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All Journal Student Research Journal Pendekar: Jurnal Pendidikan Berkarakter
Testi Bazarni Zebua
Institut Agama Kristen Negeri Tarutung
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences

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Aransemen Lagu Buku Ende No.471 Hupillit Jesus Dongan Ki Pada Permainan Kuartet Saxophone Di GKPI Pagar Beringin Permai Lisper Sihombing; Robert K.A Simangunsong; Testi Bazarni Zebua
Student Research Journal Vol. 1 No. 5 (2023): Oktober : Student Research Journal
Publisher : Sekolah Tinggi Ilmu Administrasi (STIA) Yappi Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/srjyappi.v1i5.699

Abstract

This thesis discusses the presentation of the arrangement of the song Hupillit Jesus Dongan Ki which is found in ende book number 471 and logu book number 318 by Karl Kuhlo. The author presents this arrangement in the form of a saxophone quartet instrument, namely soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone. This production uses a 4/4 time signature and the basic note F = do with Andante tempo (MM 85). The author worked on this song in the form of a saxophone quartet, while maintaining the original melody of this song which was sung by the soprano saxophone. However, for alto, tenor and baritone saxophone, each melody is the result of developing ideas from the main melody. The development of the form of melody, rhythm, tempo, harmony, dynamics, in this arrangement aims to deepen the message and meaning of the song. According to the title of the research, the researcher used a qualitative descriptive research method, namely by describing the arrangement of the song Hupillit Jesus Dongan Ki by Karl Kuhlo on a saxophone quartet playing at GKPI Pagar Beringin Permai, which was carried out in August - September 2023. By conducting observations and interviews, looking for literature and several sources related to arranging and saxophone, and arranging in writing. The result of this research is a new presentation concept for the song Hupillit Jesus Dongan Ki in the form of a saxophone quartet instrument. The different sound characteristics of each saxophone instrument make the harmony of the song even more beautiful. Improvised forms of alto, tenor and baritone saxophone melodies can fill in any gaps in the main melody, thereby enriching the harmony of the song Hupillit Jesus Dongan Ki..
Penerapan Teknik Vokal Intonasi Dalam Menyanyikan Lagu Buku Zinuno No 232 “No Somuso Todo Ndrao Shinta Nifati K. Zebua; Robert K A. Simangungsong; Roy J. M. Hutagalung; Testi Bazarni Zebua; Tahadodo Waruwu
Pendekar : Jurnal Pendidikan Berkarakter Vol 1 No 5 (2023): Oktober : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v1i5.411

Abstract

The aim of this research is to find out about vocal intonation techniques. Several things that must be paid attention to when singing are vocal techniques such as breathing techniques, articulation, expression and intonation and also signs of dynamics contained in the song. Intonation is the cooperation between tone, stress, duration and stops that accompany a speech, from the beginning to the last stop. This research uses qualitative research with data collection instruments, interviews and documentation. In the song No Somuso Todo Ndrao, it is sung with a tempo of MM=100 (Moderato), has 17 bars and uses quarter and eighth notes with a 6/8 time signature and there are several dynamic signs including p (piano), mf (mezzo forte), f (forte),Cresecendo( < ) Descrescendo ( > ) The researcher chose song No. 232 "No Somuso Todo Ndrao" because this song has the theme of letting go of sin and according to the history of the song, the lyrics of the song written by William Hunter and the notes composed by John H. Stockton are sung with joy. This song has been translated into various languages, including Nias. In singing the song Buku Zinuno no. 232 "No Somuso Todo Ndrao" the author found several problems, namely lack of precise vocal technique in singing the song, lack of accuracy in tempo, dynamics, articulation, pronunciation. Because this song tells about the release of sin, this song is often sung at a slow tempo, and lacks the use of intonation techniques when sung. Therefore, researchers are interested in applying vocal intonation techniques to the Adolescent and Youth Commission when singing this song.
Style Musik Tradisional Nias Pada Keyboard Dalam Mengiringi Lagu Buku Zinunö 261 Ya’e Zumange Di BNKP Tarutung Kota Yerlin For Wance Lombu; Testi Bazarni Zebua; Aprinaldi Simarangkir; Eben Heazarni Telaumbanua; Boho Parulian Pardede
Pendekar : Jurnal Pendidikan Berkarakter Vol 1 No 5 (2023): Oktober : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v1i5.435

Abstract

The aim of this research is to find out how to accompany the lyrics of the song Ya'e Zumange, including keyboard playing style, meter patterns and rhyme patterns and to find out the musical structure used in the song Ya'e Zumange. The song Ya'e Zumange has the theme Zumange (offerings) and this song is a praise song sung when collecting offerings at worship at BNKP Tarutung city. This research uses a qualitative research method using instruments, interview research, documentation, literature study and observation. The author chose the song Ya'e Zumange which has the basic tone D=DO Bar 4/4 with a tempo of M, M 62-68 (Andante) which consists of 8 bars, there are two phrases. The motifs are a, b, c. by using types of language styles, namely mesodiplosis, anaphora and apophasi and the tempo in completing one verse of the song Ya'e Zumange and has low ambitus, the highest pitch and the song structure is monophonic.
Co-Authors Aprinaldi simarangkir Boho Parulian Pardede Eben Heazarni Telaumbanua Lisper Sihombing Robert K A. Simangungsong Robert K.A Simangunsong Roy J. M. Hutagalung Shinta Nifati K. Zebua Tahadodo Waruwu Yerlin For Wance Lombu