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All Journal ARTISTIC : International Journal of Creation and Innovation

Dharsono Dharsono

Institut Seni Indonesia (ISI) Surakarta

Author-ID : 3250129

Arts Languange, Linguistic, Communication & Media

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UTILIZATION OF STRAW IN FURNITURE DESIGN Dharsono Dharsono; Sumarno Sumarno; N.R. Ardi Candra Dwi Atmaja
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Waste straw from rice harvesting in Indonesia, especially in the city of Solo and its surroundings, is very abundant and has not been utilized optimally yet. This is an economic potential if it is developed with furniture products which are the leading export products in the city. The purpose of this creation is (1) Utilization of straw rope as a material for supporting application in making furniture (2) Furniture products using wood and straw applications. To achieve the goal, it takes steps or methods of creating works by utilizing emic and ethical data, including: experimentation, contemplation, and formation. From the creative process, it produces: (1) quality straw gyres and is suitable for use as supporting applications in furniture products, (2) Furniture products with wood and straw rope applications that are tested and feasible to produce.

TRANSFORMATION OF TENGKULUK TANDUK WITH WEAVING TECHNIQUES Lidia Purnama Sari; Ahmad Akmal; Dharsono Dharsono
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Tengkuluk is one of the traditional clothing equipment (head cover) of a Bundo Kanduang (biological mother) in the Minangkabau tribe. Currently tengkuluk is rarely used in everyday life, only used in traditional events or other official activities. This reality encourages the creation of this tengkuluk work to be carried out. The method of creating works used consists of three stages, namely experimentation, reflection, and formation. The result of the creation of this work shows that the tengkuluk made with woven techniques and pandan leaf material and decorated with Swarovski looks practical and flexible when used by mothers and teenagers in their daily lives. This new creation in the form of the Koto Gadang tengkuluk expresses the meaning of philosophical values, namely the responsibility of women when they have married.

RICE STRAW FOR INTERIOR ELEMENTS OF A LOCAL “WEDANGAN” CULINARY BUSINESS IN SURAKARTA Sumarno Sumarno; Dharsono Dharsono; N.R. Ardi Candra Dwi Atmaja
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Rice straw is abundant and inexpensive as post-harvest crop residue. Rice straw can be processed into a variety of products for interior space filling through creative efforts. This research seeks to empower farmers by utilizing rice straw as crop residue and to create natural-style products for the interior space-filling of a local culinary business (wedangan), as wedangan is a typical culinary business that is traditional, fast-growing, and trendy in Surakarta City and its surroundings. The design method is based on design thinking procedures, which include empathizing, defining, ideating, prototyping, and testing. Empathy for low-income farmers is expected to add value and profit through rice straw processing. Wedangan's interior space-filling products are designed around the kantong semar flower (Nepenthes sp.). The prototype (as a design embodiment) is developed in collaboration with the farmers. This type of experience is intended to serve as training and assistance. Product testing is conducted through market research and product application in wedangan interiors in this city. As a result, business managers and visitors alike appreciate interior space-filling products. Economically, this product development for interior space filling represents a viable business opportunity for farmers to pursue as a secondary occupation.

PANCA WASTA TEACHINGS AS A SOURCE OF INSPIRATION CREATION FOR DHAPUR KRIS Haris Fajar Nugroho; Dharsono Dharsono
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Panca Wasta is a teaching at the level of family life which contains advice on values that elevate human position in personality, nobility, welfare and knowledge that must be possessed by a man (Javanese) in particular. The focus of the creation of the work is in the form of a kris blade which is inspired by the five elements of the Panca Wasta teachings which contain; wisma, turangga, kukila, curiga and wanita, using recycled metal. The purpose of the creation of this work is to create a dhapur kris blade using recycled metal with a metaphorical tinatah motif from the five elements of the panca wasta teachings. The creation of works uses an artistic creation approach, namely; experiment, contemplation and embodiment of works. The resulting work is a kris blade complete with warangka, hulu/jejeran/ukiran, mendhak, and pendok of Surakarta style. When the teachings of Panca Wasta are used as the concept of creating a kris, it shows that the work of a kris is quite interesting, has aesthetic beauty and full of philosophical values and meanings.

Co-Authors Ahmad Akmal Haris Fajar Nugroho Lidia Purnama Sari N.R. Ardi Candra Dwi Atmaja N.R. Ardi Candra Dwi Atmaja Sumarno Sumarno Sumarno Sumarno

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