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SCRUTINIZING WOMEN IMAGES OF TOTOK TIONGHOA-INDONESIAN AND PERANAKAN TIONGHOA-INDONESIAN IN RATNA INDRASWARI IBRAHIM’S PECINAN: SUARA HATI SANG PEREMPUAN TIONGHOA THROUGH SOCIAL FEMINIST PERSPECTIVE Dyah Eko Hapsari; Rosana Hariyanti
EDUCAFL : Journal of Education of English as Foreign Language Vol 2, No 2 (2019): EDUCAFL
Publisher : Fakultas Ilmu Budaya, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (14.387 KB) | DOI: 10.21776/ub.Educafl.2019.002.02.01

Abstract

This study focuses on the comparison between the image of totok Tionghoa-Indonesian and peranakan female characters, particularly in the economic, educational and marital spheres in Indoneisan Literature, namely Pecinan: Suara Hati Sang Perempuan Tionghoa written by Ratna Indraswari Ibrahim. The foundation of the theory used is the socialist feminism proposed by Alison Jaggar who adopted the spirit of Marxism in the context of feminism. The research method applied is descriptive qualitative. The results show that totok Tionghoa-Indonesian women received more pressure than peranakans. Peranakan women have wider social space because they have already had legitimate citizenship. The conclusion of this study is that it is inevitable for women to be marginalized in the production process in the perspective of socialist feminism, since gender discrimination has become part of human nature that is very difficult to change.
Slametan and Tradition in Pengakuan Pariyem: An Expression of Equality in Javanese Culture Scarletina Vidyayani Eka; Rosana Hariyanti; Arcci Tusita
Alphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Vol 1, No 1 (2018)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (620.791 KB) | DOI: 10.21776/ub.alphabet.2018.01.01.09

Abstract

Pengakuan Pariyem is a controversial novel portraying a confession of Pariyem, a woman living in Javanese culture. Through this novel, we are able to see Javanese culture from the eyes of a Javanese woman. This paper presents an analysis on Javanese tradition, more specifically the practice of slametan in Javanese culture as it is depicted in the novel. There are ideals of life shown in Javanese culture and tradition. Slametan and the use of food in it suggest equal relations among people in Javanese culture. The equality is built to maintain the conformity to achieve harmony among these people.  Even though the equality has contradictory sides, Pariyem is able to actively engage as a subject in her society and live harmoniously in it.