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TECHNOLOGY DISCONECTING PEOPLE DALAM KARYA TOYS PHOTOGRAPHY Putri Khairina Masta; Dira Herawati; Benny Kurniadi; Ivan Saputra
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 2, No 1 (2021): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v2i1.1731

Abstract

As technology develops, it makes the Smarphone user become a community that has minimal interaction with the environment and surrounding communities. Smartphone users become robots which are then controlled by applications in their mobile phones. People become cynical, anti-starch and easily influenced by various news that they get through their social media. So that the main function of technology is to connect people have changed to disconnecting people.This study aims to add insight and try to prove the hypothesis that every technological innovation will have a major impact and influence on a society that will be visualized into photographs through toy photography or Toys Photography.ABSTRAK Seiring canggihnya perkembangan teknologi saat ini, justru menjadikan pengguna Smarphone menjadi masyarakat yang minim berinteraksi dengan lingkungan dan masyarakat sekitar. Pengguna smartphone menjadi robot yang kemudian dikendalikan oleh aplikasi aplikasi di dalam telepon genggam mereka. Masyarakat menjadi sinis, anti pati dan mudah terpengaruh oleh berbagai berita yang mereka dapatkan melalui sosial media mereka. Sehingga fungsi utama dari teknologi adalah to connect people sudah berganti menjadi disconnecting people. Penelitian ini bertujuan untuk menambah wawasan dan mencoba membuktikan hipotesa yang mengatakan bahwa setiap inovasi teknologi akan membawa dampak dan pengaruh besar terhadap suatu masyarakat yang akan divisualisasikan ke dalam foto melalui fotografi mainan atau Toys Photography. Kata Kunci: Technology, Disconnecting, People; Toys Photography
DBOX Arena Padangpanjang in Corporate Photography: Visual Branding Strategy through Commercial Photography Suci Oktalif Rahmadani; Ivan Saputra
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 03 (2026): Volume 12 No. 3, September 2026 Public
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i03.17947

Abstract

DBOX Arena Padangpanjang is the first modern culinary and sports tourism destination in Padangpanjang City, West Sumatra, integrating a mini soccer field, futsal court, a cafe (Nagura Coffee), and a children's playground amid a natural rice-field landscape. Having operated only since December 2023, DBOX Arena has not yet possessed an optimal photography-based visual identity for its branding and promotion. This creative work aims to produce a series of commercial photographs through a corporate photography approach to build a professional image and communicate DBOX Arena's facilities comprehensively to the public. The creation method consisted of a preparation stage (site observation, interviews, and visual concept sketching), an execution stage (field photo shoots), and a post-production stage (editing, selection, cropping, and colour grading). Shooting was carried out both indoors and outdoors using a mix-lighting technique and aerial photography with a drone to capture the site's geographical beauty. Supporting theories applied include photographic composition theory, corporate photography theory, and digital-imaging theory. The project produced 52 selected photographic works (single and series photographs). By using one consistent family model, the photographs convey a narrative of warmth, togetherness, happiness, and safety in family recreational activities at DBOX Arena. Through the architectural visualisation of the building, the culinary offerings, staff interaction, and the site's aesthetic panorama, this corporate photography work is expected to strengthen the company's brand identity, enrich the academic literature on commercial photography, and serve as an effective marketing medium in digital and print form.
WAHANA REKREASI ASTORIA WATERPARK DALAM FOTOGRAFI KORPORAT Khalid Alhamda; Ivan Saputra
EZRA SCIENCE BULLETIN Vol. 4 No. 1 (2026): January-June 2026
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v4i1.548

Abstract

This final project, titled “Astoria waterpark Recreation Arena in Corporate Photography,” aims to strengthen the visual identity and brand image of Astoria waterpark as a premier tourist destination in Padang Pariaman Regency, West Sumatra, through a professional corporate photography approach. The creation process integrates theories of corporate photography, architectural photography, and lighting techniques specifically (available light, artificial light, and mixed lighting) to produce compelling and informative visual imagery. The project was executed through a structured methodology consisting of exploration, preparation, design, realization, presentation, and exhibition stages. The final output consists of 20 photographic works printed on matte-laminated photo paper in various sizes, exhibited as a form of corporate visual documentation that supports the destination’s branding and promotional strategies. This work is intended to serve as both an academic and practical reference for the development of corporate photography within a tourism context, while providing a significant visual contribution to the company in enhancing its appeal and public image.