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All Journal Jurnal Sinergitas PkM & CSR Texture : Art and Culture Journal Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Citrakara Sanggitarupa
Adisukma, Wisnu
ISI Surakarta
Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Simbolisme Ragam Hias Sisik Batik Demak Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.296 KB) | DOI: 10.33153/bri.v5i2.415

Abstract

Sisik ornament on Demak’s Batik is considered as cultural form, artifact that is contains self representation discourse which is framed by cultural ideographic aspect. However, Demak’s Batik vanished for hudred years from Demak society and emerged in 2006. Therefore, there is cultural communication that vanished in Demak society, particularly it is connected to meaning or value system which is contained in sisik ornament Demak’s Batik for life of Demak’s society. Therefore, it is essential to observe about sisik ornament as particular motif of Demak and the symbolism of sisik ornament on Demak’s Batik and the implication to Demak’s life society. The approach that is used is cultural approach. This approach observes sisik ornament on Demak’s Batik as culture and as part that is never divide, even become the cultural center of Demak’s society.Keywords: Demak’s Batik, Sisik Ornament, Simbolism
KAJIAN IKONOGRAFI KARYA DULLAH “PRAKTIK TENTARA PENDUDUKAN ASING” Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (801.356 KB) | DOI: 10.33153/bri.v7i1.1585

Abstract

The article tittled The Iconography of Dullah’s artwork "Foreign Occupation Soldiers Practice" is intended to seek the textual and contextual meaning of Dullah’s art work. With iconographic approach will be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless also necessary to understand the contextual and symbolic aspects. At the time of independence Dullah documentating the events related to the struggle of the Indonesian nation to seize and retain independence in his works. Dullah even led a group of young artists to paint directly of events during the occupation of Yogyakarta as an effort to document the history of the struggle of the nation. One of his very famous is"Foreign Occupation Soldiers Practice". This work depicts the atrocities of the Japanese army against the population Indonesia. It is a very strong art work is the "Foreign Occupation Soldiers Practice" that depicts cruelty colonizers against the indigenous population. In this case the work of "Foreign Occupation Soldiers Practice" finds its context as understood by tracing the socio-cultural history during the years 1930-1940. From the art work we can find out how the socio-historical situation of the community when the colonial era. Keywords :Dullah, Iconography, Praktik Tentara Pendudukan Asing.
MELACAK MAKNA KONSEP KERUPAAN PADA LAMBANG INSTANSI DI INDONESIA DENGAN SUMBER BENTUK MATAHARI adisukma, wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v11i2.2908

Abstract

The article tittled Melacak Makna Konsep Kerupaan Pada Lambang Instansi di Indonesia dengan Sumber Bentuk Matahari is intended to pursue the textual and contextual meaning of institution sign with basic shape of sun. With iconographic approach would be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless still necessary to understand the contextual and symbolic aspects. As the results, sign with basic shape of sun is the cosmic center, cental, foundation point, origin, sangkan paran, or axis mundi. Therefore, it is as the sun that is the problem solving of many problematics in its era.
PATAH HATI SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI GRAFIS Hidayati, Laili Nur; Adisukma, Wisnu
Sanggitarupa Vol. 1 No. 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i2.4167

Abstract

Patah hati merupakan pokok pembahasan yang dilatarbelakangi pengalaman percintaan yang memuncul- kan kenangan menyedihkan membuat penulis ingin mengenal diri lebih dalam. Patah hati dipilih karena pernah diduakan dan dikhianati, sehingga pengalaman ini menjadi kenangan, pembelajaran dan muncul- nya terapi luka. Pengalaman tersebut menjadi landasan penciptaan karya seni grafis yang selanjutnya diekspresikan melaui karya seni grafis bergaya surealisme. Gaya suralisme dari Amy Sol menjadi pijakan untuk mewujudkan karya seni grafis yang diciptakan. Metode penciptaan dari Herman Von Helmholtz yang digunakan terdiri: Saturation (Pengumpulan Data), Incubation (Pengendapan), dan Ilumination (Perwuju- dan Karya). Metode tersebut digunakan untuk mewujudkan karya-karya seni grafis. Proses penciptaan karya seni grafis ini menghasilkan pengalaman empiris dalam penciptaan karya seni grafis dan pembelaja- ran dalam proses kreatif baik berupa teknik, konsep maupun pesan yang ingin disampaikan melalui karya.
PERANCANGAN BUKU CERITA BERGAMBAR MELALUI ALIH WAHANA RELIEF TANTRI KAMANDAKA CANDI JAGO Adisukma, Wisnu
CITRAKARA Vol. 7 No. 1 (2025): APRIL 2025
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Buku cerita bergambar dengan pesan moral dan etika untuk pembaca anak-anak menjadi tujuan penelitian, melibatkan alih wahana dari relief tantri Kamandaka di Candi Jago, Tumpang, Malang, Jawa Timur. Relief candi, salah satu tradisi sastra Indonesia, tampaknya kehilangan daya tariknya bagi generasi muda, terutama anak-anak. Dimungkinkan oleh invasi budaya asing di Indonesia dan menjamurnya perangkat teknologi seperti smartphone, yang telah menjadi candu dan bagi anak-anak kini. Relief candi menyimpan pengetahuan budaya asli Nusantara yang bermanfaat bagi generasi saat ini, itulah sebabnya upaya pelestarian diperlukan. Hal ini dilakukan dengan mengalihwahanakan sejumlah cerita dari relief tantri Kamandaka di Candi Jago menjadi buku bergambar
REPRESENTASI BADUT PADA KARYA SENILUKIS BUDI “UBRUX” HARYONO Harun, Hamdan; Adisukma, Wisnu
TEXTURE Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.6083

Abstract

The process of creating Budi'spainting"Ubrux"emphasizes that social reality is the main basis for the inspiration for its creation.Direct involvement with social,political and cultural issues is reflected in the themes raised in his work, such as the figure of the clown which is used as a critique of the abuse of power by government officials. This research uses a descriptive qualitative approach with in-depth interview methods, observation and document analysis. The analysis was carried out by applying StuartHall's theory of representation,especially the encoding and decoding approach, to understand how the meaning in Budi's work "Ubrux" is produced and received by the audience.This study reveals the complexity of visual messages through symbols such as clown faces,haircolor,and facial expressions.The representational analysis approach makes it possible to explore the symbolic meaning and social context in these works,enriching our understanding of the social,political and cultural criticism conveyed by Budi "Ubrux" through the clown theme
Co-Authors Adhitya Pitara Sanjaya Esti Widowati Harun, Hamdan Laili Nur Hidayati, Laili Mutiara Putri Dhamastuty Rahmad, Cito Yasuki