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All Journal Melintas An International Journal of Philosophy and Religion Societas Dei: Jurnal Agama dan Masyarakat Syntax Idea Jurnal IMAJI JURNAL ILMIAH GLOBAL EDUCATION Jurnal Ledalero JIM: Jurnal Ilmiah Mahasiswa Pendidikan Sejarah Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti)
Harsawibawa, Albertus
Department Of Philosophy, Faculty Of Humanities, University Of Indonesia, Jakarta, Indonesia
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Memori Episodik sebagai Terra Incognita yang Membatasi Neuroteknologi Ramadhanty, Siti Azri Ulmi; Albertus, Harsawibawa
Syntax Idea Vol 3 No 3 (2021): Syntax Idea
Publisher : Ridwan Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36418/syntax-idea.v3i3.1077

Abstract

One of the implications of the development of neuroscience is neurotechnology. Initially, neurotechnology aims to address brain dysfunction, such as overcoming Alzheimer's disorders that cause memory loss. However, neurotechnology seems to go a step further, i.e. it not only serves to repair brain damage, but also to correct mental phenomena connected to the brain or that are "produced" by the brain, which are associated with memory. Based on this, the question arises, whether it is possible that neural technology improves and replaces human memory. Nevertheless, these neurotechnical efforts seem to ignore the meaning of memory itself, including what actually "builds" memory, so that humans can have different feelings of memory. Thus, to answer this problem, the author first interprets memory explicitly through a clear difference between semantic memory and episodic memory, to show that human memory, which is an episodic memory, is associated with qualitative states. Second, by describing the opportunities presented by neurotechnology through mind experimentation regarding neuron replacement by electronic chips, to demonstrate the impossibility of neurotechnology functioning in the same way as neurons in the brain that produce episodic memory with these qualitative states. Therefore, based on these arguments, it will be known that neurotechnology is actually impossible to improve, especially replacing human memory.
Sekularisme, Epistemologi Reformed, dan Liturgi: Menimbang Peran Liturgi dalam Konteks Masyarakat Sekuler Jonathan, Samuel Vincenzo; Harsawibawa, Albertus
Societas Dei: Jurnal Agama dan Masyarakat Vol 9 No 1 (2022): In Press
Publisher : Reformed Center for Religion and Society

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Abstract

Secularism is a condition of the times we live in today. It gives awareness to the global community that in reality there is only the immanent—there is no God. So, theism is seen as just one of the many options available: atheism becomes even more attractive to embrace. Generally, a theist will respond by demonstrating the plausibility of theism through positive arguments for the existence of God. The author rejects this and offers an approach from Reformed epistemology, as a thesis on how one knows God, to the problem. Through Reformed epistemology, the author views secularism as what is understood as a cognitive environment. As a cognitive environment that prevents the “knowing subject” from knowing God, the authors point out that the appropriate response to secularism is to include the “knowing subject” into the liturgy. Thus, liturgy can also be understood as an act that has an epistemic dimension that enables a person to know God.
Sekularisme, Epistemologi Reformed, dan Liturgi: Menimbang Peran Liturgi dalam Konteks Masyarakat Sekuler Samuel Vincenzo Jonathan; Albertus Harsawibawa
Societas Dei: Jurnal Agama dan Masyarakat Vol 9 No 1 (2022): Agama dan Etika di Era Sekuler
Publisher : Reformed Center for Religion and Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33550/sd.v9i1.289

Abstract

Secularism is a condition of the times when we live in today. It gives awareness to the global community that in reality there is only the immanent—there is no God. So, theism is seen as just one of the many available options: atheism becomes even more attractive to embrace. Generally, a theist will respond by demonstrating the theism plausibility  through positive arguments  about the existence of God. The author rejects this and offers an approach from Reformed epistemology on the problem, as it is a thesis on how one knows God. Through Reformed epistemology, the author views secularism as what he considers   as a cognitive environment. A cognitive environment  prevents the “knowing subject” from knowing God, as the authors point out that the appropriate response to secularism is  involving the “knowing subject” into the liturgy. Thus, liturgy can also be understood as an act that has an epistemic dimension  which enables a person  knowing God.
BUILDING DAN DWELLING DALAM ARSITEKTUR KONTEMPORER: INTERPRETASI PEMIKIRAN MARTIN HEIDEGGER Febe Liana; Harsawibawa Albertus
Jurnal Ilmiah Global Education Vol. 4 No. 3 (2023): JURNAL ILMIAH GLOBAL EDUCATION, Volume 4 Nomor 3, September 2023
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/jige.v4i3.1114

Abstract

This journal article aims to explore Martin Heidegger's concept of thinking about building and dwelling, and how it is interpreted in the world of architecture, especially contemporary architecture. Heidegger, an important philosopher in the 20th century, proposed revolutionary ideas about architecture that went beyond the traditional view of buildings/dwellings as inanimate objects. He expressed his views on the relationship between people, place, and space and how humans actually space in space (earth as space), and the importance of understanding the essence of” building and dwelling” properly. He also postulated about how this thinking influences the world of contemporary architecture and what are the criticisms and shortcomings that need to be critically examined.
Kritik atas Sikap Tanpa Pamrih (Disintrested Attitude) Melalui Sudut Pandang Voyeuristik Manahan*, Richardo Torang; Albertus, Harsawibawa
JIM: Jurnal Ilmiah Mahasiswa Pendidikan Sejarah Vol 8, No 3 (2023): Juni, socio-economics, community law, cultural history and social issues
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jimps.v8i3.25338

Abstract

Sebuah karya seni mengandung unsur estetika yang bertingkat sesuai dengan kepuasan indrawi manusia. Keindahan sering ditujukan terhadap objek tubuh manusia yang ditampilkan secara tabu dengan bentuk ketelanjangan yang mengandung unsur seksualitas dan keintiman. Karya tersebut mengandung unsur voyeuristik yang sering menimbulkan persepsi atau pandangan negatif bahkan penyimpangan perilaku bila dinikmati berlebihan. disinterestedness attitude, dengan demikian, seperti menjawab permasalahan tersebut. peneliti berusaha menjelaskan lebih dulu deskripsi dari voyeuristik dalam suatu karya contoh karya Newton yang identik bersifat voyeuristik. Setelah itu mengemukakan pandangan kritis terhadap penggunaan disinterestedness attitude untuk menafsir karya voyeuristik. Metode yang digunakan adalah pendekatan fenomenologi. Hasil analisis ini adalah pandangan disinterestedness menyiratkan bahwa penggunaan tanpa pamrih dan dengan pamrih bisa menangkap nilai keindahan suatu karya namun dalam keberadaaan seni voyeuristik ternyata besar efeknya jika kedua hal ini dipisahkan. Disinterestedness seperti mendorong para penafsir nuntuk membuat pribadi impersonal untuk menangkap nilai “estetika” dari sebuah karya dengan menangkap sisi lain dari ketelanjangan. Namun nilai sebuah karya memang tidak bisa lepas dari kebenaran yang digambarkannya.
CLAUSTROART: SENI BARU DI MASA PANDEMI Harsawibawa Albertus
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2021
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

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Abstract

Pandemi yang mematikan memaksa manusia untuk berdiam diri di rumah; muncullah konsep WFH (work from home) yaitu pekerjaan kantor dan bersekolah, misalnya, harus dilakukan di rumah. Yang dulunya dipikirkan sebagai suatu hal yang menyenangkan bila berkantor dan bersekolah dari rumah saja, ternyata tidak demikian halnya saat dilakukan dalam waktu yang lama. “Mendekam” di rumah dalam jangka panjang menyebabkan rasa bosan, bosan di dalam ruangan dan juga bosan terhadap orang-orang di sekitar. Dari kebosanan itu timbullah ide kreatif bekerja sama menciptakan seni, yang mana semua itu dilakukan secara individual, tetapi bersamaan waktunya dengan orang lain di tempat yang berbeda. Di dalam musik misalnya, hal itu memunculkan gagasan bermain ansambel dari tempat-tempat yang berbeda, yang mana semua itu dihubungkan oleh jaringan internet. Secara tidak sadar, kreativitas itu memunculkan bentuk seni yang baru, yang saya sebut claustroart—mengacu pada ide “claustrum” (tempat tertutup) dan “art” (seni). Claustroart ternyata begitu mencandukan bagi mereka-mereka yang memuja teknologi. Para pemusik di negara-negara maju, yang juga mengalami situasi yang sama, tidak berlama-lama menikmati seni yang mengungkung itu, dengan berbagai cara mereka berusaha untuk mengembalikan cara bermain musik seperti sebelum pandemi. Sedangkan bagi mereka yang tergila-gila dengan teknologi, claustroart justru terus dikembangkan dan diperluas, serta menciptakan kemalasan baru atas nama “efisiensi” atau “kemajuan jaman”, yang disesuaikan oleh jargon: “New Normal”. Claustroart menunjukkan kejadian seni yang baru, ia menunjukkan seni yang baru itu diciptakan bukan oleh individu-individu, melainkan sekelompok orang. Claustroart juga menunjukkan pengaruh teknologi bagi manusia kini dan di masa yang akan datang.
Konsistensi Will dan Thing-in-Itself: Menafsir Ulang Metafisika Schopenhauer Mustika, I Ketut Sawitra; Harsawibawa, Albertus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 37 No. 2 (2021)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v37i2.6296

Abstract

This article aims to present a different reading from the mainstream interpretation that corners Schopenhauer: a consistent interpretation. The authors use a method of acquiring knowledge by acquaintance and description. Schopenhauer’s theory is often considered inconsistent because it concludes will as a thing-in-itself. The will, which is obtained through direct observation of the body, is a representation that is still shrouded in the veil of time form, while thing-in-itself is completely different from representation, and is beyond the reach of space, time, and causality, with reference to principle of sufficient reason. Concluding will as a thing-in-itself is therefore considered inconsistent. However, this interpretation might be wrong because Schopenhauer never claimed that direct observation of the body would yield knowledge of the thing-in-itself. From the very beginning, he realised that direct knowledge of thing-in-itself was impossible, because the knowledge, regardless of its form, was always knowledge of appearances. He knows that will does not qualify as a thing-in-itself. The true function of the will in Schopenhauer's metaphysics lies in the name and concept by which one can think about thing-in-itself objectively.
Subjektivitas Sutradara Perempuan: Deantagonisasi Subjek Perempuan dalam Film Before, Now, and Then (Nana) Manggarsari, Kintan Labiba; Harsawibawa, Albertus
IMAJI Vol. 14 No. 3 (2023): Suara & Imaji yang Berkelindan
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v14i3.135

Abstract

Tulisan ini membahas bagaimana dalam sinema yang strukturnya secara dominan dan historis didominasi dan berangkat dari sudut pandang dan otoritas laki-laki, representasi perempuan dalam layar sinema kemudian tidak memberikan ruang bagi subjektivitas perempuan dan tidak mampu menghadirkan perempuan sebagai perempuan seutuhnya. Subjektivitas perempuan kemudian menjadi nilai penting karena memiliki kekuatan untuk memberikan penggambaran dan pandangan tentang perempuan apa adanya, hadir bukan sebagai ilusi. Subjektivitas sutradara perempuan menawarkan representasi perempuan yang lebih dekat dengan kehidupan. Menggunakan pendekatan yang berbeda dari kanon film arus utama, sutradara perempuan men-de-antagoniskan subjek perempuan dalam karyanya. Membaca subjektivitas sutradara perempuan yang menawarkan bahasa film yang berbeda dalam film Before, Now and Then (Nana) yang disutradarai oleh Kamila Andini, dengan menggunakan pendekatan kualitatif dan metode teori kritis, penulis berharap tulisan ini dapat menunjukkan bagaimana subjektivitas sutradara perempuan di balik layar perfilman sangatlah penting, karena melalui subjektivitasnya, sutradara memiliki kekuatan untuk menawarkan representasi perempuan secara aktif, bukan sebagai pelengkap, dan memiliki otonomi individu sebagai subjek yang utuh.
Konsistensi Will dan Thing-in-Itself: Menafsir Ulang Metafisika Schopenhauer Mustika, I Ketut Sawitra; Harsawibawa, Albertus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 37 No. 2 (2021)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v37i2.6296

Abstract

This article aims to present a different reading from the mainstream interpretation that corners Schopenhauer: a consistent interpretation. The authors use a method of acquiring knowledge by acquaintance and description. Schopenhauer’s theory is often considered inconsistent because it concludes will as a thing-in-itself. The will, which is obtained through direct observation of the body, is a representation that is still shrouded in the veil of time form, while thing-in-itself is completely different from representation, and is beyond the reach of space, time, and causality, with reference to principle of sufficient reason. Concluding will as a thing-in-itself is therefore considered inconsistent. However, this interpretation might be wrong because Schopenhauer never claimed that direct observation of the body would yield knowledge of the thing-in-itself. From the very beginning, he realised that direct knowledge of thing-in-itself was impossible, because the knowledge, regardless of its form, was always knowledge of appearances. He knows that will does not qualify as a thing-in-itself. The true function of the will in Schopenhauer's metaphysics lies in the name and concept by which one can think about thing-in-itself objectively.
Propaedeutics to Any Future Philosophy in Indonesia Harsawibawa Albertus
Jurnal Ledalero Vol 24, No 2 (2025): December 2025 Issue
Publisher : Ledalero Institute of Philosophy and Creative Technology (IFTK Ledalero), Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31385/jl.v24i2.723.191-207

Abstract

The local wisdom of Indonesia has long been considered philosophy proper by a number of Indonesian thinkers; they proclaimed that “Indonesian philosophy”, or “filsafat Nusantara”, does exist. Based on a number of studies of Indonesian thoughts—some of them called themselves “philosophy”—that underwent the hardness test in the forms of comparative philosophy and ethnophilosophy/ethno philosophy/ethno-philosophy, what is referred to as Indonesian philosophy does not yet meet the requirements to be classified as such. The hardness test involved tracing a number of representative literatures and comparing the outcomes with the two tests. This article shows that ideas thought to be called philosophy actually fall under ethnophilosophy or ethno philosophy category. The study also illuminates a deficit in Indonesian’s philosophical thinking, which is the absence of either reception or refutation of preexisting ideas; there is no response to reveal the presence of dialectics—one of philosophy’s traits. Facing that situation, and thanks to the two hardness tests, this article offers the propaedeutics required for Indonesian thought to be in line with the great philosophies of the world.
Co-Authors Febe Liana Jonathan, Samuel Vincenzo Manahan*, Richardo Torang Manggarsari, Kintan Labiba Mustika, I Ketut Sawitra Ramadhanty, Siti Azri Ulmi Samuel Vincenzo Jonathan