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Stephanie Melinda Pramudita
English Department, Universitas Gadjah Mada
Humanities Languange, Linguistic, Communication & Media

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Conceptual Metaphors in Paramore’s After Laughter Album Stephanie Melinda Pramudita; Sharifah Hanidar
Lexicon Vol 6, No 2 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i2.53152

Abstract

This research aims to classify the conceptual metaphors in Paramore’s After Laughter (2017) album. The data for the research were taken from 11 songs in the album After Laughter. The data were analyzed using Lakoff and Johnson’s (1980) theory of conceptual metaphor. From the 11 songs, 47 data were identified containing conceptual metaphors. Overall, the data mostly consist of orientational metaphors. There were 37 data containing orientational metaphors, which are used by the songwriters to convey to their listeners that they had experienced ups and downs in their lives. Eight structural metaphors were used to deliver the message that life is full of challenges and struggle. However, it also conveys a lesson of the most genuine forgiveness. Only 2 data containing ontological metaphors were found. The conceptual metaphors depict the devastation in their lives, as it is tangible through human imagination and has human characteristics. By using conceptual metaphors in the song lyrics, the songwriters enable the listeners to acknowledge the message, as well as the story that they meant to convey.
Co-Authors Hanidar, Sharifah