Article Per Year (5 Year)
p-Index From 2021 - 2026
0.751
P-Index
This Author published in this journals
All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Jurnal Pakarena Jurnal Mebang
Sigit Setiawan
Institut Seni Indonesia Surakarta
Arts Humanities Other

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
KOMPOSISI KARAWITAN ISMUNING CAHYA: INTERPRETASI KEESAAN TUHAN MELALUI TOKOH SEMAR Danis Sugiyanto; Sigit Setiawan
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i2.3555

Abstract

This work is entitled "Ismuning Cahya", is a work of contemporary Javanese gamelan music composition with the theme "the form of the Oneness of God” represented by the wayang character, Semar. The purpose of the creation of this works is to prove the existence of contemporary music (gamelan), as a reference for gamelan students who are interested in creating works of art (music). The output of this artistic research work is in the form of works (both live and/ or audio documentation) and scientific works which contain the process of developing the works "Ismuning Cahya". From there, it is hoped that this work will be able to become a model for the creation of works of art, especially the creation of contemporary gamelan.  
SUBAKASTAWA DALAM PERSPEKTIF RAGAM GARAP PENYAJIANNYA Sigit Setiawan
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i2.3553

Abstract

Subakastawa dalam Perspektif Ragam Garap Penyajiannya This study intends to describe the variety of Subakastawa's musical works. The method used is descriptive-analytic using Kuntowijoyo's developmental approach and Rahayu Supanggah's approach to work. The development of Kuntowijoyo helps to see the variety and interpretation of musical works from one period to another which is identical to the usefulness of the music itself, while the working approach is used as a tool to dissect the musical situation in the intended musical. The result of this research is that there are five types of work on Subakastawa, namely; Working on the public, Subakastawa Cara Balen, Subakastawa Winangun, Subakastawa Rinengga and Subakastawa in the context of shadow puppet shows.
TONGLING MUSIC INNOVATION WITH PRINGGOWULUNG WONOMULYO ART STUDIO, GENILANGIT, PONCOL, MAGETAN REGENCY Darno Darno; Sutriyanto Sutriyanto; Sigit Setiawan
JURNAL PAKARENA Vol 7, No 1 (2022): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.32707

Abstract

Tongling musical instrument derived from the words "kentongan" and "suling" a musical instrument made of bamboo material, is an art originating from the Pringgowulung Wonomulyo art studio, Genilangit village, Poncol district, Magetan regency, East Java. Wonomulyo creates and can preserve the art of tongling until now, because tongling music is an accompaniment during worship so that it can survive until now, using Darsono's artistic creation approach, is expected to produce a craft work in the form of a musical instrument using large bamboo material as an accompaniment and complement of Tongling musical instrument that already exists
Organologi dan Bunyi Kendang Jawa Sigit Setiawan; Aris Setyoko
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 2 No. 2 (2022)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7853.73 KB) | DOI: 10.30872/mebang.v2i2.31

Abstract

This research is research on organology and an effort to explain the drum/kendang instrument from the point of view of how to sound the Javanese Karawitan. The approach used in this research is descriptive and qualitative oriented to the data in the field. The theory used is Hood's organology, which explains that the work of organology is not only limited to the history and description of music but also includes several aspects, including playing techniques of the instrument. The results of this study are mapping and explanation of the technique of sounding Javanese drums-kendang, which results can be used as a reference in the learning process of Javanese drums-kendang and, in general, learning Javanese gamelan/karawitan. Penelitian ini merupakan penelitian tentang organologi dan upaya eksplanasi instrumen kendang dari sudut pandang cara membunyikan pada permainan Karawitan Jawa. Pendekatan yang digunakan dalam penelitian ini adalah deskriptif kualitatif yang berorientasi pada data-data di lapangan. Teori yang digunakan adalah teori tentang organologi Hood yang menjelaskan bahwa kerja organologi adalah tidak hanya sebatas sejarah dan deskripsi musik tetapi juga mencakup beberapa aspek yang meliputi: teknik permainan dari instrumen. Hasil yang dari penelitian ini adalah pemetaan dan eksplanasi teknik membunyikan kendang Jawa yang mana hasil tersebut dapat digunakan sebagai referensi dalam proses pembelajaran kendang Jawa dan secara umum belajar gamelan/karawitan Jawa.
RANGKEP DALAM KARAWITAN JAWA : STUDI KASUS RICIKAN KENDANG Sigit Setiawan; Supardi Supardi; Sukamso Sukamso
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 22, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i1.4448

Abstract

This paper is based on the idea that the term deep musical used in Javanese karawitan is also the daily term of the Javanese people. One of them looks at the concept of duplicate. This concept is seen from the point of view of the musicality of the drums. The theory used to reveal the dual concept is the Schutz approach which views humans as "self-elucidation" or "self-explanation," which, in carrying out research, explores more: what they say, what they think, and what they interpret about their world. (Walsh and Wals, 1967). "They," in the context of Schutz, are musicians, especially musicians in Surakarta. A literature review of several writings related to drums was carried out in this study. The method used is qualitative with a descriptive analysis approach. The results of this study suggest several things; the existence of sekaran rangkep in the vocabulary kendang, sekaran rangkep can also involve sekaran ciblon gambyong, the existence of singgetan rangkep, and proving that rangkep is more inclined to one garap rather than stating one level of rhythm.
FUNGSI MUSIK RITUAL BRENDUNG DI DESA LANGENSARI KECAMATAN KESESI KABUPATEN PEKALONGAN Amanu Saputro; Sigit Setiawan
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 24 No. 1 (2024): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Brendung is a ritual carried out by the people of Langensari Village, Kesesi District, Pekalongan Regency to ask for rain during the prolonged dry season. Brendung is a ritual of asking for rain in the form of chanting spells in a song form accompanied by musical instruments from kitchen utensils and puppet as a symbol of Mbak Ayu Brendung which is believed to have a harvest of bringing rain. The brendung ritual is usually held on the day of kliwon in the Javanese calendar, starting from the process of stealing dippers made of coconut shell, assembling and making up dolls, placing dolls in tombs, and ritual processions. Villagers use klothekan for the music such as simple home appliances such as boyong, buckets, trays, cans, and pockets. The uniqueness of brendung music is that it is required to use boyong as its musical instrument. There are three spells in the brendung ritual procession, namely the frankincense burning spell, the song spell, and the closing spell to neutralize the puppet. Brendung music has an important function in the implementation of brendung rituals. The functions of music include the attestation function of social institutions and religious ceremonies, the contribution of social integration, physical reactions, means of communication, social norms, and entertainment.
Co-Authors Amanu Saputro Aris Setyoko Danis Sugiyanto Darno Darno Sukamso Sukamso Supardi Supardi Sutriyanto Sutriyanto