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Dharsono -
ISI Surakarta
Arts Education Languange, Linguistic, Communication & Media Other

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PENATAAN ZONING INTERIOR RUMAH PAJANG UPAYA MENGOPTIMALKAN OMSET HASIL KERAJINAN LOGAM DI TUMANG, BOYOLALI Sunarmi -; Dharsono -; Ahmad Fajar Ariyanto
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 1 (2009)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (746.524 KB) | DOI: 10.33153/dewaruci.v6i1.861

Abstract

This research is entitled “Interior Zoning Layout of Pajang House An Attempt of Optimizing the Sale of Metal Craft Result in Tumang-Boyolali Central Java”. The objective of research is to find the solution of interior design offer as residence and as the display. The attempt of supporting the tourism area in the village Tumang, Boyolali. This research is using descriptive qualitative methods The approach employed was phenomenological one supported by the psychological, ergonomic, social and cultural approaches, based on the purposive sampling. The data source employed includes: the source, place and event, metal works, craftsmen’s personal note. Technique of collecting data employed was interview, observation and library study. The data accuracy and validity employed was source triangulation technique. The analysis model borrowed the interactive one. Tumang society live in the Javanese traditional concept. They are attached in the close relationship and the environment establishes the strong sense of brotherhood that affects their taste and view on the house shape. The residence layout prioritizes more the society’s interest rather than their business. There are two factors affecting the craftsmen who do not display their works properly. The internal factor: the less skill about the display house design. The external factor: the less number of visitors visiting routinely the village Tumang. To cope with the problem the craftsmen,need an activity in the form of workshop for an environment as the model, leads to the attempt of expanding the information about the existence of a metal craftsmen group in Tumang to the public, through the shape processing in several strategic places. The house physical imaging uses the consumer profession behavior theme approach strategy that will become the attraction in the design solution. The display house physical imaging was done by processing the display shape of crafting product through the wall display playing.Keywords: Zoning, display house, profession behavior
SENI LUKIS INDONESIA Problem Refleksivitas Dalam Pemikiran Filsafat Post-ModernismeTerhadap Masyarakat Multikultural Dharsono -
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 2 (2011)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3262.101 KB) | DOI: 10.33153/dewaruci.v7i2.999

Abstract

Perjalanan seni lukis sejak perintisan R. Saleh sampai awal abad XXI ini, terasa masih terombang-ambing oleh berbagai benturan konsepsi. Kemapanan seni lukis Indonesia yang belum mencapai tataran berhasil itu, sudah diporak-porandakan oleh gagasan modernisme yang membuahkan seni alternatif, dengan munculnya seni konsep (conseptual art): “Instalasi Art”, dan “Performance Art”, yang pernah menjamur di pelosok kampus perguruan tinggi seni sekitar 1993-1996. Kemudian muncul berbagai alternatif semacam “kolaborasi” sebagai mode 1996/97. Bersama itu pula seni lukis konvensi dengan berbagai gaya menghiasi galeri-galeri, yang bukan lagi sebagai bentuk apresiasi terhadap masyarakat, tetapi merupakan bisnis alternatif investasi. Seniman dihadapkan dalam dua pilihan: pertama, tetap sebagai seniman idealis yang mencoba mempertahankan nilai, dengan mempertahankan seni sebagai terapi batin, sehingga mampu menjadi monometalitas zaman, seni senafas dengan zamannya, seni sebagai satu potret kehidupan. Kedua, masuk dalam blantika seni lukis Indonsia, yang cukup menggiurkan. Apabila  seniman modern mencoba menceritakan dirinya lewat  ekspresi pribadinya, dengan mengungkapkan atau mengekspresikan  pengalaman estetiknya dalam simbol-simbol ekspresi yang penuh realitas makna. Maka paradigma seni dalam fenomena kini  (kontemporer) menawarkan berbagai gagasan yang ia racik dalam multi media, multi-idea dan bahkan multi tafsir, menghasilkan  realitas wacana Kata kunci: pencarian identitas, dekontruksi dan sentuhan tradisi
Co-Authors Ahmad Fajar Ariyanto Sunarmi -