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All Journal Gelar : Jurnal Seni Budaya JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Journal of Mandalika Literature
Pyo Apriliana Munawarah
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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PERKEMBANGAN BENTUK KERAJINAN CUKLI DI LINGKUNGAN RUNGKANG JANGKUK DESA SAYANG-SAYANG KOTA MATARAM Pyo Apriliana Munawarah
Gelar : Jurnal Seni Budaya Vol 12, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.361 KB) | DOI: 10.33153/glr.v12i1.1491

Abstract

The article is the research result about the form of cukli craft in Rungkang Jangkuk, village of Sayang-Sayang, Cakranegara, Mataram City, Nusa Tenggara Barat. The research problems include the existence orthe appearance as well as the development of form in cukli wood craft. A term of cukli means a process ofholing or picking a bit of the wood surface to insert the seashells that is formed in accordance to theornament style wanted. The research uses qualitative method. Interactive analysis is used for data stabilizationand exploration then compared with the related data in accordance to the research aim. Interpretation analysisrefers to the development of the form of cukli craft especially in Rungkang Jangkuk area. The creatingprocess is precisely influenced by internal and external factors. The form of cukli craft has many benefits aswell as function values that meet the buyers’ taste. The product of cukli can be categorized as a craft thathas aesthetic values which uses technique of cukil in the making process. Cukli craft becomes moreinteresting for the actors and lovers of the classical ethnic model that it gets to be an image of Lombokculture and it becomes more developing in its form as well as ornament. The existence of all products of cukliin Lombok that is still developing until now is a process of creativity that has a wonderful attractiveness forthe domestic as well as foreign country tourists who come to LombokKeywords: development, creativity, form, ornament, cukli craft
Mengkaji Makna Ragam Hias Topeng Kayu Labuapi Lombok Barat Tesa Yustika; Lalu Aswandi Mahroni G; Pyo Apriliana Munawarah
Journal of Mandalika Literature Vol. 5 No. 3 (2024)
Publisher : Institut Penelitian dan Pengembangan Mandalika (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jml.v5i3.3224

Abstract

Lombok, as one of the islands in Indonesia, is renowned for its cultural richness and the creativity of its people in developing crafts. The village of Labuapi in West Lombok, in particular, is well-known for its craftsmanship of wooden masks, renowned for their high artistic value and distinctive carved motifs. These wooden masks serve not only as performance props and decorations but also as three-dimensional artworks with profound philosophical meanings. The research problem addressed in this study is the lack of deep understanding and scholarly investigation into the meanings of decorative motifs on the wooden masks from Labuapi Village. Despite their uniqueness and high cultural value, there has been limited research uncovering the philosophical meanings behind these carved motifs and their connection to the life and customs of the local community. This study aims to explore and elucidate the meanings of these decorative motifs on wooden masks from Labuapi Village, West Lombok. It seeks to provide a deeper understanding of the cultural values embedded in these crafts and how these meanings resonate within the lives of the Labuapi community. The research employs a qualitative method with Charles Sander Peirce's semiotic approach, chosen for its capability to delve into the meanings behind the symbols found on the wooden mask motifs. The resulting data are descriptive and analyzed to uncover the philosophical meanings behind each decorative motif. The findings reveal that the decorative motifs on Labuapi wooden masks are drawn from the life and customs of the local community. For instance, the motif of the gecko on the cupak mask, which in prehistoric times was believed to possess "mana" or spiritual power that could bestow luck and safety upon humans, is highly revered and worshipped. The study suggests that further research should explore the philosophical meanings of other decorative motifs in Labuapi wooden mask craftsmanship. Moreover, efforts to preserve and develop these crafts should be enhanced to ensure that the cultural values they embody are passed down and appreciated by future generations.
Makna Ragam Hias Topeng Kayu Labuapi Lombok dan Implementasinya Pada Modul Materi Pembelajaran Seni Budaya SMP Tesa Yustika; Pyo Apriliana Munawarah; Mi’Rajus Subyan Rahmat
Journal of Mandalika Literature Vol. 6 No. 1 (2025)
Publisher : Institut Penelitian dan Pengembangan Mandalika (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jml.v6i1.3737

Abstract

This study aims to: (1) Examine the meaning of decorative motifs on Labuapi wooden masks from West Lombok. (2) Develop a learning module on the decorative motifs of Labuapi wooden masks for cultural arts students at MTs Negeri 1 Mataram. (3) Assess the feasibility of using the learning module on the decorative motifs of Labuapi wooden masks for students at MTs Negeri 1 Mataram. (4) Evaluate the effectiveness of the learning module on the decorative motifs of Labuapi wooden masks for students at MTs Negeri 1 Mataram.This research employs two methods: qualitative and R&D (Research and Development). The qualitative method aims to examine the meaning of the decorative motifs on Labuapi wooden masks, while the R&D method focuses on developing an educational product and testing its feasibility and effectiveness for teaching the decorative motifs of Labuapi wooden masks.The research findings are as follows: (1) Overall, the meaning of the decorative motifs on Labuapi wooden masks is derived from the daily life and customs of the Labuapi community in West Lombok. (2) The development of the learning module on the decorative motifs of Labuapi wooden masks follows the Borg and Gall model, which includes needs analysis, planning, initial product format development, initial field testing, main product revisions, operational field testing, operational product revisions, and final product testing. (3) The feasibility of the Labuapi wooden mask learning module, as evaluated by subject matter experts, scored a percentage of 93.90%, media experts 93.75%, teachers 98.08%, and students 89.24%. Therefore, the developed module is deemed suitable for use in cultural arts education. (4) Based on the analysis of pre- and post-test results on knowledge and skills, there is a significant difference before and after using the learning module on the decorative motifs of Labuapi wooden masks, demonstrating its effectiveness
Pengembangan Buku Ilustrasi Tegodek Dan Tetuntel Sebagai Media Ajar Pada Mata Pelajaran Seni Budaya Di SMP Babat Nufus Tarenaksa S; Tesa Yustika; Pyo Apriliana Munawarah
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 6 No. 11 (2025)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol6iss11pp4260-4271

Abstract

This research aims to create a learning media book using illustrations of the Tegodek and Tetuntel folktales. This folktale is one of the Sasak folktales that is quite popular in the Lombok area. The story is included in the fable type of story because the characters who play a role in the story are animals. This research is an R&D study that adapts the ADDIE development model which consists of 5 steps: (1) Analysis; (2) Design; (3) Develop; (4) Implement; (5) Evaluate. The data collection techniques used are observation and testing. The data obtained will be analyzed descriptively quantitatively. Furthermore, the results of this research will be implemented in schools, especially at SMPN 3 PUJUT, Central Lombok, as a development of learning media in the subject of Arts and Culture for class VIII. The objectives are (1) to improve the knowledge and skills of SMPN 3 Pujut students in the field of illustration; (2) to provide insight to SMPN 3 PUJUT students as the younger generation about Lombok regional culture in the form of Tegodek and Tetuntel stories
Co-Authors Babat Nufus Tarenaksa S Lalu Aswandi Mahroni G Mi’Rajus Subyan Rahmat Tesa Yustika