Claim Missing Document
Check
Articles

Found 7 Documents
Search

WARISAN BUDAYA SEBAGAI BARANG PUBLIK: Cultural Heritage as Public Property Bambang Sulistyanto
KALPATARU Vol. 27 No. 1 (2018)
Publisher : Pusat Penelitian Arkeologi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/kpt.v27i1.543

Abstract

Abstract. The basic concept of this research departs from the view that cultural heritage is essentially a property of community, so that it requires public policy to manage it. Based on such perspective, the research was focused on the management of cultural heritage as public properties. The objective of this research is to reveal the management of public property from the aspects of public policy which was primarily derived from the study of scientific literatures and empirical evidences. This research used qualitative and explanative method using public relation model that emphasized on the effort to improve people’s perspective on the image of archaeology. Until today, the hypothesis that cultural heritages are public properties which could be enjoyed unconditionally by the public remains a theory. The research results proved that the hypothesis was correct. Keywords: Policy, public, management, cultural heritage. Abstrak. Konsep dasar penelitian ini berangkat dari pandangan bahwa warisan budaya pada hakikatnya adalah milik masyarakat sehingga dalam pengelolaannya diperlukan kebijakan publik. Berangkat dari konsep di atas, permasalahan penelitian ini adalah “bagaimanakah pengelolaan warisan budaya sebagai barang publik”? Tujuan penelitian ini terfokus pada pengelolaan barang publik ditinjau dari aspek kebijakan publik yang berasal dari berbagai literatur ilmiah dan didukung pengalaman pribadi penulis selama berinteraksi dengan masyarakat. Kajian ini bersumber dari sintesa berbagai hasil penelitian yang telah dilakukan sebelumnya dalam berbagai tema dan topik penelitian. Metode yang digunakan adalah eksplanatif kualitatif dengan pendekatan hubungan masyarakat (public relation model) yang menekankan pada upaya perbaikan image ‘citra’ arkeologi di mata masyarakat. Barang publik untuk rakyat yang semestinya dapat dinikmati secara gratis oleh masyarakat hanya berupa teori. Hasil penelitian ini mengungkapkan bahwa pengelolaan warisan budaya sebagai barang publik tidak bisa sepenuhnya dapat dinikmati oleh masyarakat secara gratis. Kata kunci: kebijakan, publik, pengelolaan, warisan,budaya.
KONFLIK SUMBER DAYA ARKEOLOGI PADA ERA OTONOMI DAERAH Bambang Sulistyanto
Naditira Widya Vol 3 No 2 (2009): Naditira Widya Vol. 3 No.2
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v3i2.182

Abstract

The benefiting from archaeological resource during the district autonomy era -prior to the reformation era- in Indonesia shows varieties of conflict concerning either the factors which have caused the problems or the actors involved in the conflict. My research suggests that conflict of benefiting from archaeological resources had appeared due to mishmash of several old issue which was developed into new issue as a result of the reformation movement. Old issues which had to be dealt with were the theft, condemnation and destruction of cultural heritage. Such issue occured becauce of clashes of interest between the government’s intention to preserve archaeological resources and the basic economic needs of the community surround the site to provide a secure life. Meanwhile, new issues surfaced due to the development of democracy euphoria within the district goverment as the consequence of the commencement of Law number 32 tahun year 2004 concerning District Autonomy. Horizontal conflict between the central goverment in Jakarta and district goverments has emerged in regard to differences of perception on how to give meaning to archaeological  resources, which eventually caused differences of interest in benefiting from archaeological resources. Nevertheless, since the commencement of the reformation era in Indonesia, the people have been expreriencing enlightenment beyond expetation. Therefore, it is not surprising that the people of Indonesia show admirable response to deal with problem solving in manging the archaeological resources; they are more proactive and even demand their rights to be involved in managing the archaeological resources, which are essentially belong to the  people of Indonesia. This article discusses the conflict resolution in a cultural management resourch approach.
KEMUNGKINAN PROSA BUBUKSAH SEBAGAI SASTRA LUAR KERATON Bambang Sulistyanto
Berkala Arkeologi Vol 7 No 2 (1986)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1957.812 KB) | DOI: 10.30883/jba.v7i2.458

Abstract

Tulisan ini mencoba mengungkapkan latar belakang sosial dari kalangan masyarakat yang melahirkannya. Artinya, apakah prosa Bubuksah dilahirkan oleh pujangga kalangan keraton atau sebalikriya dari kalangan luar-keraton. Oleh karena naskah Bubuksah itu sendiri hingga kini belum pernah diterbitkan dalam bentuk cetakan maupun terjemahan, maka sebagai dasar kajian ini hanya dibatasi pada ringkasan cerita sebagaimana yang disajikan oleh van Stein Callenfels (1919: 348-361). Diakui bahwa sumber data yang dipergunakan sangat lemah clan kurang memadai, oleh karena itu interpretasi yang diajukan di sini perlu sekali untuk selanjutnya dikaji dengan penelitian-penelitian yang lebih mendalam, dengan menggunakan data lain dan dari sudut pandangan lain.
Kalang, Tinjauan Historis-Antropologis Bambang Sulistyanto
Berkala Arkeologi Vol 14 No 2 (1994): Edisi Khusus
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1116.635 KB) | DOI: 10.30883/jba.v14i2.708

Abstract

The terms of “kalang” substantially mentioned in Old Javanese inscriptions. It’s meaning oftenly associated with professions in the timber producing or carpentry. It’s definition drawn from the existence of "wong Kalang" in the past, it refers to a group of people living on the edge of the forest in several places in Java, as woodcutters or lumberjack. This article will try to discuss the meaning of kalang, through historical-anthropological studies. Accordingly, kalang is not only seen from the definition, instead the study tends to draw a historical frame of kalang as a group of people who continuosly lived from time to time. Hence, these problems cannot be discussed in detail, but some important aspects will be addressed.
RESOLUSI KONFLIK PEMANFAATAN SUMBER DAYA ARKEOLOGI DI INDONESIA: SUATU KERANGKA KONSEPTUAL (RESOLUTION OF CONFLICTS REGARDING THE UTILIZATION OF ARCHAEOLOGICAL RESOURES IN INDONESIA: A CONCEPTUAL FRAMEWORK) Bambang Sulistyanto
AMERTA Vol. 24 No. 1 (2006)
Publisher : Badan Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

ABSTRAK. Sejak era reformasi tahun 1999, masyarakat Indonesia telah mengalami pencerdasan dan pencerahan yang luar biasa. Selain itu, masyarakat kini semakin menjadi sadar akan hak-haknya dalam konteks memaknai warisan leluhurnya. Oleh karena itu tidak mengherankan, dalam urusan pengelolaan sumberdaya arkeologi, mereka tidak lagi bersikap apatis seperti yang terjadi pada masa orde baru. Sebaliknya pada masa otonomi daerah ini, mereka lebih bersikap proaktif dan bahkan mulai menuntut hak-haknya untuk ikut terlibatkan dalam pengelolaan sumberdaya arkeologi. Sebagai akibatnya, muncul berbagai konflik pemanfaatan yang akhir-akhir ini sering terjadi di berbagai tempat khususnya pada situs-situs yang menjadi pusat perhatian masyarakat luas. Banyak faktor penyebab munculnya konflik pemanfaatan sumberdaya arkeologi baik secara kultural maupun struktural. Tetapi faktor penyebab tersebut tidak dapat dilihat secara sepihak, karena dilatarbelakangi oleh sejarah sistem pengelolaan warisan budaya yang selama ini masih mengikuti pola kolonial dan beberapa factor perubahan sosial budaya dan politik yang sangat rumit dan cepat, sehingga solusi pemecahannya pun diperlukan kebijakan ekstra yang tidak mudah. Demikian pula, faktor penyebab konflik yang terjadi di berbagai tempat tidaklah sama, sehingga dalam penanganannya diperlukan strategi resolusi konflik yang sesuai dengan akar permasalahan pada masing-masing daerah tersebut. Secara konseptual resolusi konflik pada hakekatnya lebih merupakan proses penghapusan konflik melalui metode analitis dan mampu menjangkau akar permasalahan. Resolusi konflik juga merupakan solusi yang bersifat permanen terhadap suatu problematik yang melibatkan dua pihak atau lebih di dalam suatu konteks pemanfaatan sumberdaya arkeologi yang khusus.   ABSTRACT. Resolution of Conflicts regarding the Utilization of Archaeological Resources in Indonesia: A Conceptual Framework. The people of Indonesia have become more educated and cultured, since the beginning of the reformation period in 1999. Further effect of reformation is the awareness of the rights of the people of Indonesia to present the significance of their cultural heritages. Therefore, it is understandable that the people of Indonesia are more conscious dynamic in regard to the management of archaeological resources than that of the new order before 1999. Since the commencement of the regional autonomy, the people of Indonesia have become pro-active and began to claim their rights for involvement in managing the archaeological resources. This circumstance has resulted numerous of conflicts of benefiting from the archaeological resources in various regions, especially at sites which attract public interest. The conflict of benefiting from the archaeological resources is caused by a variety of aspects, cultural and structural. However, these aspects cannot be examined independently. The history of cultural heritage management indicate that 1) the system which have been used up to the present adhere to the colonial pattern constructed before the independence of Indonesia in 1945; and 2) A number of complicated and rapid change of social, culture, and politics aspects have also affected the conflict of interests. Therefore, it is necessary to establish an admirable policy to solve this problematical issue. Moreover, the conflict that occurred in each place is also caused by aspect particular to that place. Therefore, it is necessary to develop a strategic resolution to manage the conflicts taken place in every specific region. Conceptually, the essence of resolution for conflicts is a process of eliminating conflicts by way of analytical method that enable to reach the roots of problems. The resolution for conflicts is also a permanent solution for solving a problem between two parties or more in regard to a specific benefiting from archaeological resources.
KALANG, TINJAUAN HISTORIS-ANTROPOLOGIS Bambang Sulistyanto
Berkala Arkeologi Vol. 14 No. 2 (1994)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v14i2.708

Abstract

The terms of “kalang†substantially mentioned in Old Javanese inscriptions. It’s meaning oftenly associated with professions in the timber producing or carpentry. It’s definition drawn from the existence of "wong Kalang" in the past, it refers to a group of people living on the edge of the forest in several places in Java, as woodcutters or lumberjack. This article will try to discuss the meaning of kalang, through historical-anthropological studies. Accordingly, kalang is not only seen from the definition, instead the study tends to draw a historical frame of kalang as a group of people who continuosly lived from time to time. Hence, these problems cannot be discussed in detail, but some important aspects will be addressed.
KEMUNGKINAN PROSA BUBUKSAH SEBAGAI SASTRA LUAR KERATON Bambang Sulistyanto
Berkala Arkeologi Vol. 7 No. 2 (1986)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v7i2.458

Abstract

Tulisan ini mencoba mengungkapkan latar belakang sosial dari kalangan masyarakat yang melahirkannya. Artinya, apakah prosa Bubuksah dilahirkan oleh pujangga kalangan keraton atau sebalikriya dari kalangan luar-keraton. Oleh karena naskah Bubuksah itu sendiri hingga kini belum pernah diterbitkan dalam bentuk cetakan maupun terjemahan, maka sebagai dasar kajian ini hanya dibatasi pada ringkasan cerita sebagaimana yang disajikan oleh van Stein Callenfels (1919: 348-361). Diakui bahwa sumber data yang dipergunakan sangat lemah clan kurang memadai, oleh karena itu interpretasi yang diajukan di sini perlu sekali untuk selanjutnya dikaji dengan penelitian-penelitian yang lebih mendalam, dengan menggunakan data lain dan dari sudut pandangan lain.