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DESAIN WAYANG PADA BATIK RAKYAT EKS-KARESIDENAN SURAKARTA YANG BERNILAI JUAL DAN BERMUATAN EDUKATIF Sugeng Nugroho; Muh. Arif Jati Purnomo; Kuwato Kuwato
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (395.862 KB) | DOI: 10.33153/glr.v11i2.1479

Abstract

This study tried to elevate wayang as a folk pattern design. It is intended to remind people of thevalues of local wisdom implicitly written in wayang figures. Folk’s batik was chosen as the producttarget, based on the consideration that the pattern in it is highly varied; depend on the culturalbackground of each region. This study is also intended to elevate the economy of the batik crafternot only depend on the brokers, the expectation is to develop national character and to improvethe welfare of common people. The research is targeting the batik centrals in six districts of ex-Surakarta region: Boyolali, Sukoharjo, Karanganyar, Wonogiri, Sragen, and Klaten. The result ofthe research shows that Sukoharjo, Karanganyar, Wonogiri, Sragen, and Klaten have clusters ofbatik crafters that sufficient enough to be empowered. Wayang designs on batik patterns in the sixregion showed less commercial value since the shapes and colorings were unattractive, hence,the researcher tried to create a wayang design that is worth selling and contain educational content.
OPTIMALISASI TENUN SARUNG GOYOR TRADISI SURAKARTA IMPLEMENTASINYA PADA INTERIOR SEBAGAI UPAYA PENGUATAN BUDAYA LOKAL Muh. Arif Jati Purnomo; Joko Budiwiyanto; FP Sri Wuryani
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2856.016 KB) | DOI: 10.33153/pendhapa.v3i1.1185

Abstract

The study, entitled “The Optimizing of Surakarta Traditional Batik, The Implementationin Tradition-Based Accessories as strengthening efforts Surakarta Local Culture in the Global Era” to analyze and embodies Surakarta traditional batik as one of the mainstays of traditional souvenirs can be adaptable to support regional tourism and strengthening the local culture in the globalization era. A problem in the study is the lack of optimal utilization Surakarta batik as the souvenirs objects of tourist destination. The Weak sensitivity of craftsmen to the cultural wealth of the archipelago in Surakarta, in particular batik, is seen as a serious problem in an effort to optimize the Surakarta traditional batik. Identification analysis of Surakarta batik used as the indicator of first year performance to find solutions maps of design offer. Experiments conducted in ISI Surakarta by involving the team with the craftsmen. The method used in the first year using the method of content analysis, observation, interviews, experimental design with hermeneutic approach supported by a design, proposed by social, cultural, and psychological approach. The location is done in Surakarta. Data sources include the results of the work, which is a typical batik in Surakarta, informants, cultural figure, craftsmen, the general public, and literature related to the problem. Data collection technique is the study of literature, observations, and interviews. The validity of the data by using triangulation data and the analysis is the interactive analysis model to see the meaning behind the work of design objects. In the analysis phase of design formulation will using SWOT analysis. The focus of the second year of activities such as experimentation, education and training of craftsmen, try out, exhibition and sale of works of accessories, evaluation, refinement and accessories design concept, formulation of recommendations.