in James Joyce’s novel entitled A Portrait of The Artist As A Young Man, to gain his identity as a form of subjectivity, and to describe how the model of subjectivity is reflected through the character of Stephen Dedalus. This research is a descriptive qualitative library research with philosophical approach using Descartes, Kant, Freud and Lacan theories. From the analysis, first, it is found out that Stephen Dedalus underwent a journey of figuring himself out through a series of events that profoundly shape his sense of identity. The involvement of many external factors like the field of art, religion, and nationality is important in constructing Stephen Dedalus’ subjectivity. Secondly, by taking into account the theorization on the idea of subjectivity from the early modern philosophers such as Rene Descartes and Immanuel Kant, to the post-modern philosophers such as Sigmund Freud and Jacques Lacan, it can be seen that Stephen Dedalus’ stream of consciousness as the main tool in perceiving his journey of life embodies the early modern conception that subjectivity is grounded on one’s independent consciousness. Keywords: subjectivity, modernity, philosophy
Photographs and Personal Memory in Ana Menendez’s Loving Che Rarastesa, Zita; Susilorini, Susilorini; Kusumo Habsari, Sri; Mugijatna, Mugijatna; Kusdianto, Yuyun
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i6.942

Abstract

This paper points out the issues of personal history versus mainstream/official history, the changing meaning of photographs, the concept of truth/fact, and personal identity in Ana Menendez’s novel Loving Che. The unnamed main character in this novel tries to construct her identity based on her mother's diary and letters as well as the photographs her mother sent to her. She and her mother, Teresa de La Landre, were separated due to a political dispute in Cuba. Teresa managed to get her father and baby out of Cuba and fled to Miami. When Teresa's father arrived in Miami, only then did he realize that Teresa did not go with them to Miami. She stayed in Cuba to wait for her lover, as he told his granddaughter. The main character wondered if she was Che Guevara's daughter, as implied in Teresa's letters and diary. By using Roland Barthes' Semiotic theory and feminist approach, this paper investigates how a photograph can be given different meanings when it is given a different context or background story. Furthermore, how the image of the revolutionist Che Guevara changes from the image based on the fact we read from mainstream history books into the melancholic and romantic image of the same man in the novel when it was given a more personal approach toward the man in the photograph
Co-Authors Farokhah, Fiqih Aisyatul Kusdianto, Yuyun Kusumo Habsari, Sri Rarastesa, Zita Sari, Anisa Rahmatika Sri Kusumo Habsari Susilorini Susilorini, Susilorini