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All Journal Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Djoko Purwanto
Institut Seni Indonesia Surakarta
Arts Humanities

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Permasalahan Pancer dalam Karawitan Jawa Gaya Surakarta Djoko Purwanto
Gelar : Jurnal Seni Budaya Vol 19, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i1.3472

Abstract

This article discusses pancer in the Javanese traditional Javanese music presentation of the Surakarta style. The word pancer is also used in several Javanese philosophies of life. This paper tries to unravel the correlation of the concept of pancer in the life of the Javanese society with the Javanese traditional music of Surakarta style. In Javanese life, the concept of pancawara and saptawara are well known. Meanwhile, the Javanese karawitan of the Surakarta style uses the concept of five tones for sléndro and five tones for pélog although physically, in the pélog barrel it involves seven tones. The methods used in writing this article include literature study, musicology (karawitan) studies, social approaches, interviews, and observations as well as collecting several collections of recordings for analysis. In this case, the kempyung theory and the concept of Martopangrawit's tone strength as well as the pathet concept (biang pathet in the laras sléndro) by Sri Hastanto are used as analytical tools. The results of the analysis found that not all notes in karawitan can be used as pancer. Pancer in Javanese philosophy represents the life link of the Javanese people, while pancer in karawitan shows the character and the sense of gending.
KENONG GOYANG: SUATU KAJIAN GARAP MUSIKAL DALAM KARAWITAN GAYA SURAKARTA Nur Sholikhah; Djoko Purwanto; Prasadiyanto Prasadiyanto
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 22, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i1.4182

Abstract

The research entitled "Kenong Goyang: A Study on Musical Work in Surakarta Style Karawitan" is a type of qualitative research using an analytical descriptive approach. This study refers to the musical aspect of traditional Javanese music, namely karawitan. This research aims to explain and investigate musical garap as well as the formation factors of garap kenong goyang by using the garap theory from Rahayu Supanggah. While the formation factor of working on kenong goyang caused by the arrangement of the balungan and working on the instrumen kendang as well as other supporting factors such as the form of the cultivator's gending and style. Based on written evidence, working on kenong goyang only occurs in the ladrang form of gending, namely, ladrang Sobrang pelog barang, ladrang Surung Dayung pelog nem, ladrang Kuwung pelog barang and ladrang Lengker pelog nem. However, in accordance with the development of work, kenonggoyang can also be served or worked into the slendro tuning system. With a note the shape and name of the gending is the same as the classification of the gending in the pelog tuning system which is adjusted to the balungan arrangement.  Kenong goyang is free or loose. This means that it can be served using kenong goyang or not, it depends on the gending treatment.
Co-Authors Nur Sholikhah Prasadiyanto Prasadiyanto