Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal k@ta Ultimacomm: Jurnal Ilmu Komunikasi
Nadia Farah Lutfiputri
Universitas Indonesia
Languange, Linguistic, Communication & Media

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Reimagining Peter Pan: The Postmodern Childhood Portrayal in Wendy (2020) Dhita Hapsarani; Nadia Farah Lutfiputri
k@ta: A Biannual Publication on the Study of Languange and Literature Vol 23 No 1 (2021): JUNE 2021
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (391.269 KB) | DOI: 10.9744/kata.23.1.1-9

Abstract

As a social construct, the view towards childhood remains to change over time. Literary works, such as films or novels from different periods of time which feature children's characters as the protagonists can be the right medium to identify those shifts. This article analyzes Wendy (2020) film as the latest adaptation of J.M. Barrie’s classic children's novel Peter Pan (1911). This film has made some transformations from the original novel to make the story more relevant in today’s context, including how it showcases childhood that is experienced by the children’s characters. Using textual and comparative analysis, this study attempts to see the transformations in the film adaptation and how it shows a different childhood construction from the one appearing in the source novel. Referring to the concept of postmodern childhood, Linda Hutcheon’s adaptation theory, and Bordwell and Thompson’s elements of film analysis, this study reveals how Wendy (2020) has exemplified the concept of postmodern childhood through the portrayal of children’s roles, children’s agency, and children-adults relationship.
Meme as a Tool for Resistance Towards Hustle Culture: A Critical Discourse Analysis Nadia Farah Lutfiputri
Ultimacomm: Jurnal Ilmu Komunikasi Vol 14 No 2 (2022): UltimaComm
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimacomm.v14i2.2706

Abstract

There is currently an emergence of Indonesian meme accounts on Instagram which specifically discuss the work culture in startups or technology-based companies. One of the most popular is @ecommurz, which has roughly 152,000 followers (by 12 July 2022). Using Fairclough's critical discourse analysis, this study aims to analyze how the working class group use memes from the @ecommurz Instagram account to demonstrate a resistance to hustle culture in Indonesia, particularly in startup environments. This study shows that Ecommurz has demonstrated the potential of meme accounts as a platform that unites middle-class workers to carry out resistance to the hegemony of the dominant culture by drawing on Gramsci's (1971) conceptions of cultural hegemony and resistance. Ecommurz has democratized the discussion of issues and difficulties encountered by many middle-class workers in the workplace through humorous and casual memes. Furthermore, it has also increased public awareness of workers' rights and prompted real systemic change.
Co-Authors Hapsarani, Dhita