Jhori Andela
Program Pascasarjana Institut Seni Indonesia Padangpanjang

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PETATAH-PETITIH MINANGKABAU DALAM PENCIPTAAN KOMPOSISI MUSIK "BATAMPEK" Jhori Andela; Ediwar Ediwar; Elizar Elizar
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 2, No 2 (2014): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (54.392 KB) | DOI: 10.26887/bcdk.v2i2.49

Abstract

ABSTRAK Karya komposisi musik “ Batampek”  merupakan musik yang terinspirasi dari sebuah pepatah minangkabau nan buto paambuih lasuang, nan pakak palapeh badia, nan lumpuah paunyi rumah, nan kuaik pambao baban, nan binguan disuruah-suruah, nan cadiak lawan barundiang. pepatah tentang penggambaran seorang pemimpin yang bijaksana yang bisa memanfaatkan sesuatu dan menempatkan sesuatu pada tempatnya. Bagaimana seorang peimpin memposisikan dirinya terhadap beragam bentuk manusia yang dipimpinnya.  Kata kunci: Komposisi, Batampek, Pepatah, pemimpin,    ABSTRACT Work of musical composition "Batampek" a musical inspired by a Minangkabau proverb buto paambuih lasuang nan, nan pakak palapeh badia, nan lumpuah paunyi rumah,nan kuaik pambao baban, nan binguang disuruah-suruah, nan cadiak dibao barundiang. adage about the portrayal of a wise leader who can take advice of something and put something in place. How a leader positioned it self against various forms of human lead.  Key words: Composition, proverb, leader, position
Musik Kompang dalam Penciptaan Komposisi Musik “Kompangku” Hamzaini Hamzaini; Yesriva Nursyam; Aan Nursyam; Ricky Warman Putra; Jhori Andela
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.121097

Abstract

The musical of composition "Kompangku" is a musical work inspired by Kompang's percussion music that grew and developed in Rengat, Indragiri Hulu. As far as studies have been conducted on Kompang’s music, the authors can state that in space and time the up-beat on the peningkah has a very important role in producing interlocking rhythms that accumulate in the rhythmic time cycle cycle, so that producing a formula for ostinato-moving rhythms. The principle of Kompang's rhythmic playing of music patterns which produces an up-beat 'space and time' fabric, of course, it cannot be denied that the fabric is the result of the game of various peningkah and basic variations. In this case, the space and time in question are "space" created by time leading up to and after the up-beat accompanied by "rhythmic time" where the rhythmic playing takes place. This is the focus of working on a musical composition entitled "Kompangku" which is sourced from Kompang's music.