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All Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Student Research Journal Pendekar: Jurnal Pendidikan Berkarakter Jurnal Penelitian Pendidikan Indonesia (JPPI)
Testi Bazarni Zebua
Institut Agama Kristen Negeri Tarutung
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Aransemen Lagu Buku Ende No.471 Hupillit Jesus Dongan Ki Pada Permainan Kuartet Saxophone Di GKPI Pagar Beringin Permai Lisper Sihombing; Robert K.A Simangunsong; Testi Bazarni Zebua
Student Research Journal Vol. 1 No. 5 (2023): Oktober : Student Research Journal
Publisher : Sekolah Tinggi Ilmu Administrasi (STIA) Yappi Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/srjyappi.v1i5.699

Abstract

This thesis discusses the presentation of the arrangement of the song Hupillit Jesus Dongan Ki which is found in ende book number 471 and logu book number 318 by Karl Kuhlo. The author presents this arrangement in the form of a saxophone quartet instrument, namely soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone. This production uses a 4/4 time signature and the basic note F = do with Andante tempo (MM 85). The author worked on this song in the form of a saxophone quartet, while maintaining the original melody of this song which was sung by the soprano saxophone. However, for alto, tenor and baritone saxophone, each melody is the result of developing ideas from the main melody. The development of the form of melody, rhythm, tempo, harmony, dynamics, in this arrangement aims to deepen the message and meaning of the song. According to the title of the research, the researcher used a qualitative descriptive research method, namely by describing the arrangement of the song Hupillit Jesus Dongan Ki by Karl Kuhlo on a saxophone quartet playing at GKPI Pagar Beringin Permai, which was carried out in August - September 2023. By conducting observations and interviews, looking for literature and several sources related to arranging and saxophone, and arranging in writing. The result of this research is a new presentation concept for the song Hupillit Jesus Dongan Ki in the form of a saxophone quartet instrument. The different sound characteristics of each saxophone instrument make the harmony of the song even more beautiful. Improvised forms of alto, tenor and baritone saxophone melodies can fill in any gaps in the main melody, thereby enriching the harmony of the song Hupillit Jesus Dongan Ki..
Penerapan Teknik Vokal Intonasi Dalam Menyanyikan Lagu Buku Zinuno No 232 “No Somuso Todo Ndrao Shinta Nifati K. Zebua; Robert K A. Simangungsong; Roy J. M. Hutagalung; Testi Bazarni Zebua; Tahadodo Waruwu
Pendekar : Jurnal Pendidikan Berkarakter Vol 1 No 5 (2023): Oktober : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v1i5.411

Abstract

The aim of this research is to find out about vocal intonation techniques. Several things that must be paid attention to when singing are vocal techniques such as breathing techniques, articulation, expression and intonation and also signs of dynamics contained in the song. Intonation is the cooperation between tone, stress, duration and stops that accompany a speech, from the beginning to the last stop. This research uses qualitative research with data collection instruments, interviews and documentation. In the song No Somuso Todo Ndrao, it is sung with a tempo of MM=100 (Moderato), has 17 bars and uses quarter and eighth notes with a 6/8 time signature and there are several dynamic signs including p (piano), mf (mezzo forte), f (forte),Cresecendo( < ) Descrescendo ( > ) The researcher chose song No. 232 "No Somuso Todo Ndrao" because this song has the theme of letting go of sin and according to the history of the song, the lyrics of the song written by William Hunter and the notes composed by John H. Stockton are sung with joy. This song has been translated into various languages, including Nias. In singing the song Buku Zinuno no. 232 "No Somuso Todo Ndrao" the author found several problems, namely lack of precise vocal technique in singing the song, lack of accuracy in tempo, dynamics, articulation, pronunciation. Because this song tells about the release of sin, this song is often sung at a slow tempo, and lacks the use of intonation techniques when sung. Therefore, researchers are interested in applying vocal intonation techniques to the Adolescent and Youth Commission when singing this song.
Style Musik Tradisional Nias Pada Keyboard Dalam Mengiringi Lagu Buku Zinunö 261 Ya’e Zumange Di BNKP Tarutung Kota Yerlin For Wance Lombu; Testi Bazarni Zebua; Aprinaldi Simarangkir; Eben Heazarni Telaumbanua; Boho Parulian Pardede
Pendekar : Jurnal Pendidikan Berkarakter Vol 1 No 5 (2023): Oktober : Jurnal Pendidikan Berkarakter
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/pendekar.v1i5.435

Abstract

The aim of this research is to find out how to accompany the lyrics of the song Ya'e Zumange, including keyboard playing style, meter patterns and rhyme patterns and to find out the musical structure used in the song Ya'e Zumange. The song Ya'e Zumange has the theme Zumange (offerings) and this song is a praise song sung when collecting offerings at worship at BNKP Tarutung city. This research uses a qualitative research method using instruments, interview research, documentation, literature study and observation. The author chose the song Ya'e Zumange which has the basic tone D=DO Bar 4/4 with a tempo of M, M 62-68 (Andante) which consists of 8 bars, there are two phrases. The motifs are a, b, c. by using types of language styles, namely mesodiplosis, anaphora and apophasi and the tempo in completing one verse of the song Ya'e Zumange and has low ambitus, the highest pitch and the song structure is monophonic.
BLENDED WORSHIP: MAENA DANCE TRADITION Sudirman Lase; Testi B. Zebua; Irwansyah; Apriliana Lase
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 4 No. 4 (2024): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/morfai.v4i4.2476

Abstract

The Nias community is unique and has a different cultural culture from other regions in North Sumatra. One of the unique things done in the traditional celebration of marriage/wedding by doing activities in the form of dances is called Maena. Maena is a traditional Nias dance with a simple movement pattern that is easy to learn. Maena is usually performed by a group of Sanötöi Maena (poet/singer) and ono maena (dancer). The research gap of this study is to focus on applying the value of local wisdom and religious values to the BNKP worship system on Nias, which has never been studied by previous research. The research was conducted in Gunung Sitoli, Nias Island, North Sumatra. The theoretical framework in this research is ethnography and data collection techniques use observation, interviews, video documentation and content analysis. Additional data information was obtained through observations and interviews with the Nias community. The traditional dance in the offering procession during worship at BNKP is a combination that creates a combination of local wisdom by involving culture by providing elements of a blend of church music so as to instill familial religious values at BNKP. Maena is the choice in the process of adopting local wisdom involved in worship at BNKP. The people of Nias feel inner satisfaction when they participate in making foot and hand movements and singing maena songs, this is a form of joy.
Analisis Penerapan Teknik Bernyanyi Dalam Koor NHKBP Lubuk Pakam. Skripsi Jurusan Pendidikan Musik Gereja, Institut Agama Kristen Negeri (IAKN) Tarutung. Elfrida Yesni Simangunsong; Testi Bazarni Zebua, M.Pd; Rhyky RD Sihombing, M.Th; Lince Rauli Ture Simamora, M.Pd; Aprinaldi Simarangkir, M.Sn
Jurnal Penelitian Pendidikan Indonesia (JPPI) Vol. 2 No. 3 (2025): April
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/jppi.v2i3.4246

Abstract

Penelitian ini bertujuan untuk menanalisis sebuah teknik bernyanyi yang diterapkan oleh koor NHKBP Lubuk Pakam. Teknik bernyanyi merupakan cara orang (manusia) menghasilkan suara yang baik, merdu dan indah sesuai keinginan pencipta lagu. Ada beberapa unsur yang diperlukan dalam olah vokal, yaitu pernapasan, artikulasi, intonasi, phrasering dan ekspresi. Untuk meningkatkan kemampuan bernyanyi dengan teknik vokal yang baik dan benar dibutuhkan latihan yang rutin, dengan latihan rutin akan membuat pita suara menjadi lentur, suara lebih stabil dan suara akan menjadi lebih indah di dengar. Koor NHKBP Lubuk Pakam merupakan sekelompok paduan suara yang sudah beberapa kali mendapatkan kejuaraan dalam lomba bernyanyi. Koor nhkbp memiliki anggota sebanyak 39 orang dan memiliki 2 pelatih koor yang tidak ada satupun diantaranya yang memiliki latar belakang sekolah musik, jadi pelatih mengajar secara otodidak.  Dengan demikian mereka mengalami kesulitan seperti kurangnya pengetahuan tentang musik dan kurangnya penggunaan teknik vokal yang baik dan benar pada saat bernyanyi. Tetapi dari masalah tersebut justru mereka mengikuti lomba paduan suara sekaligus memenangkan perlombaan tersebut. Yang menbuat paduan suara mendapat kejuraan yang pertama, kualitas vokal anggota sangat menentukan, termasuk teknik bernyanyi dan harmoni yang dihasilkan. Latihan rutin dan pengalaman tampil di depan publik juga dapat meningkatkan kepercayaan diri dan keterampilan. Selain itu, niat, konsisten dan rasa ingin terus belajar sangatlah mempengaruhi. Sebelum menerapkan teknik bernyanyi NHKBP Lubuk Pakam sering mengalami berbagai kendala dalam penampilan mereka seperti, suara terdengar kurang jernih, dengan intonasi yang tidak stabil dan kesulitan dalam mengontrol nada. Selain itu, ketegangan pada pita suara sering menyebabkan masalah vokal, seperti suara serak dan kelelahan, yang menghambat kemampuan mereka untuk bernyanyi dalam waktu lama. Penyanyi juga mungkin merasa kurang percaya diri, yang berdampak pada kemampuan mereka untuk mengekspresikan emosi. Penampilan mereka cenderung monoton dan kurang menarik. Namun Setelah koor NHKBP Lubuk Pakam menerapkan teknik bernyanyi yang tepat, perubahan signifikan menjadi terlihat. Penyanyi mulai mengalami peningkatan kualitas suara, dengan nada yang lebih jelas dan stabil. Penggunaan pernapasan diafragma dan teknik resonansi yang baik memungkinkan mereka untuk bernyanyi dengan lebih kuat dan tanpa rasa sakit. Selain itu, kemampuan untuk mengekspresikan emosi dalam penampilan mereka meningkat, menjadikan setiap penampilan lebih mengesankan dan mampu menarik perhatian audiens.
Penerapan Metode Drill dalam Membaca Notasi Balok pada Pembelajaran Seni Musik Siswa Kelas X-1 di SMA N 3 Padangsidimpuan. Skripsi Pendidikan Musik Gereja, Institut Agama Kristen Negeri (IAKN) Tarutung. Angelis Lumban Gaol; Lince Rauli Ture Simamora, M.Pd; Dr Diana Martiani Situmeang, M.Pd; Dr Eben Haezarni Telaumbanua, M.Pd; Testi Bazarni Zebua, M.Pd
Jurnal Penelitian Pendidikan Indonesia (JPPI) Vol. 2 No. 3 (2025): April
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/jppi.v2i3.4277

Abstract

Penelitian ini bertujuan untuk membahas dan menerapkan metode drill dalam membaca notasi balok dalam musik, yang merupakan keterampilan dasar dalam memahami dan menginterpretasikan karya musik secara visual. Notasi balok adalah sistem penulisan musik yang digunakan secara luas di seluruh dunia, yang menyajikan informasi mengenai nada, ritme, dan dinamika musik. Dalam penelitian ini, penulis mengidentifikasi berbagai aspek penting dalam membaca notasi balok, seperti pengenalan simbol-simbol musik, pemahaman terhadap waktu dan durasi, serta kemampuan untuk menghubungkan notasi dengan suara yang dihasilkan. Selain itu, skripsi ini juga mengkaji tantangan yang dihadapi oleh pemula dalam mempelajari notasi balok serta strategi yang dapat diterapkan untuk mempercepat proses pembelajaran. Melalui studi literatur dan pengamatan terhadap praktik pembelajaran, hasil penelitian ini diharapkan dapat memberikan wawasan yang berguna bagi pendidik musik dan para pelajar untuk mengembangkan keterampilan membaca notasi balok dengan lebih efektif.
Co-Authors Angelis Lumban Gaol Apriliana Lase Aprinaldi simarangkir Boho Parulian Pardede Dr Diana Martiani Situmeang, M.Pd Dr Eben Haezarni Telaumbanua, M.Pd Eben Heazarni Telaumbanua Elfrida Yesni Simangunsong Irwansyah Lince Rauli Ture Simamora Lisper Sihombing Rhyky RD Sihombing, M.Th Robert KA Simangunsong Roy J. M. Hutagalung Shinta Nifati K. Zebua Sudirman Lase Tahadodo Waruwu Yerlin For Wance Lombu