Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal Jurnal Christian Humaniora Areopagus : Jurnal Pendidikan dan Teologi Kristen Pendekar: Jurnal Pendidikan Berkarakter
Roy J. M. Hutagalung
Institut Agama Kristen Negeri Tarutung
Religion Arts Humanities Education Social Sciences Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
NOMMENSEN DAN PARIWISATA ROHANI SALIB KASIH TARUTUNG Roy J. M. Hutagalung
Jurnal Christian Humaniora Vol 3, No 2 (2019): November
Publisher : Institut Agama Kristen Negeri Tarutung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46965/jch.v3i2.129

Abstract

Artikel ini merupakan kajian pustaka yang diolah menjadi suatu informasi dalam mengungkap Nommensen dikenang dengan pariwisata rohani Salib Kasih Tarutung. Hasil kajian ini menunjukkan bahwa dari segi daya tarik atau atraksi wisata maka wisata religi tergolong kepada buatan manusia (Man made), manusia membuat tempat pariwisata, atau dalam hal ini keperdulian pemerintah kabupaten tapanuli utara membangun monumen, untuk mengenang misionaris Kristen yang bernama Nommensen tujuannya disamping untuk mengenang peristiwa penyebaran agama Kristen di tanah Batak tetapi juga sebagai tempat pariwisata. Kata kunci: Nommensen, pariwisata rohani, salib kasih
Kontekstual Musik Dalam Gereja: Kolaborasi Sulim Dan Keyboard Dalam Mengiringi Ibadah Minggu Di HKBP Pagar Beringin Roy J. M. Hutagalung; Plores Sitorus
Areopagus : Jurnal Pendidikan Dan Teologi Kristen Vol 20, No 1 (2022): Maret
Publisher : IAKN Tarutung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46965/ja.v20i1.1038

Abstract

Abstrak: Fokus dan tujuan penelitian ini menyangkut tentang kontekstualisasi musik dalam gereja: kolaborasi sulim dan keyboard dengan musik sebagai alat musik mengiringi ibadah minggu atau nyanyian di HKBP Pagar Beringin. Penelitian dilakukan dengan metode kualitatif. Serta didukung dengan metode wawancara terhadap pihak yang terkait dengan penelitian setela data yang di dapatkan maka data tersebut akan di olah serta di dasarkan atas beberapa teori. Dalam kolaborasi sulim dan keyboard penulis menggambarkan lagu hupasahat ma tu jesus buku ende no. 691 nada dasar Es= do birama 4\4. Hasil penelitian menunjukkan kontekstualisasi musik dalam gereja tentang kolaborasi sulim dan keyboard sebagai pengiring ibadah minggu di HKBP Pagar Beringin, memberi suasana baru dan riang. Dalam tata ibadah sebuah musik menunjukkan nada secara nyaring atau lembut menggambarkan perasaan yang terkandung khususnya di gereja HKBP Pagar Beringin. Dengan pendekatan penggunaan kedua alat musik dengan kaidah- kaidah musik akan memberi penekanan tentang majunya sebuah kegiatan ibadah di gereja. Kata kunci: kontekstualisasi musik, kolaborasi sulim dan keyboard Abstract: The focus and purpose of this research concerns the contextualization of music in the church: collaboration of sulim and keyboard with music as a musical instrument to accompany Sunday worship or singing at HKBP Pagar Beringin. The research was conducted with qualitative methods. And supported by the method of interviews with parties related to the research after the data obtained, the data will be processed and based on several theories. In collaboration with Sulim and the keyboard, the author describes the song Hupasahat Ma tu jesus from the book Ende no. 691 basic Es= do time 4\4. The results showed that the contextualization of music in the church about the collaboration of sulim and keyboard as an accompaniment of Sunday worship at HKBP Pagar Beringin, gave a new and refreshing atmosphere. In the worship service, music shows a loud or soft tone describing what is contained, especially in the HKBP Pagar Beringin church. By approaching the use of both musical instruments with musical principles, it will emphasize a worship activity in the church. Keywords: music contextualization, collaboration sulim and keyboard
Penerapan Teknik Vokal Intonasi Dalam Menyanyikan Lagu Buku Zinuno No 232 “No Somuso Todo Ndrao Shinta Nifati K. Zebua; Robert K A. Simangungsong; Roy J. M. Hutagalung; Testi Bazarni Zebua; Tahadodo Waruwu
Pendekar : Jurnal Pendidikan Berkarakter Vol 1 No 5 (2023): Oktober : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v1i5.411

Abstract

The aim of this research is to find out about vocal intonation techniques. Several things that must be paid attention to when singing are vocal techniques such as breathing techniques, articulation, expression and intonation and also signs of dynamics contained in the song. Intonation is the cooperation between tone, stress, duration and stops that accompany a speech, from the beginning to the last stop. This research uses qualitative research with data collection instruments, interviews and documentation. In the song No Somuso Todo Ndrao, it is sung with a tempo of MM=100 (Moderato), has 17 bars and uses quarter and eighth notes with a 6/8 time signature and there are several dynamic signs including p (piano), mf (mezzo forte), f (forte),Cresecendo( < ) Descrescendo ( > ) The researcher chose song No. 232 "No Somuso Todo Ndrao" because this song has the theme of letting go of sin and according to the history of the song, the lyrics of the song written by William Hunter and the notes composed by John H. Stockton are sung with joy. This song has been translated into various languages, including Nias. In singing the song Buku Zinuno no. 232 "No Somuso Todo Ndrao" the author found several problems, namely lack of precise vocal technique in singing the song, lack of accuracy in tempo, dynamics, articulation, pronunciation. Because this song tells about the release of sin, this song is often sung at a slow tempo, and lacks the use of intonation techniques when sung. Therefore, researchers are interested in applying vocal intonation techniques to the Adolescent and Youth Commission when singing this song.
Co-Authors Plores Sitorus Robert K A. Simangungsong Shinta Nifati K. Zebua Tahadodo Waruwu Testi Bazarni Zebua