Article Per Year (5 Year)
p-Index From 2021 - 2026
0.659
P-Index
This Author published in this journals
All Journal Jurnal Cahaya Mandalika JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Journal of Mandalika Literature
Mi’Rajus Subyan Rahmat
Unknown Affiliation
Humanities Languange, Linguistic, Communication & Media Social Sciences Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Makna Ragam Hias Topeng Kayu Labuapi Lombok dan Implementasinya Pada Modul Materi Pembelajaran Seni Budaya SMP Tesa Yustika; Pyo Apriliana Munawarah; Mi’Rajus Subyan Rahmat
Journal of Mandalika Literature Vol. 6 No. 1 (2025)
Publisher : Institut Penelitian dan Pengembangan Mandalika (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jml.v6i1.3737

Abstract

This study aims to: (1) Examine the meaning of decorative motifs on Labuapi wooden masks from West Lombok. (2) Develop a learning module on the decorative motifs of Labuapi wooden masks for cultural arts students at MTs Negeri 1 Mataram. (3) Assess the feasibility of using the learning module on the decorative motifs of Labuapi wooden masks for students at MTs Negeri 1 Mataram. (4) Evaluate the effectiveness of the learning module on the decorative motifs of Labuapi wooden masks for students at MTs Negeri 1 Mataram.This research employs two methods: qualitative and R&D (Research and Development). The qualitative method aims to examine the meaning of the decorative motifs on Labuapi wooden masks, while the R&D method focuses on developing an educational product and testing its feasibility and effectiveness for teaching the decorative motifs of Labuapi wooden masks.The research findings are as follows: (1) Overall, the meaning of the decorative motifs on Labuapi wooden masks is derived from the daily life and customs of the Labuapi community in West Lombok. (2) The development of the learning module on the decorative motifs of Labuapi wooden masks follows the Borg and Gall model, which includes needs analysis, planning, initial product format development, initial field testing, main product revisions, operational field testing, operational product revisions, and final product testing. (3) The feasibility of the Labuapi wooden mask learning module, as evaluated by subject matter experts, scored a percentage of 93.90%, media experts 93.75%, teachers 98.08%, and students 89.24%. Therefore, the developed module is deemed suitable for use in cultural arts education. (4) Based on the analysis of pre- and post-test results on knowledge and skills, there is a significant difference before and after using the learning module on the decorative motifs of Labuapi wooden masks, demonstrating its effectiveness
INVENTARISASI BENTUK KERAJINAN GERABAH LOMBOK DI CREATIVE CARVING BANYUMULEK SEBAGAI BENTUK PELESTARIAN BUDAYA Pyo Aprilina; Mi’rajus Subyan Rahmat; Muhammad Tomi
Jurnal Cahaya Mandalika ISSN 2721-4796 (online) Vol. 4 No. 3 (2023)
Publisher : Institut Penelitian Dan Pengambangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jcm.v4i3.2308

Abstract

Penelitian ini bertujuan untuk melakukan inventarisasi terhadap berbagai bentuk kerajinan gerabah yang diproduksi di Creative Carving Banyumulek, Lombok Barat. Dengan tujuan utama sebagai bentuk pelestarian budaya. Metode penelitian melibatkan observasi langsung terhadap produk-produk gerabah dan wawancara dengan pengrajin lokal. Hasil penelitian menunjukkan keberagaman bentuk produk, motif, dan fungsi menjadi ciri khas kerajinan gerabah produksi Creative Carving. Peran Creative Carving dalam menjaga tradisi, mempromosikan ekonomi lokal, dan melibatkan masyarakat dalam proses pelestarian budaya sangat penting. Tantangan modernisasi dan persaingan global juga diakui, namun terdapat peluang untuk terus mengembangkan kreativitas dan meningkatkan pemasaran produk gerabah. Adapun perkembangan bentuk kerajinan Gerabah dipengaruhi dari beberapa faktor yang tidak dapat dipisahkan dari perkembangan bentuk-bentuk ornamen dan desain motif tradisional dan modern. Dalam hal ini faktor-faktor tersebut terbagi dalam faktor Internal dan Eksternal. Kesimpulannya, inventarisasi ini memberikan gambaran yang mendalam tentang pentingnya Creative Carving dalam melestarikan kebudayaan melalui kerajinan gerabah, menggambarkan kekayaan seni dan nilai-nilai tradisional yang perlu dilestarikan dan diapresiasi.
Interpretasi Simbolik Kendi Maling dalam Konteks Kehidupan Sosial Masyarakat Banyumulek Lombok Barat Mi’rajus Subyan Rahmat; Bayu Aji Pamungkas; Muhammad Tomi
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 7 No. 1 (2026)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol7iss1pp244-249

Abstract

The kendi maling (maling jug) is a typical pottery artifact from Banyumulek Village, West Lombok, with a unique shape and symbolic meaning in the social life of the Sasak people. This study aims to uncover the symbolic interpretation of the kendi maling (maling jug) through Charles Sanders Peirce's semiotic framework, which includes the categories of icon, index, and symbol. The method used was descriptive qualitative, with data collection techniques including observation, in-depth interviews, and documentation. The results indicate that the kendi maling (maling jug) functions as an icon representing the continuity of craft traditions, as an index related to the values ​​of caution and traditional protection systems, and as a symbol reflecting the simplicity, ingenuity, and wisdom of the Banyumulek people. However, the modernization and commodification of pottery have caused a shift in meaning, with the younger generation increasingly disconnected from the philosophical values ​​contained in the artifact. This study emphasizes the importance of preserving the symbolic meaning of the kendi maling (maling jug) as part of efforts to maintain local cultural identity and support the sustainability of the Banyumulek craft tradition.
Co-Authors Bayu Aji Pamungkas Muhammad Tomi Pyo Apriliana Munawarah Pyo Aprilina Tesa Yustika