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All Journal IZUMI Journal of Scientech Research and Development Chi`e: Jurnal Pendidikan Bahasa Jepang
ALPINA PAMUGARI
Fakultas Ilmu Budaya Universitas Brawijaya
Humanities Computer Science & IT Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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BUDDHISM THOUGHT IN DAILY JAPANESE VOCABULARY Pamugari, Alpina; Sunarti, Herlina; Sari, Rima Novita; Tanjungsari, Yosefa P.
Journal of Scientech Research and Development Vol 7 No 1 (2025): JSRD, June 2025
Publisher : Ikatan Dosen Menulis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56670/jsrd.v7i1.794

Abstract

Buddhism has had a profound and lasting impact on Japanese daily life, influencing everything from social structures and personal values to rituals and aesthetics. The spread of Buddhism to Japan, beginning around the 6th century, introduced various philosophies, practices, and customs that continue to shape Japanese culture today. One of the most popular Buddhist sects among the Japanese is Nichiren, which has been quite active in spreading its teachings, even internationally. According to the official Nichiren website, 185 daily Japanese vocabulary terms are found to have been unconsciously shaped by Buddhist thought. Foreign learners of Japanese, particularly those who are not adherents of Buddhism, may face challenges in accurately translating these terms into their native languages. Based on this, vocabulary derived from Buddhist thought is analyzed.
The Beauty of Japanese Ceramics in Indonesia: from VOC to Edo Shogunate's Falconry (Takagari) Pamugari, Alpina
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.1-10

Abstract

The Dutch East India Company (VOC), founded in 1602 (Keicho 7), exported Chinese porcelain to Europe and Southeast Asia. However, a civil war broke out in China with the transition from the Ming Dynasty to the Qing Dynasty, making it impossible to export porcelain. In trouble, VOC turned its attention to Arita, where production was increasing at the time, and concluded an export contract with Japan. At that time, Japan was closed off to the rest of the world, and its only point of contact with other countries was Dejima in Nagasaki. In 1659 (Manji 2), pottery was shipped from Imari Port and headed for Dejima, where it was transferred to a Dutch ship and set off overseas. After this, Imari ware continued to be exported for about 100 years, attracting European royalty and aristocrats. Looking at the Imari Road, a sea route for the ceramic trade that took place in the 17th century, it be found that Old Imari was distributed as far as Indonesia, and when I look at the characteristics of the Japanese ceramics that remain in Indonesia, I can see the 83 example was thought to be Old Imari, and the other porcelain was also thought to be Japanese ceramics. Among them, I picked up the Imari Large Dish with Colored Sakura and Eagle Paintings in Kinrande Style and inferred that this work was intended for export. In the Edo shogunate, the falconry system (takagari) was practiced frequently, and it is thought that the patterns were selected for Edo art works, especially Ko-Imari, which were exported overseas. 
Portrayed of Nature Philosophy Through Japanese Cinema: Representation of Nihonjin no Shizenkan in Sweet Bean Movie Sari, Rima Novita; Pamugari, Alpina
Chi e Journal of Japanese Learning and Teaching Vol. 12 No. 1 (2024): March 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/tvqers49

Abstract

This study analyzes how Japanese people love nature, as presented in the movie Sweet Bean. Nihonjin no shizenkan is considered one of the Japanese ideal philosophies for valuing nature. The artwork sometimes portrays the abstract concept and how people adore their environment. This study examines the depiction of nihonjin no shizenkan philosophy in contemporary Japanese society, exemplified by the 2015 movie Sweet Bean. The data were gathered using a qualitative approach and the content analysis technique. The theory employed is the shizenkan no kyouiku concept, demonstrated by Sugai Hiroyuki, which refers to the people's way of life to seeing and value nature by heart, represented by back to nature, being one with and an act to respect nature. The film demonstrates that individuals in Japan, limited to their age, continue to practice nihonjin no shizenkan, which is presented by viewing nature as friends or a living thing. Based on the data, we split into two categories: (1) a person can communicate or interact with nature, and (2) see nature material as a living thing. The movie concludes that the interaction between people and nature significantly impacts someone's life and gives influence on businesses. This study can show how the Japanese value nature and any further cultural understanding.
Co-Authors Sari, Rima Novita Sunarti, Herlina Tanjungsari, Yosefa P.